Chris Gampat Chris Gampat

All articles by Chris Gampat

 

TONIGHT! Penumbra’s Geoff Berliner on Inside the Photographer’s Mind!

Join us! Our next guest on Inside the Photographer’s Mind is Penumbra Foundation’s Geoffrey Berliner. Continuing with our once a month interview series, our next photographer on Inside the Photographer’s Mind is Geoffrey Berliner. Geoff is one of the Co-Founders of the Penumbra Foundation, which specializes in keeping all of the super old styles and...
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Useful Photography Tip #191: Here’s Why Toning in Black and White Photography Is So Important

Today’s Useful photography tip is for every photographer that wants to get more into black and white photography, is into it, and that wants to understand how light and color can affect a scene. The opening photo of this post was done in black and white. When you look at it, you’d probably think that the lighting wasn’t that special or different. But click past the jump to see something a bit different....
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A Dirty Confession: I Enjoy Fujifilm’s JPEGs Sometimes More Than the RAW Files

Despite the fact that so many photographers would rather completely throw their cameras away than shoot in JPEG, I’ve come to realize that I actually like the look of the JPEGs of many cameras–Fujifilm in particular but the output from Canon, Sony and a number of others is also really stunning. While I’m not at all discouraging the shooting in RAW photo mode, I’m instead, encouraging the shooting in RAW and JPEG mode. And this doesn’t go necessarily just for Fujifilm; but I’ll admit that of the major camera manufacturers that they have the single most unique JPEG photos. Honestly, I’m also not even sure that that’s up for debate moreso than it is a fact....
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The Sony a6400 Has “Speed x AI” Along with Animal Eye AF Tracking

In addition to a big update to the Sony a9 via a firmware update, the company announced their brand new Sony a6400 camera. This new APS-C camera has a 24MP APS-C sensor at the heart and incorporates the company’s new Speed x AI. This update is coming to the company’s highest end cameras soon, but the new Sony a6400 applies it to pets, animals, and uses a bunch of new algorithms that have been talked about by the likes of Apple, Google, etc. when it comes to photography. At 11fps, it will theoretically be able to track your French Bulldog running around like the maniac it is....
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The Phoblographer’s Guide to Lomography Film in 35mm and 120 Formats

While some photographers look at Lomography as a reseller due to their rebadging of certain film emulsions, I don’t think that one can question just how much they’ve done for the analog film photography movement. The company that used to be branded as just a Hipster camera organization has grown and matured over the years into something else–creating many of their own unique lenses and taking advantage of just how well Instax does. If you’re looking for something sustainable and yet very good, you should consider their films....
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First Impressions: Sigma 28mm f1.4 Art DG HSM (Canon EF)

After reviewing their mammoth 40mm f1.4, we got the Sigma 28mm f1.4 Art DG HSM in and were able to relax a bit while understanding that it won’t be quite as heavy overall. The company’s newest wide angle lens is perhaps being looked at with great curiosity by street photographers, documentary shooters, and photojournalists. Arguably, 28mm is one of the focal lengths that emulates the look of the human eye. With weather sealing, a fairly lightweight body, and pretty fast focusing in a package that also exhibits beautiful image quality, there isn’t a whole lot that we’re finding we need to complain about with the Sigma 28mm f1.4 Art DG HSM....
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Review: Sigma 40mm f1.4 DG HSM Art (Do YOU Even Lift, Bruh?)

When I held the Sigma 40mm f1.4 DG HSM Art lens in my hands the first time around, I thought that it was massive. But it was only when it came in for the full review that I realized just how large it is. This lens is a special one from Sigma, it was designed first and foremost for cinema then photo second. As a result, the images from it are amongst some of the most muted that I’ve seen from a Sigma lens. In some ways, it reminds me of certain negative film stocks. Combine this with the weather sealing and fairly fast focusing abilities and you’ve got a winner, right? Well, if you don’t mind barely every pulling the lens out unless you need it because it’s so large and heavy, then sure....
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If You’re a Big Fan of Analog Photography, You’re Going to Love Geoffrey Berliner

Our next guest on Inside the Photographer’s Mind is Penumbra Foundation’s Geoffrey Berliner. Continuing with our once a month interview series, our next photographer on Inside the Photographer’s Mind is Geoffrey Berliner. Geoff is one of the Co-Founders of the Penumbra Foundation, which specializes in keeping all of the super old styles and techniques of...
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Portrait Photography Tutorial: How to Do a Hero Shot in a Few Simple Steps

