One of the coolest things you can do in low lighting conditions or complete darkness is do light paintings to achieve fun and colorful effects. Whether you want to try something new or embellish a portrait with these effects, light painting will allow you to get experimental and creative with light and colors. With the help of today’s photography cheat sheet, you can practice with something relatively simple: using light painting to illuminate subjects in dim lighting.
PhotoPlus Expo is the epitome of the autumnal photographic conference, an industry tradition of networking, investigating and testing out new products, asking experts questions, and listening to presentations from inspiring and talented brand-sponsored photographers. That said, without any question, every year, when I attend this conference, my fellow attendees are much more often male in identification. It’s a commonly acknowledged fact with other women in attendance, and is beginning to get noticed by other parts of the industry as well. As such, I was given a critical lens to examine PPE through (as a test model for conferences in general, a sample subject if you will): How can conferences make themselves more accessible to women, and what presently contributes to them being so male-dominated?
Micro Four thirds cameras probably aren’t the first choice on a list of cameras that astrophotographers generally look at. The small sensor size, and general feelings that high ISO performance isn’t good enough usually stop photographers from looking at these cameras, but they are missing out. Micro Four Thirds sensors have come a long way, and so has their high ISO performance. With company’s like Olympus innovating in this space in regards to features like Live Composition, suddenly Olympus cameras become viable options for astrophotography. In this roundup, we will take a look at Olympus cameras that are more than capable of capturing gorgeous astrophotography images.
If you’ve ever wanted a Nikon F (and we’re betting that of course, you do), chances are that you’re hoping one from the very first production run would come out, ready to fall into your waiting arms. Well, we’re glad to say that the day has finally come, and your wallet better be prepared for it.
Canon is really going to town with lenses for its new RF mount. Since the launch of the Canon EOS R and the EOS RP, we have seen quite a few RF Mount lenses either teased or released, and we have seen a fair few that have had patents filed for them. Today we have found out that three more RF Mount lenses have had patents filed for them. These three ultra-wide, ultra-fast lenses certainly push the boundaries in terms of what’s possible with the RF Mount, but here we are a year later with just three middle of the road EOS R cameras. What game is Canon playing? Let’s talk about this after the break.
What does it take to reach the level where you are respected and knowledgeable as a photographer? Unfortunately, that question is dependent upon a variety of variables, one of the biggest contenders being that of gender. While all of us suffer from the inevitable imposter syndrome that regularly accompanies the life and mentality of most artists, women in the industry are much more alienated and separated from feelings of success than their male counterparts. Why you might ask? In addition to all the pitfalls and hurdles that externally face all photographers, from dealing with clients to rights grab traps to equipment learning curves, women face an additional internal one – their male counterparts. Time and time again, I’ve encountered the same barrage of bullish questions that are laced with judgement and a lack of acceptance. Below are some of the most common questions thrown our way that consistently compromise and undermine our professionalism and sense of belonging within our industry.
When I was testing the Tamron 17-28mm F2.8 Di III RXD lens, I almost never wanted to take it off of my camera. Believe it or not, it wasn’t because of the image quality–although that’s good in and of itself. But it’s because of the size. It felt like a large, lightweight prime that wasn’t overly mammoth. Instead, it was a nice reminder of what mirrorless cameras are supposed to be: smaller and lighter with the lenses to suit them. With an $899 price point, I think that the photographers who go for the Tamron 17-28mm F2.8 Di III RXD are going to be very happy. Pros and enthusiasts alike will appreciate the fact that it can survive heavy rainfall and it can also continue to pump out great images. Couple this with the fact that it focuses very quickly and just how reliable the lens can be for your work, and you’ve got a winner. If I’m getting your hopes up though, you should note that this still isn’t a G Master lens.
Wildlife photography is certainly one of the most challenging but also rewarding fields you can get into. Getting the right gear is one thing; having the right skill set to capture those fleeting moments out in the wild is another. If you’re just getting started and are looking for some tips to help you practice, today’s photography cheat sheet will arm you with some essential know-how.
In this holiday gift guide, you’ll find a handful of items any photographer would love to get this holiday season. It’s the most wonderful time of the year again. Whether you’re looking at gifts for the photographers in your life, or just need an excuse to treat yourself, we’ve put together a list bound to …
“Fat people wear clothes too, and we deserve to see ourselves represented in campaigns.” Those are the raw, unfiltered words of plus-size model and influencer, Sophie Turner. She’s working in an industry which for far too long, said people like her do not belong. But times changed, and so did attitudes. Because of this, the market has opened, and plus-size models are now part of the conversation. But it’s never easy settling into an environment where people still struggle to accept you. However, Sophie, and the many others like her, remain determined to be seen, accepted, and celebrated. In a story that’s seen her rise to superstar status, Sophie shares her experience in an industry that’s been guilty of shaping unhealthy beauty standards.