Editing the Same Photo in Capture One Pro 10 vs Adobe Lightroom Classic CC

Which one? Adobe Lightroom Classic CC or Capture One Pro 10? That’s the question

Today’s video isn’t really a ReEdit episode per se, but more of a comparison of Adobe Lightroom Classic CC vs Capture One Pro 10. To do this comparison, I’ll show you guys how I’d go about editing the same image in Adobe Lightroom vs editing it in Capture One Pro 10. Lots of photographers swear by Lightroom and those who tend to want more controls and an arguably better RAW processor tend to go for Capture One Pro 10. But with Adobe Lightroom Classic CC, we got a number of powerful upgrades. In addition to that, I’m editing these photos on a very good machine. So which does the better job?

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Review: Bashert Jewelry Leica Shutter Release Buttons

Fujifilm and Leica camera owners may really appreciate the Bashert Jewelry Leica Shutter Release buttons.

Though they may seem like just jewelry, the Bashert Jewelry Leica Shutter Release buttons have a fair amount of functionality to them as well as customization. You should know first and foremost that they’re made of Sterling Silver. That may sound a bit too bourgeois for some folks, but if you’re into customizations and a bit of the tactile experience, then you’ll understand how these can be really nice. For the uninitiated, soft shutter release buttons make the experience of pushing your camera shutter easier with less effort but without making them more sensitive. That doesn’t sound like such a big task until you actually experience it in person. I’d liken the experience to using an actual keyboard vs the one that you’ve got on the touchscreen device that many of you are using to read this blog post. There surely is a difference. I’d hate to write a long, essay format email on my iPhone 8 Plus but on my iMac’s Keyboard that would be significantly simpler to do. Synonymously, hammering a camera shutter over and over again can put some wear and tear on your fingers and hands in combination with typing on your phone, typing on a computer, etc.

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Ryan Ochoa Explores Identity and Mental Health Through Film Photography

All images and text by Ryan Ochoa. Used with permission.

My name is Ryan Ochoa and I am a photographer based in San Francisco. I work mainly with film, specifically 35mm since I believe it adds a rawness that reflects my hyper-sensitivity to the world — both the pain and the beauty within it. My go to camera is the Canon AE-1, and all photos in this series were shot on this camera. Topics I like to explore in my work include gender and identity, the illusion of the American Dream (a nightmare), as well as the distortion of image through light and color. I am a young queer boy who deals with Borderline Personality Disorder (which causes my hands to shake leading to the blurriness of some of my images) and these aspects of my identity heavily influence how I view the world behind the lens. Continue reading…

Vassilis Tangoulis Borrows the Mysterious Mood of Film Noir for his Landscapes

All images by Vassilis Tangoulis. Used with Creative Commons permission.

When we speak of film noir, we are instantly transported to the classic crime movies of Hollywood in the 1940s and 1950s. Its distinct stylized imagery may have its origins in the movie world, but Greek photographer Vassilis Tangoulis thought of exploring the look it creates for moody monochrome landscapes.

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Hadi Asgari Uses a Technique That Makes Landscapes Look Like Paintings

All images by Hadi Asgari. Used with permission

Getting landscape photos to look different from much of what’s out there often requires some creative trial and error–and Hadi Asgari has seemingly mastered it. Using some methods that have been around for a little while, Hadi’s landscape photos end up looking like paintings. Indeed, they’re a slap in the face to the idea that everything in the photograph needs to be tack sharp and perfectly in focus.

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How Photographers Can Use Hard Light for Beautiful Portraits

Screenshot image from the video by Adorama on hard light

In some of the previous video tutorials we shared, we were told that a soft light setup is the best for portrait work, especially if you’re working with female models. If you’re curious about how hard light can be used to make beautiful portraits, even for female models, this quick Adorama tutorial by Daniel Norton shows us how.
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I’m Unashamedly a Photographer Suffering from Gear Acquisition Syndrome

I’m an amateur photo-hobbyist living in Tokyo, Japan. I picked up photography around 3 years ago, thinking I could jump into a new realm of the world that I’ve never understood before. Prior to picking up a camera, I was a normal college undergrad who put studying first before most of my hobbies; however, photography taught me that I should cherish the people and the moments around me and try to remember them especially as a foreigner living in a wonderful place like Japan.

I am unashamedly a man “suffering” from G.A.S., and I shoot with whatever I find interesting within my range of affordability. This came in the forms of Nikon D810 (and D800, D750, Df etc.), Canon 5D Mark III (and IV), Fujifilm X-Pro2 (and X-T1) all the way to Hasselblad 500C/M, Pentacon Six TL, Nikon F3 and many other cameras.

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Irene Rudnyk Shares Her First Large Format Camera Experience

Sreenshot image from the video by Irene Rudnyk on Large Format cameras

Surely, anyone who’s a fan of traditional photography today has large format photography on his or her bucket list. Thankfully, we have a lot of online resources to feed this curiosity with, whether it’s about getting the right gear to get started or learning the entire shooting process. In one of her recent videos, natural light photographer Irene Rudnyk gets to have a go with this beautiful medium for the first time, with pretty amazing results.

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