HillaryGrigonis Hillary Grigonis

Hillary K. Grigonis is a photographer and tech writer based in Michigan. She shoots weddings and portraits at Hillary K Photography. A mother of three, she enjoys hiking, camping, crafting, and reading.

All articles by HillaryGrigonis

 

Like Magic, This Bag Converts: Manfrotto Advanced Hybrid III Review

Backpacks distribute weight on both shoulders for more comfort, but shoulder bags offer fast access to gear. For photographers stuck in the middle, there’s the Manfrotto Advanced Hybrid III camera bag. Park backpack, part shoulder bag, the Advanced Hybrid III allows photographers to convert from a backpack to a shoulder bag with just a few zips and clips. But, is the Manfrotto Advanced Hybrid III a useful convertible, or a bag that’s just stuck in the middle?...
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The Nikon Z 400mm f2.8 TC VR S is Here. This is Why I’m Excited.

Nikon’s previously-teased super-telephoto prime is no longer shrouded in mystery. The Nikon Z 400mm f2.8 TC VR S, announced today, is the mirrorless line’s first super-telephoto with a built-in teleconverter. The telephoto lens boasts several new features, including a new autofocus motor, Fn ring, and lens coating. All of this comes wrapped in a weather-sealed magnesium alloy lens that’s still two pounds lighter than its DSLR cousin....
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Capture One Fujifilm, Nikon, Sony Axed to Clear Way for New iPad App

says that each of these camera brands are supported in Capture One Pro 22 and that moving to a single program will help prepare for upcoming launches, including an iPad version. The move to one program, the company says, is to prepare for upcoming launches including the iPad app, which the company teased last year for arrival in “early 2022.” The change is also preparing for Capture One Live, a beta program that takes tethering one step further and allows shoots to be viewed live from anywhere with an internet connection. The Capture One family is now simpler — but also pricier for some users....
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Canon’s Quad Pixel Could Be the Next Big Thing

One of the hallmarks of Canon cameras is Dual Pixel AF. First introduced on DSLRs at a time when Live View mode was known for faltering autofocus, the technology turns each pixel into two focusing sensors. But, can Canon make the autofocus system that ranks among the best, if not the best, even better? A technology called Quad Pixel Autofocus could be Canon’s next big move. Recent patents have fueled rumors about the technology. But, just this week Canon has shared that it was the only company to rank among the top five for the number of U.S. patents filed for 36 years in a row. With 3,022 patents filed in the U.S. last year, there are bound to be some ideas that never really lead anywhere. Will Quad Pixel AF be one of them?...
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A New Fujifilm Flagship Is Coming. This Is What the Next X Camera Needs

When the Fujifilm X-H1 launched in 2018, it was heralded as Fujifilm’s flagship X Series camera. But, that was five years ago and, since that launch, the X-H1 lost flagship status as cameras like the X-T4 and X-Pro3 arrived with better specs. The years that have passed without an upgrade to the X-H1 — outside of firmware — have Fujifilm fans wondering if an upgraded X-H1 is even in the cards. But, as Fujifilm prepares to celebrate ten years of the X mount series in 2022, the rumors have started up again, with hopes that Fujfilm celebrates double digits with a new flagship....
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Sturdy. Sharp. Slow: Sigma 150-600mm f5-6.3 DG DN Review

When the L-Mount Alliance formed, it allowed companies like Panasonic to jump into full-frame mirrorless with a list of lenses already available. But, one thing the L-Mount family was missing was zoom, with optics from Leica topping out at 280mm and, later, Panasonic at 300mm. When Sigma started converting its line-up of lenses to mirrorless, however, the L-Mount family gained a super-telephoto, the Sigma 150-600mm f5-6.3 DG DN Sports....
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Is This Unique, Light Bag Adventure Ready? F-Stop AJNA 37L Review

Aluminum frame backpacks tend to make me regret my life choices as soon as I put them on. Often, the added structure isn’t worth the added weight. That’s not the case with the F-Stop AJNA, an adventure and travel backpack that has an aluminum frame so light, I didn’t even notice it at first. Combined with a waist belt, the backpack helps distribute weight on the hips instead of the back and shoulders....
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Superior Sharpness, Surprisingly Close: Nikon Z 105mm Macro Review

kon’s Z lenses tend to be much sharper than the older optics, an improvement that had me itching to try the system’s first macro lens. The Nikon Z 105mm Macro, formally called the Nikon Z MC 105mm f2.8 VR S, brings a true 1:1 ratio to the company’s full frame mirrorless system. The 105mm can shoot from about a foot away. So how does the Nikon Z system’s sharpness translate when up close?...
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Versatile and Practical: Vanguard Veo 3T+ 264CB Carbon Review