If I had to define the hero shot style of portrait, then I’d say that it’s a portrait photo that likens a person to the iconic poses of many comic book and fantasy super heroes that we’ve come to know and admire over the years. These photos and images are often depicting someone looking off to the side or with a very particular lighting. Undoubtedly, these images elicit a feeling that the viewer gets. And getting that feeling in the image is easier than you’d think....
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The Lams of Ludlow Street Follows a Chinatown Family Over Almost 20 Years

“My biggest piece of advice would be to follow your instincts and your heart.” says photographer Thomas Holton in our interview with him about his project The Lams of Ludlow Street. “If something ‘feels’ right to you as a curious and engaged photographer, keep making work and pay attention to the narrative you want to tell.” This is part of the motivation behind the series in combination with him trying to reconnect with a part of himself. In a way, Thomas’ answers reflect him trying to find his tribe–something that all of us suffer from in some way or another. And like any good narrative, he shows that life is a series of ups and downs....
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The Nikon Z 14-30mm f4 S Solves That Pesky Wide Angle Filter Issue

One of the biggest problems with wide angle zooms is that they often don’t let a photographer attach a lens filter–but the Nikon Z 14-30mm f4 S is looking to change that. In fact, this is the biggest thing that stands out to us in the press release. The f4 constant aperture zoom lens starts out at 14mm and at that focal length you’ll be able to attach a standard UV, Neutral Density, Polarizing, etc. type of ring filter....
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The Panasonic Lumix S Full Frame Cameras Are Getting HDR and High Res Shot Modes

Some consider the Panasonic Lumix S series of cameras to be the only real competition to Sony right now in the professional grade mirrorless camera world partially due to their Dual Card slots, and today we got a few more details about what the cameras will offer. Panasonic’s press release today states that the company will offer both HDR and High Resolution shot modes. It isn’t crystal clear if this is going to be in both of Panasonic’s new L mount cameras, but there are also a few caveats....
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How Does Focus Peaking Work? An Introduction to Manual Focus with Mirrorless Cameras

Focus peaking is one of the absolute best things that happened to mirrorless cameras. It helped spur on and add to the idea that photographers could pick up all these cool, small, vintage lenses and get accurate focusing with them easily. Focus peaking was and primarily is a video technology. It was in camcorders long before it was in cameras but manufacturers decided to bring it over. It helps with focusing and if you want to know about how it works, then you’re in luck....
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Let Your Jaw Drop While Reading the Greatest Slap in the Face to Photographers

One day in my email, I found an ad served to me by Google. It was for photographers and with no experience needed. What it showed eventually was a giant rights grab....
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Deal: The Fujifilm X-H1 Just Dropped to $1,299 (Plus Grip!)

This is a pretty insane deal that’s available right now: the Fujifilm X-H1 flagship Fujifilm camera is now available for an insanely low price of $1,299. This is the lowest price that the camera has ever been brand new. What’s more, if you buy the camera, you can get it with a free booster grip....
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Review: Fujifilm GFX 50R (One of the Best Cameras I’ve Ever Tested)

As you can probably tell from the lede of this article, I’m incredibly happy with what the Fujifilm GFX 50R is capable of doing for so many reasons. For the first time, we have a medium format camera that isn’t really designed to be used in the studio and that is actually highly capable. That’s not to say that good things can’t be done with the Hasselblad X1D, but it’s a camera that has had its large share of issues thus far where Fujifilm hasn’t had their medium format cameras riddled with problems. While the Fujifilm GFX 50R is an incredible camera, I still can’t stop but sit here and wonder at how much further the system is capable of going. To that end, they’re a company that could honestly be much further ahead and yet they aren’t....
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Modern Camera Makers Need to Stop Sitting Pretty and Start Majorly Innovating

The more I look at the capabilities of smartphones and the more that I step into meetings with bigger photography technology companies, the more I start to wonder what traditional camera manufacturers think about staying ahead of the curve. If the sloth-like pace for them to create full frame mirrorless cameras and lenses is any indication, then I’m really scratching my head. Phone manufacturers, photography software companies and other companies are doing more things than ever to replace traditional cameras. When I hear verbiage like “giving designers the power to create photo-realistic images without paying for expensive photo shoots” I see the intent for disruption simply for personal profit. But I see other things too; most folks can’t tell the difference between a photo taken with a traditional camera and a phone anymore. In fact, if you didn’t look at the EXIF data you probably wouldn’t be able to tell. This is just one of the many features of the mobile web....
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The 5 Best Tools You’re Not Using to Grow Your Photography Business

