How to Get the Redscale Look In-Camera Without Post-Production

You’d be shocked at just how simple it is to get the redscale look everyone loves and craves. The redscale look derives from the organic look you can get from film. And so, I’m going to preface this piece by saying you should just shoot film. But you can also totally get the look digitally in-camera. Better yet, you don’t need to do post-production. In this short, useful photography tip, we’re going to teach you how to get the redscale look.

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Review: Ilford ORTHO Plus ISO 80 Black and White Film (35mm)

Ilford ORTHO Plus is a fine grain film that can get a whole lot of detail and treats reds/oranges like darks.

When Ilford ORTHO Plus launched last year, we were very curious about it. It’s a low grain, high detail film that needs a lot of light. But most interesting is its lack of sensitivity to reds and oranges. What this means is that the red leaves of trees during the autumn will come out looking dark. Red and orange sand will be very dark. Red cars and lipstick will be nearly pitch black. So when it comes to creativity, Ilford ORTHO Plus allows a photographer to have a more playful mind.

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Film Emulsion Review: Lomography Redscale XR 50-200 Color Negative Film (35mm and 120)

Lomography Redscale XR 50-200 is an odd, but pretty cool film

For years I’ve walked into Lomography’s shop and looked at Redscale XR 50-200 with disdain. I’d wonder why any hipster would want to try something like this! But then I tried it myself, partially out of curiosity, part out of needing to do this review, and part out of just trying to understand it. Lomography Redscale XR 50-200 is a film that you expose anywhere between ISO 200 and 500: the results depend on how you expose the film. Some are more normalized, others more random and super orange tinged. While proper photographers may not love it, ordinary folks think it’s pretty darned cool and fun.

Perhaps that’s all this film was developed for.

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The Beginner’s Guide to Using Gels as a Strobist Photographer

Gels are bound to scare away most portrait photographers and strobists simply because they don’t understand how to really use them. But one of the coolest things that you can do as a photographer is learn how to use gels to tell a different story in your portraits and overall in your photography. You see, gels color the light output of your flash which is typically balanced to Daylight and therefore is very cool. But once you understand that you can make that light all sorts of various colors, you’ll get how awesome it can be to use gels.

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Useful Photography Tip #123: How to Deal with Skin That’s Too Orange

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There are times in portraiture where your camera will render a person’s skin as way too orange. This tends to happen a lot during the golden hour. But getting rid of that problem is very, very simple and it can be fixed in less than 10 seconds. It has nothing to do with the desaturation slider–at least the one all the way at the top in Adobe Lightroom!

To start, the most obvious way to prevent this problem is to manually white balance. But that isn’t always possible and sometimes you just don’t have time to do so. After you’ve got your white balance just right, it’s time to work with the skin tones.

The secret is to work with the color channels specifically. We recommend turning up the luminance a bit to brighten the orange color channel and then slightly desaturating it to give the skin tones a more natural look. But to be sure that the program sees it as orange to begin with, we recommend choosing the dropper tool. Sometimes, Lightroom can see oranges as yellows or reds.

If it isn’t working for you, then take the adjustment brush and touch up the areas by brightening them a bit and desaturating them as well.

The results of this project are after the jump.

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How to Deal With Blushing Red Skin in Adobe Lightroom

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We’ve all experienced it: you’re on a portrait photoshoot sometimes during cold weather and your subject has a skin color that is of a lighter shade. And when it’s cold out, the subject will most likely blush. If you don’t have a make-up artist on board to help with that issue, then it can sometimes lead to the colors being off in the final image.

But don’t worry, there is a solution. The answer has to do with individual color channels in Adobe Lightroom. And you may never need to step into Photoshop to fix the problem. So if you haven’t purchased Adobe Lightroom yet, we strongly suggest that you do so.

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Pentax’s K-30 Takes Inspiration from Skittles; But Without the Rainbow


A while ago, we reviewed Pentax’s K-30 and awarded it an Editor’s Choice for Entry Level DSLR. And while the camera only came in a select few colors before, Pentax is letting you match it with your favorite outfit now–we’re vouching for the yellow to match you’re raincoat since the camera can survive being run under a sink. The company is giving consumers nine new colors and three new finishes, including shiny, crystal, and matte. Depending on your current mainstay in your closet, you can choose from Crystal Black, Crystal Bordeaux, Crystal Green, Crystal Red, Crystal Silver, Crystal Yellow, Crystal Orange, Silky Blue, Silky Bordeaux, Silky Green, Silky Red, Silky Silver, Silky White, Silky Yellow and Silky Orange.

The color options are available now for pre-order and cost $799 with the 18-55mm WR kit lens. Kai from Digital Rev may be a tad disappointed that there is no pink option.

Via Pop Photo