Tripods may be necessary for some shots, but they tend to limit the possible shooting positions. The Vanguard Veo 3T+ 264CB Carbon, however, uses a center column that rotates in seconds, allowing for flat lays, shots of the stars directly overhead, or odd angles in between. Add in the short to tall height range, and this updated Veo travel tripod can capture a pretty wide range of angles. And if you need those angles to be exact, Vanguard has even included not one but three different scales for panning and two different levels....
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This Cheap Flash Is Great! Flashpoint Zoom Li-on III Review

There are just some things that you shouldn’t buy as cheap off-brands. Oreos. Coffee. Running shoes. But, flashes shouldn’t be one of them, offering in many cases more features and power than options made by major camera manufacturers. The Flashpoint Zoom Li-on III is one of those flashes. With a long feature list that ranges from multi-shot to HSS and built-in radio transmission, the Zoom Li-on III has a lot to offer for under $300....
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The New Canon EOS R6 Firmware Is Incredibly Impressive

The Canon EOS R6 won my respect with an impressive autofocus system that excels even with fast subjects and tricky lighting. But, that system just got an upgrade. Earlier this month, Canon released firmware 1.5 for the EOS R6, which adds vehicle detection, among other improvements. I downloaded the latest Canon R6 firmware to see how the new features hold up....
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Wicked Sharpness, Beautiful Bokeh: Leica Summicron M 90mm f2 Review

While the nifty fifty gets all the attention, a 90mm prime brings that bokeh in closer. The Leica M-mount system doesn’t have any shortage of 90mm options. The Leica Summicron M 90mm f2 is brighter than the company’s Macro f4, yet less than half the price of the Summilux M 90mm f1.5 ASPH. It brings a classic Leica look to a longer prime with still excellent bokeh and a durable, yet compact build....
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Beautifully Made Luxury Telephoto: Leica M 135mm F3.4 Review

The Leica M 135mm f3.4 is one of the longest lenses in Leica’s beloved M mount system. As such, it brings more background separation and the ability to get in close without physically being close. The lens, formally known as the Leica APO Telyt M 135mm f3.4, brings several key features that I’ve come to expect from the system, starting with the solid build and continuing to the color and contrast. Of course, it has a price that I’ve come to expect from the system as well — $4,495....
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Tiny Lens Meets Unique Design: Leica Macro Elmar 90mm Review

The Leica M system has several great portrait lenses. The Leica Macro Elmar 90mm f4, however, is often overlooked. While it doesn’t have the f2 of the Summicron, this 90mm is incredibly tiny, focuses in closer, and comes in a little less expensive. The build is a bit different than most M mount lenses, with a collapsable design that also helps the lens achieve infinity focus....
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Great Price, Feeble Edges: Canon RF 16mm F2.8 STM Review

Ultra-wide angle lenses tend to be both huge and expensive. But, Canon’s widest full-frame mirrorless prime is also one of the company’s most affordable lenses. Beat in price by only the $199 nifty fifty, the Canon RF 16mm f2.8 STM sits at just $299. At under six ounces, it barely adds weight to the front of the camera. And, it’s an ultra-wide-angle lens that doesn’t have an equivalent in the EF mount....
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A Remarkable AF, Low Light Jackpot: Canon EOS R3 Review

Photographers now can take their pick of cameras that can shoot stills fast enough to actually be movies. But Canon’s approach to a speedy flagship is arguably the most different from Sony’s and Nikon’s. Instead of creating a camera that can both shoot fast and shoot high resolution, the Canon EOS R3 uses a less-headline-worthy 24.1-megapixel sensor. Canon is taking a gamble here that the photographers who want 30 fps are also the photographers who prioritize exceptional low light performance over high resolution. And, they’re trying to sweeten the deal with an autofocus system that will just focus on whatever you’re looking....
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Review Update! The Nikon Z7 II Can Now Fix Weird Green Skin in the Camera