While there’s no magic bullet for instantly growing your photography business, there are tools that can help. The top ones work best when used together, and they can be broken down into two categories: tools that help with lead gen (or getting leads/inquiries) and tools that help with lead management (or turning inquiries into bookings). Throw in a sprinkle of strategy and our community’s insider tips to optimize each tool and—voila—you’ll be getting more business in no time....
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Review: Fujifilm 8-16mm f2.8 R LM WR (Fujifilm X Mount)

When using the Fujifilm 8-16mm f2.8 R LM WR on the Fujifilm X-T3, I was both enthused and confused. In some ways, it feels like a massive prime lens as the zooming mechanic is almost completely internal. But at the same time, it’s big. At f2.8 and with a ton of weather sealing, I can sort of understand why though. This lens is designed for the photographer who needs the ability to shoot super wide and that has access to zoom capabilities. If you’re the type of photographer who prefer prime lenses then you’ll be perhaps more delighted with a lens like their very good 16mm f1.4 R WR. However, I must admit that the Fujifilm 8-16mm f2.8 R LM WR is an incredibly fun lens to use....
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Two Years Since Leaving DSLRs: the Editor’s Perspective on Mirrorless

A few years ago, I was incredibly frustrated with the entire photo industry in different ways than I am today; though it’s only a few years ago, I today see absolutely no reason for anyone to truly own a DSLR. But a mirrorless camera? I remember years ago when I started this site that I was waiting for the day when I wouldn’t need to carry around the giant Canon DSLRs that I had been using. As time went on, I phased out lots of Canon gear until the Sony a7r III and a Metabones adapter made it almost totally obsolete for me. These days I instead reach for the Canon EOS R when testing anything Canon EF mount–but Sony and Fujifilm have stayed a constant in my mirrorless journey....
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Just Remember: Sony, Canon, and Nikon are Nothing Without Their Lenses

There have been posts and videos online debating whether or not a user should go out and get a Sony a7 III, a Canon EOS R or a Nikon z6. My honest answer: Don’t get any of them. Sony has better products on the higher end, much better! Canon has yet to create a higher end camera. Nikon just needs to fix a whole lot of stuff and consistently is giving the oddest colors that we’ve ever seen. You’re all obviously entitled to your opinions, but I’d like to start stating facts....
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How To: An Introduction to Street Style Dance Photography

It’s quite easy for many photographers to scroll in their Instagram feed and double tap any dance photography that they see. The reason why is because it’s all pretty magical. Like everyone in the photography community says and does though, everyone wants to do it. But how? To figure this out, we talked to photographer Kien Quan and Omar Robles–arguably two of the bigger dance photographers on Instagram. In two separate interviews, we took a look at their work and asked for digestible quotes to help out other photographers....
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Review: Tamron 17-35mm f2.8-4 Di OSD (Canon EF)

When the Tamron 17-35mm f2.8-4 Di OSD was offered to us for review, I have to say that with all honesty I wasn’t all that excited. Zoom lenses are very useful, but primes are where my heart is. Tamron’s zoom lenses have traditionally been very good since their rework a few years ago to include the silver mount ring, but a zoom lens with a variable aperture and that isn’t a telephoto zoom lens to the nigh equivalent of going on a date with someone that you’re not all that excited about but do instead just to see if you can give it a shot. The first thing that you’re thinking is “Who the hell does that?”...
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Review: Fujifilm XF 200mm F2 OIS WR (Fujifilm X Mount)

The Fujifilm XF 200mm f2 OIS WR is currently the company’s longest telephoto prime lens and also, by far, their largest. Designed for wildlife photography and sports to some degree, this lens is arguably best used in the hands of a wildlife photographer. Though we were sent the lens with the company’s teleconverter, we felt it better to test it without it so that we’d keep the test as pure as possible. With some amazingly close focusing distances, weather sealing, optical image stabilization, and the ability to use a film simulation of some of the world’s greatest emulsions you’re going to get a product that is going to deliver jaw dropping photos. ...
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Useful Photography Tip #190: A Relatable Tip to Justify Your Costs as a Wedding Photographer

