Review: Zeiss 25mm f1.4 Milvus (Canon EF)

The Zeiss 25mm f1.4 Milvus Lens is a great lens for sure, but do you need one?

When Zeiss announced their Zeiss 25mm f1.4 Milvus lens, I was surely excited. But at the same time, a part of me considers this a focal length that I’m not too sure about. It’s not a 24mm, it’s not a 28mm, and it isn’t their fantastic 35mm f1.4. But in some ways, I wish that it were a 28mm or that Zeiss went wide to a 21mm. Instead, it’s somewhere in the awkward middle. That doesn’t at all make the Zeiss 25mm f1.4 Milvus lens a bad lens. In fact, I think it’s better than most 24mm or 25mm lenses out there on the market. But then you also need to consider the price point–which is really high. However, you’re getting a solid lens with a metal body, weather sealing, some of the absolute best optics currently on the market, good color, versatility for both video and stills, and a guaranteed lifespan of more than what’s currently on the market.

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Here’s Everything You Need to Know About the APS Film Format

You all know that APS was a film format, right?

In the late 1990s, before the digital era came and took over the photography world, there was the Advanced Photo System (APS). It was heavily marketed as the newest and trendiest film format with cutting-edge technology. Depending on whether you’re a veteran in photography or fairly new to the craft, we bring you an in-depth video which could either send you on a trip down memory lane or satisfy your curiosity about this discontinued film format.

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Jason Halayko Shoots with Passion for Action

All images and words by Jason Halayko. Used with permission.

My name is Jason Halayko, and I am a Canadian-born photographer who is now based in Tokyo, Japan. I have been doing photography for around 20 years (since many hours of time in the high school darkroom) and have been doing it as a full professional for the last 3 years. The main types of photography that do would be action sports, portraits, street photography, event photography, etc. I personally really love shooting action photography and working with the crazy athletes that take their sports to the extreme edge and even beyond at many times. This is what I am best known for as a photographer, and especially for my work with Red Bull here in Japan over the last 10 years.

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iMac Pro Reviews Are Coming In; Should Photographers Be Considering It?

Apple’s iMac Pro Has Hit The Reviews Circuit, So Far, All Looks Positive But Photographers Should Be Looking Elsewhere. 

Apple’s iMac line of desktops has long been a popular choice for creatives, photographers in particular. So no doubt when Apple announced their iMac Pro many of you were happy to see a new pro-level iMac coming to the marketplace. Well, the reviews on Apple’s new all in one desktop solution are coming in and while the reviews are positive, to say the least, one thing is abundantly clear to us…

This thing is about 300% overkill for most photographers. Continue reading…

REMINDER: Fill Out Our Survey, Be Entered To Win a $1,000 Gift Card

Help us! We’re trying to build a better Phoblographer through this survey.

Just a reminder about filling out our survey. Here’s the deal:

In 2009, when I started this website, I knew where I wanted the website to be in 10 years, but I didn’t know exactly how it would get there. So, every day since its founding, I’ve learned more and more about running a publication and creating content in the photo world.

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A Quick Primer on Depth of Field, Bokeh, and Focal Lengths

Is the myth that everything is in focus on wide angle lenses true?

Bokeh is probably the most buzzy of buzz words associated with photography in this day and age, with everyone from smartphone instagrammers to professional fashion photographers coveting any lens claiming to offer a smoother, creamier, more unique bokeh.

But despite the popularity of the term, there is still a lot of confusion out there about Bokeh and its relationship to depth of field, and how they all relate to your lens’ focal length, aperture and the distance to your subject. We hope the video we are sharing today clears a lot of that up for you… Continue reading…

The Broncolor RFS 2.2 F is an Overpriced Godox Trigger For Fujifilm Cameras

The Broncolor RFS 2.2 F will let you use Bronocolor’s lights with Fujifilm cameras

If you happen to be one of those photographers who uses Fujifilm and wants the absolute best lighting available, then consider the Broncolor RFS 2.2 F. Like we’ve reported before, it’s an overpriced Godox transmitterused with nearly every flash system out there. These triggers from Bronocolor run for around $114-$112. But from Godox directly, they’re around $40.

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