The colors on the Nikon Z line feel very similar to the company’s DSLRs. Which is to say that the colors are often good, but sometimes need to pull the white balance away from the greens. The latest firmware for the Nikon Z7 II aims to help fix the occasional green skin tones with something the company is calling Portrait Impression Balance. I recently tried out the feature, which launched with firmware version 1.30, and we’ve updated our Nikon Z7 II review accordingly....
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Love at First Sight? Canon EOS R3 First Impressions

Canon’s mirrorless lineup finally has an option to compete with the likes of the 1DX-series DSLRs — and it impresses immediately out of the box. The Canon EOS R3 has the grip and weather-sealing of the 1DX series, the speed of a mirrorless camera on steroids, and even the eye control autofocus from film cameras like the EOS 5. It sits in competition with the Nikon Z9 and Sony A1 for speed, yet curiously keeps the lower resolution of Canon’s sports-focused 1DX series....
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This Ultra-Wide Is Really Beautiful: Canon RF 14-35mm F4 L Review

Ultra-wide lenses require big, heavy glass. That’s even more true for zooms, which can easily start to approach the weight of a telephoto. But the new Canon RF 14-35mm f4 L weighs just over a pound, yet includes stabilization. With the L in the name and a $1,699 price tag, however, Canon’s new ultra-wide mirrorless has a lot to live up to....
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It Looks Like a Kit on Steroids: Tamron 18-300mm F3.5-6.3 Di III Review

Kit lenses are affordable ways to get started, but limited in their versatility. The new Tamron 18-300mm f3.5-6.3 Di III, however, feels like a kit lens on steroids. It has some of the same downfalls, but reaches much farther, shoots much closer, and doesn’t cost or weigh too much. For $699, it’s going to tempt photographers who like their kit lens but want something that shoots even farther. It may even entice some to go body only, with this in the shopping cart instead of the kit....
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A Happy Medium: 3 Legged Thing Travis 2.0 Tripod Review

There’s the travel tripod and the studio tripod — and then there’s the new 3 Legged Thing Travis 2.0. While it’s not a travel tripod, the new Travis 2.0 is a go-between. It’s not quite as light and compact as a travel tripod but has a bit more stability, a higher weight capacity, and a height limit of almost 5.5 feet. Weighing about four pounds, it’s not too heavy to easily leave the studio. And, folding down to 17.9”, still sits within the carry-on dimensions. Add in a price of under $200, and the Travis 2.0 is easily an intriguing option....
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Tested: Which Sony 70-200mm F2.8 GM OSS Is Better?

Sony’s well-loved 70-200mm f2.8 workhorse lens is getting a makeover. Announced on Oct. 13, the Sony 70-200mm f2.8 GM OSS II has a number of improvements, including upgraded autofocus, an aperture ring, and improved optics. But, Sony says that the original lens isn’t going anywhere, at least not yet. So what’s the difference between the two lenses? Is the Sony 70-200mm f2.8 GM OSS II worth the higher price point?...
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Improved and Really Fantastic: Sony 70-200mm F2.8 GM OSS II Review

pgrading the five-year-old 70-200mm f2.8 GM OSS. And Sony-tographers are going to be pleased. The Sony 70-200mm f2.8 GM OSS II has a Mark II in the name, but many of the updates feel more significant than that. The lens is significantly lighter and the autofocus now has four motors and a lower close-up limit. Oh, and there’s a dedicated aperture ring too....
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What Is the Top Mirrorless Camera? I Shot with 5 Stunning Options

weird quirks are either endearing or ignorable. As the Reviews Editor at The Phoblographer, I test cameras for a living. Yet, when I decided I was done with my DSLR, I wasn’t quite sure which direction I wanted to head next. To continue the dating analogy, I hadn’t had the this-is-the-one moment. I hadn’t yet fallen in love. I hadn’t found the top mirrorless camera for me....
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This Unique Bag is Fast But Stiff: Morally Toxic Wraith 15L Review

Camera bags generally fall into two camps: the athletic, nylon bags, or the more fashionable canvas or leather options. The new Morally Toxic Wraith 15L doesn’t pledge allegiance to either camp. The bag has nylon material, but it’s a pebbled, textured look that feels more punk rock than sports jock. Yet, the bag has a suede-like accents that feel more reminiscent of canvas bags. It’s a combination that’s both unique and eye-catching....
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APS-C Vs. Full Frame: Can you Guess Which Photo Came from a Crop Sensor?