Though this is partially written in satire, I think that it’s a wonderful point to sometimes make to couples who are about to elope–just how to justify the costs of your services as a wedding photographer. And for years, the tradition has been to talk about the memories that they’re going to have, but they completely understand that. But what they don’t understand is the viewpoint of more than just them. So to that end, you need to think a bit more like them....
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Camera Bag Review: Billingham Rucksack 35 (Just the Essentials)

Reviewing the Billingham Rucksack 35 helped bring me back to basics; sometimes that’s all we need. I’ve been using the Billingham Rucksack 35 for a number of months now, and it has made me carefully consider what gear I bring on different occasions. This bag isn’t all that huge, but it’s designed in such a way that...
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Fujifilm: Please Make More Cameras with a Real ISO 100 Setting

Though your camera systems are great, I continue to become more and more concerned about where your camera system is going. When I first became enthralled with the Fujifilm system, the promise of full frame performance with an APS-C sensor held true. At the time, my Fujifilm X Pro 1 put my Canon 5D Mk II to shame. The Canon almost never came out with me and instead I’d have the Fujifilm adorned around my shoulder. But today, I can’t always say the same thing....
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Film Photography: Alive and Clicking in the 21st Century

This has been driven by a fantastic twelve months of innovation and is a critical milestone for an industry that was on its knees a short decade ago. It is also a great opportunity for the community to celebrate! Here at Analogue Wonderland we have been thoroughly enjoying the celebrations. But we have also taken the moment to reflect on our sales data, breaking down the 200+ films available to understand exactly what is driving the film explosion and expanding on what we can hope for in the coming years....
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Size Comparison: Fujifilm GFX 50R, Mamiya 6, Fujifilm GW 690 III

For those of us really interested in what the Fujifilm GFX 50R is like, we’ve got a size comparison for you. If you’ve ever held a Mamiya 6, then know that this camera is bigger. If you’ve ever held a GW690 III, then this camera is smaller. For what it’s worth though, the lenses on the film cameras are much smaller than the digital lenses on the Fujifilm GFX 50R....
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First Impressions: Sigma 40mm f1.4 Art DG HSM (Sample Images)

I saw the Sigma 40mm f1.4 Art DG HSM originally at Photokina 2018 this year, held it, and thought to myself about just how massive it is. But it wasn’t until getting it back in for review that I truly embraced the idea. The Sigma 40mm f1.4 Art DG HSM is a special lens–it was designed first for cinema and then Sigma decided that they might as well create a stills version too. The company packed everything into here: good glass, color that has a specific look to it, weather sealing, etc. Considering that it is part of the Art lineup of lenses, then we really just have to assume that it’s going to be great. Pretty much every lens that we’ve tested thus far in the Art Lineup has been mostly flawless....
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Useful Photography Tip #189: A PSA for Those Who Shoot Slide Film

Lots of film photographers really only shoot their film, develop, scan and then mess with the scans in post afterwards. But if you’re shooting slide film, then you’re probably denying yourself a whole lot of justice. Those who shoot Ektachrome, Provia, Velvia etc. should really put their film down on a white box, get a magnification loupe and look at all the beautiful details that the original piece has to offer. There are even apps on your phone that will act as a white box–and all you need to do is take the positives, put it down on the screen, and look at the images with a magnification loupe that will let you cut out excess light around the image. ...
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There Is No Good Reason Why All Cameras and Lenses Aren’t Weather Sealed

The year that this post is written in is 2018; and for some really odd reason, all cameras aren’t weather sealed at this point. But it’s beyond that; the camera manufacturers I genuinely feel need to find some way to step their game up across the board. Let’s start out with point and shoots–last year Fujifilm unveiled the absolute astonishing Fujifilm X100f. The biggest feature that it’s missing: weather sealing. Then this year, Sony gave us the new Sony RX100 Mk VI and is charging nearly the price of the X100f. Again, no weather sealing. Why? It boggles my mind in so many ways....
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Inside the Photographer’s Mind: Photojournalist Frank Smith

On our most recent episode of Inside the Photographer’s Mind, we talked to Photojournalist Frank Smith–who has worked to be a very special photojournalist. Most of the work that we know from photojournalists are seen in media, but Frank’s is quite different. He’s often commissioned by non-profits with causes that stem in different countries. For example, he shared with us one particular story of being in a brothel in India and this being one of the scariest moments of his life....
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We’ve Updated Our Canon EOS R Review: RAW Edits in Capture One 12

