“I believe that the human matters much more than the gear,” expresses Nicholas Freeman, a self-described in-camera artist based in Los Angeles. “That a creative person could use any gear to achieve great results.” I first came across Nicholas’ work by pure chance, just by scrolling through Twitter as one does on those hot, sultry summer days when your energy to do something other than holding your phone is just unavailable. I stopped scrolling immediately, mesmerized by the complex interplay between lights and shadows, visibility and invisibility, darkness and its opposite. When upon further looking, I learned that he did most of his work in camera? I had to ask for this interview. And I was lucky enough to get answers.