If there’s one single item on a camera’s list of technical specifications that indicates image quality, it’s the image sensor. Yes, the processor plays a role here too, but the sensor, the mini semiconductor that’s capturing the image, is the biggest determining factor in how images from the camera body look. And, more important even than megapixels, is the sensor’s size. But, just how much does size matter? Can you tell when a photograph was taken with a crop sensor and when it was taken with a full-frame sensor? Without looking at metadata, can you pick out APS-C Vs. full frame just by looking at the resulting images?...
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Beautiful, Yet Gigantic: Panasonic 70-200mm F2.8 Lumix S Pro Review

The 70-200mm f2.8 is revered among photographers for its versatile, yet bright design. The mid-to-telephoto workhorse, however, is often heavy. The Panasonic 70-200mm f2.8 Lumix S Pro is the epitome of both the category’s versatility and weight. With up to 7 stops of stabilization when combined with in-body stabilization, the lens delivers steady shots even at the telephoto end. But, at almost 3.5 pounds, it’s also heavier than mirrorless options from Canon, Sony, and Nikon....
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The New Cheap Canon RF Lenses Look Enticing — for Dry Photography

Canon’s early RF mount lenses focused on the pro rather than budget photographers. But, the company’s latest glass expands Canon’s list of under $700 mirrorless lenses. The Canon RF 16mm f2.8 STM is a lightweight pancake lens that’s priced at $299. The new RF 100-400mm f5.6-8 IS USM, meanwhile, offers a lot of zoom for under $700. Despite Canon’s budget RF cameras like the Rp being weather-sealed, however, both of the newest cheap Canon RF lenses are not made for rain....
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Canon EOS R3 Solves Genuine Problems — But Can It Pummel Sony A1?

deal. The Canon EOS R3, a flagship camera geared towards sports, wildlife, and photojournalism, is expected to begin shipping at the end of November. Previous announcements have already detailed the camera’s major features, including 30 fps burst shooting, eye-control autofocus, and a 24.1-megapixel Canon-made stacked sensor. But, today’s announcement offers details on the seemingly small features that dramatically improve the shooting experience....
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This 50 Is Both Tank and Treasure: Leica SL 50mm F2 Summicron Review

Leica lenses are known for a durable, all-metal build. But, of course, metal weighs more than plastic. The Leica SL 50mm f2 Summicron is designed to be a lighter, more compact alternative to the Leica SL 50mm f1.4 Summilux. Of course, the term lighter is relative. I wouldn’t call a metal lens a lightweight. Yet it’s still lighter than the Panasonic Lumix S Pro 50mm f1.4, Leica’s f1.4 and feels almost perfectly balanced with the Panasonic S5 body....
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Good Photos on the Cheap: Epson EcoTank Photo ET-8550 Review

Ink is one of the higher expenses for photographers doing in-house printing — and not exactly environmentally friendly. Epson is aiming to ease both concerns by bringing the EcoTank line into a photo printer. The Epson EcoTank Photo ET-8550 is a mid-level photo printer with refillable ink tanks. The ink included with the printer itself will last for about 2,300 4×6 prints and replacing it will cost only about four cents a print That, and the $700 price is very enticing to serious hobbyists and photographers on a budget....
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A Simple Little Box That Shoots Vibrant Photos: Sigma Fp L Review

camera that, with accessories, allows photographers to build back only what is needed, from grips to viewfinders and a hot shoe slot. Carrying on the same body style of the original fp, the Sigma fp L adds a higher-resolution 61-megapixel sensor. The autofocus also gets a boast, and the camera houses more color profiles, along with other smaller tweaks....
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Photographers Need More Practical Camera Bags for Women

The design of many women’s products makes functionality feel like an afterthought. The front pocket of the jeans that I’m wearing won’t even fit halfway up my hand. (Forget about actually putting anything useful in them, like a phone or keys.) Men’s razors often have more blades for less money. The vast majority of camera bags made for women similarly put atheistic over function. I’m bombarded by Facebook ads for purse-like camera bags that put the weight of heavy gear on dainty straps. That’s fine for compact lightweight gear, but what about a girl with a full-frame camera and an f2.8 zoom lens? There’s nothing dainty about carrying heavy lenses on a small slice of one shoulder. Women need a practical camera bag that carries lots of gear too.  ...
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Unexpected, Practical and Green: Lowepro PhotoSport BP AW III Review