With the Canon EOS R, we’ve found that the RAW files in Capture One 12 are surprisingly robust and yet even more capable than they are in Lightroom. Personally speaking, I bought the Canon EOS R because of both the lenses and how it renders skin tones. I still stand by this, but I’ve also been pleasantly surprised at how good the image quality output is in general. The colors are fantastic, the high ISO output is more than good enough or both the web and prints, and the dynamic range has proved itself to be very useful. ...
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We’re Still Hiring: Art Writer, Podcaster, and Video Producer

We’re expanding the Phoblographer staff even more! Hi folks, we’ve brought on a new Tech Writer and the Phoblographer is still looking at expansions. So if you’re interested, please apply to the positions below....
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Join Us on Instagram Live as We Interview Photographer George Byrne

We’re deciding that we’re trying something brand new on the Phoblographer’s Instagram channel in the form of live interviews–and our first will be with Urban Geometry Photographer George Byrne. George Byrne creates large-scale photographs that depict everyday surfaces and landscapes as painterly abstractions. Borrowing from the clean, vivid clarity of modernist painting, he also references the New Topographics photography movement via a subject matter firmly entrenched in the urban everyday....
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We’ve Updated Our Nikon z7 Review: RAW Edits in Capture One 12

The Nikon z7 finally has support from Capture One 12 after the recent update, and so we’ve added this to our Nikon z7 review along with a comparison against what we did when editing in Adobe Lightroom. Editing in both programs when it comes to the Nikon z7 is interestingly different. Both programs showcase that the Nikon z7 is a very capable camera but the way that the editing happens is much different. In addition to that, both programs are capable of delivering much different looking images....
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HOLY CRAP PACKFILM IS COMING BACK AND THIS IS HUGE OMFG!!!!

We’ve previously reported on Florian Kaps being hard at work to bring back packfilm–and now we know that we’re at the final crossroads. Today, him and Supersense are announcing a brand new Kickstarter campaign. This campaign is asking for funding to get the film production back up and running. For the uninitiated, Kaps was one of the folks behind the Impossible Project which later became Polaroid Originals. Without his help, much of the film for the old Polaroid cameras would be gone. This new peel-apart pack film is going to be called ONE INSTANT....
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Yes, The Fujifilm GFX 50R Survived 45 Minutes in the Rain and Kept Working

As part of our recently announced review testing parameters change, we decided to hold the Fujifilm GFX 50R to the claims of weather sealing: specifically with rain and dust resistance. So over the past weekend, we walked around Brooklyn with it–in pretty heavy downpours that otherwise left out jackets pretty moist. The results? Well, not only did the Fujifilm GFX 50R perform very well on its weather sealing test, but it also excelled in a number of other areas too....
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Five Tips on How to Not Create an Awful Watermark (And Not Get Your Photos Stolen)

It’s no secret that photographers are scared about watermarking and that it’s often been seen as a faux pas for lots of us out there. But watermarking is something that I’ve always found to be essential not only for protection of your images, but also for branding. There is no good reason not to watermark your image. For starters, it’s your image! When you do anything in life, you most likely customize it to your own wants and needs. If you’re the owner of certain cameras, you also probably use the embed copyright data capabilities from the camera to input said information. If you’re even doing that, then you obviously care about your images....
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Tomorrow: Photojournalist Frank Smith on Inside the Photographer’s Mind!

Tomorrow: Photojournalist Frank Smith is also an Olympus Visionary; and on the next Inside the Photographer’s Mind, he’s showing us his unique vision. Our final guest for 2018 is photojournalist Frank Smith, an Olympus Visionary who has worked on many travel assignments over the years. His work has been shedding light on cultural issues including...
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These High Quality Photo Prints are Made in the Darkroom: Similar to Chrome Film!