Hiking camera bags are made for the outdoors. But, too often, those bags forget the outdoors when it comes to what they are actually made with. The Lowepro PhotoSport BP AW III is the company’s first bag in a new, sustainable green line. The bag aims to appease outdoor photographers by helping carry gear — and eliminating waste by offering a build that’s 75 percent recycled fabrics. But, can a backpack made from things people threw away protect camera gear — and offer quick access?...
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Wow Speed, Great Durability, ’Meh’ Design: HP ZBook Power G8 Review

For photographers, choosing a laptop is often a balance between power — and price. The HP ZBook Power G8 is designed to fit in that balance. The Power line isn’t as robust a performer as HP’s Fury line, but it’s a step up from the more portable Firefly and Studio lines. With the base model starting at $1,899, it is $500 less than a MacBook Pro with the same storage. Heading all the way up to $3,149 for the most memory, the Power G8 isn’t a cheap laptop. But, it offers a lot of high-end performance without the highest price tag....
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This Epic Flash Dances in the Rain: Canon Speedlite EL-1 Review

Hot shoe flashes offer the flexibility of both on and off-camera use. But, the external flashes tend to have more limited power and settings than strobes. Canon’s new flagship flash, however, is powerful enough to use with a 200mm zoom lens. Despite the power, the Canon Speedlite EL-1 can add just a touch of light with the ability to go all the way down to 1/8192 power. And, with weather-sealing, versatile power isn’t the only way Canon is trying to set itself apart....
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This Actually Solves Stupid Back Sweat: Cosyspeed Photohiker 44 Review

When camera bag makers design bags, they design around the camera. Cosyspeed’s newest backpack takes the opposite approach. The Cosyspeed Photohiker 44 is made around the carrying system first, and the camera second. The goal, the company says, was to create a bag that was comfortable to carry lots of gear for long hikes. So, was putting emphasis on the comfort first and camera second worth the effort?...
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We Survival Tested PNY SD Cards in the Laundry. Were They Destroyed?

SD cards are like mini hard drives — but that mini part means they are prone to loss and destruction. I’ve lost SD cards to a chewing puppy, to a toddler bending a plugged-in card, and to inexplicable card errors. (Thankfully, all after transferring the images.) When PNY reached out with their Elite-X and Pro Elite Class cards, there was little doubt that the cards would be able to handle living in a camera. But, we wanted to see if the PNY SD cards could handle what happens after you pull them out of the camera. Like when you accidentally put them in a pocket and don’t remember until after laundry day....
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90s Colorful, Cheap Camera: Fujifilm Quicksnap 800 Waterproof Review

I’m on a mission to summer like it’s 1990. But, there was something missing amid the Disney classics, scrunchies, and sending my kids in the backyard for a few minutes of quiet. That something missing was childhood photos like the ones in a plastic tote at my parent’s house. You know, the ones with lots of grain, cheesy smiles, and colors that can’t be imitated in an Instagram filter. I found exactly that in the Fujifilm Quicksnap 800 Waterproof....
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The Wandrd ROAM 6L Is a Durable But Strange Sling

Wandrd bags are loved by many photographers for the blend of versatile designs and durable materials. But, the company largely produces backpacks. With the new ROAM, Wandrd is taking a step outside its comfort zone. But is it a misstep? The Wandrd ROAM 6L is a sling bag that can also be worn like a messenger or as a belt....
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Sturdy Workhorse, or One Trick Pony? Sigma 28-70mm F2.8 Review

The 24-70mm f2.8 lens is a workhorse lens — but it’s a bit of a Clydesdale. The zoom mixed with the bright aperture tends to create a heavy lens that’s difficult to carry around all day. That’s why Sigma (gasp!) shaved four mm off the traditional workhorse wide-to-mid to craft the Sigma 28-70mm f2.8. The Sigma 28-70mm f2.8 DG DN Contemporary is nearly half the weight of the Sony G Master and even Sigma’s own 24-70mm Art series lens. At 16.6 ounces and $900, the E-Mount lens has several advantages before you even take it out of the box....
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Can You Tell What Photo Is from Bokeh AI in the New Luminar AI?