Duggal renamed their chromogenic prints to their HD-C prints a number of years ago. Why? Maybe just to get with it in the digital world and for better marketing. But if you’re understanding of how fantastic prints from darkroom processes can be, then you’ll understand the affordable yet super high quality that they’re delivering to customers via ShopDuggal. These images are made using a very special machine that was previously in use for Spy work. Printing at 600DPI, Duggal’s HD-C Prints are made at a super high resolution that can only be experiencing when using a loupe put right up onto the photos....
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These Companies Are Supporting the Biggest Photography Rights Grab We’ve Seen in a While

You’ve probably read the Photoshelter Blog post about Unsplash and why their competitor Squarespace is screwing photographers. I’ve kept my thoughts to myself for a while until a buddy showed me the scope of the Unsplash awards. It draws you in with nice designs, sleek marketing, and the variety of awards that are being judged by big wigs at various companies. I’ve seen this before with EyeEm–a company that for a long time I stood behind until I felt betrayed by their portrayal of Photo Editors as nothing but an algorithm. To that end, I see Unsplash as doing nothing else but the absolute worst rights grab I’ve ever seen....
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Tutorial Video: Editing a Black and White Photo in Capture One 12

In Capture One 12, it’s pretty easy to get a better black and white image with just a bit of thought and understanding. Capture One 12 is out now, and we’ve given it an Editor’s Choice Rating. We’re very aware that more of you are interested in working with the system and so we recently...
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Review: Yashica Y35 (The Camera for a Digital Photographer to Step Up to Film With)

I purposely have taken my time reviewing the Yashica Y35 to figure out if it’s really as bad an awful of a camera as some folks are making it out to be. For the uninitiated, the Yashica Y35 is a camera that was funded and created off of Kickstarter. This isn’t the original Yashica, but instead a Hong Kong company who took it over and decided to create something fundamentally different from most other cameras out there. To emulate the look, feel, and experience of film cameras the company created a camera that doesn’t have a back LCD screen and that requires you to buy film packs to get a different look. Then you plug your SD card into the camera and get the images. On top of that, you’ll need to shoot then advance the film lever, and only then can you shoot again....
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Unfortunately, The New Rokinon SP 35mm f1.2 Only Comes in Canon EF Mount

That lede is honestly quite true, but the Rokinon SP 35mm f1.2 is limited to only Canon EF mount–and that means that you’re going to need to use an adapter of some sort if you’re a Sony FE camera user or similar. In fact, we’re really confused as to why this lens is only available in Canon EF mount options. Sure, I don’t really mind using a Metabones Adapter for a Sony camera or a Canon EF-RF adapter, but considering how fantastic Rokinon’s 50mm f1.4 AF FE is for Sony, we’re really scratching our heads on this one....
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If There Really is a Sony 60MP Full Frame Sensor with 16 Bit Depth Color, It’s Going to Change So Much

With the web, monitors, Apple and Google all looking to catch up to the photography world in some way or another (and doing a good job) it’s nice to know that there’s a slight possibility that a Sony 60MP 16-Bit sensor could exist. As it is, things like monitor calibration are almost totally consistent across newer monitors and platforms. In addition to that, lots of monitors claim to be able to deliver most of the Adobe RGB and SRGB color spectrums. But if a Sony 60MP 16-Bit sensor is real as Sony Alpha Rumors is reporting on, then that would mean that the entire tech industry would need to find a way to catch up to support that type of color possibility. ...
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Dear Sony: We Could Use f1.0 Lenses, or a Heck of a Lot More Innovation

I completely understand Sony’s take on the fact that f1.0 lenses won’t sell as well as an f1.2 lens for the Sony FE mount, but I think that this could help push not only Sony but other dedicated camera manufacturers to do something much bigger and better for the industry. I look at what Apple and Google are doing with phones and see that they’re going squarely after Sony, Canon, Nikon, Fujifilm, etc. But I don’t see the Japanese companies responding in any way and it perplexes me....
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Canon Doesn’t Really Need a High Resolution EOS R; They Need to Fix a Few Things

Canon has had the Canon 5Ds and Canon 5DsR for a number of years now, so it only makes sense that they’d “update” those cameras by taking those older sensors and recycling them into a newer camera body. At least, that’s sort of what I hope won’t happen. I genuinely hope that if Canon’s Watch’s reports on a new high resolution Canon EOS R camera are indeed true that they’d develop a new high resolution sensor of some sort and not just recycle the older one. That is something that arguably is owed to their customers. But even beyond that, there are some big updates that could make this new Canon EOS R even better....
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Inside the Photographer’s Mind’s Next Guest Is Photojournalist Frank Smith

Photojournalist Frank Smith is also an Olympus Visionary; and on the next Inside the Photographer’s Mind, he’s showing us his unique vision. Our final guest for 2018 is photojournalist Frank Smith, an Olympus Visionary who has worked on many travel assignments over the years. His work has been shedding light on cultural issues including regional...
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