Creamy backgrounds generate bokeh envy. Smartphone companies, using artificial intelligence, have been trying to whet this appetite with portrait modes. But, now a major photo editing software is joining the fray. Luminar A.I., a scaled-down beginner-friendly version of Luminar, has just announced its fourth major update. The refresh includes the addition of a major new tool — Portrait Bokeh A.I. The tool, made for portraits, recognizes the subject and offers a few different sliders to control the effect....
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This Massive, Unique 50 Is Imperfectly Beautiful: Zenit 50mm F0.95 Review

Modern lenses are becoming increasingly sharp, with an impressive ability to suppress flare and aberrations. But, as impressive as the sharpness of modern lenses is, photographers have taken to foggy filters, prisms, and Photoshop to add in character that the drive for optical perfection has dampened. Enter the new Zenit 50mm f0.95, a Sony E mount lens made from a Russian company that’s been around since the 1940s. The Zenit 50mm f0.95 is a freshly released 2021 lens that looks like it time-traveled to get here. The lens sports an all-metal look that’s difficult to find outside of Leica or adapted film lenses. And the images? The lens flare will make those Photoshop brushes jealous....
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This Revisited Bag Lost Its Way: Lowepro Flipside 400 AW III Review

I’ve used the Lowepro Flipside backpacks almost religiously. The Flipside design allows photographers to swing the bag forward on the waist belt, open up the full back panel, grab anything out of the main compartment, flip the bag back, and keep shooting. Few backpacks offer full access to every single lens slot without removing the bag. The flip design mixes the best benefits of a backpack with quick access that’s almost as good as a messenger bag. I fell in love with the first generation — which was affordable enough to pick up when I first started out –so naturally, I picked up the second generation. Now, the predecessor has arrived, but the Lowepro Flipside 400 AW III has big shoes to fill....
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Surprising Travel Magic: Tamron 11-20mm F2.8 Di III-A RXD Review

Crop sensor cameras make telephoto easy — and ultra-wide insanely hard. The Tamron 11-20mm f2.8 Di III-A RXD is the widest f2.8 lens with both zoom and autofocus for Sony’s crop sensor mirrorless cameras. Finding something close to Tamron’s new lens requires sacrificing zoom capabilities — or opting for a narrower aperture. Neither of which bodes well for versatility....
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I’m Falling in Like Slowly with the New Z7. A Nikon Z7 II Review

I have been a Nikonian photographer for more than a decade. Yet, after trying the company’s first full-frame mirrorless, I chose to stick with a DSLR. I simply didn’t have the confidence in the Z7 and Z6 autofocus system and lack of ability to record to two cards at once. That’s exactly what Nikon focused on in the second generation, however. The Nikon Z7 II keeps much of the first generation intact but steps up the autofocus, adds a second card slot, and moves to dual processors....
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Beautiful and Small! Canon RF 70-200mm F4 L IS USM Review

The 70-200mm lens is a workhorse lens, but the optics are also workhorse-sized. The Canon RF 70-200mm f4 IS USM is the company’s shortest and lightest to hit the category. Tipping the scales at a pound and a half, the lens promises all of the zoom range with none of the backaches that come with working with a lens like the three-pound EF 70-200mm f2.8L USM....
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What Happens When Wide Format Shrinks? Epson P8570D Innovates

Large format printers typically take up as much size as a desk. In addition, many require accessing both sides, which means the printer requires more floor space than the physical size of the printer itself. Epson is trying to change that. Announced on June 15, the new Epson SureColor P series models are 25 percent smaller and can also be pushed up flat against a wall. It’s a change photographers making prints in small spaces will likely be eager about. In a category of printers designed for high volume, however, it’s unfortunately not going to spit out fine art quality prints....
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Remarkable Zoom, Handheld: Tamron 150-500mm F5-6.7 Di III Review

The super-telephoto is one of the most difficult lenses to master — both for the lens builder and the photographer attempting to wield such large glass. While no 500mm will be described as tiny, Tamron has managed to shed some weight and length while still packing in a lot of zoom. The Tamron 150-500mm f5-6.7 Di III VC VXD weighs 3.8 pounds and sits roughly eight inches long. With image stabilization built-in, the new telephoto is manageable enough to shoot handheld....
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Can a Free Photoshop Alternative Edit Just as Well? A Photopea Review

Photoshop is so synonymous with photo editing that it’s both a noun and a verb. With that fame comes a steady stream of copycats, including free Photoshop alternatives. Photopea is one such program. The free software is web-based, which means, besides not needing a credit card, photographers also don’t even need to download anything. The program has been around since 2013, but it’s enjoying some recent Reddit fame....
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