Blending Flash with Natural Light (And Getting it Right in Camera!)

Blending flash and natural light is all about listening to the light meter in the camera.

“Why can’t I just do this in post-production?” is what I heard in a recent event I attended on mixed lighting and flash. Many times the answer is that a photographer can’t get an organic look and effect in the scene. Further, why work a long time in post-production when you can just get the image right in-camera? Why can’t you achieve your creative vision without the use of a computer or an app? And why do you need to live by that preset life? In this tutorial, we’re going to walk through the ideas behind blending natural light and flash.

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How to Make Your Photo Look Like a Painting In-Camera

Making your photograph look like a painting in-camera is all about embracing camera shake.

One of the best things about photography is that it can combine with a variety of other mediums and  deliver really unique images. Even better, lots of those images can be done in-camera without the need for Photoshop, Lightroom, etc. Sure, you can shoot and fix it in post-production–but why bother? Why not get it right in the first place and worry less later on? If you’re a photographer with an excellent grasp of the technical side and also in touch with your artistic side, then this tutorial on how to make images of landscapes look like paintings is for you.

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Tip: An Ice Container Is a Great Way to Shape Light

Sometimes all you need to boost your creativity is to play around with light.

If you’ve been into lighting for many years, then you know what a Gobo is. For the rest of us, a Gobo is basically anything that goes between a light and the subject. A softbox can be a Gobo, but the vernacular refers to it being more homemade and put together. It’s designed to shape light. Sometimes all you need is a bit of light shaping.

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Why Doesn’t My Camera’s Flash Freeze Fast Moving Subjects?

If you want to stop fast-moving subjects, the effects that a flash provides can help.

While newer photographers will always try to stop a fast-moving subject by cranking up their ISO setting and increasing the shutter speed, it isn’t always the most effective method. In fact, it can cause a more problems for you in post-processing where you’ll enjoy creating awful photos. One of flash’s biggest benefits is what it can do for photographers, not only for providing light on a subject but also for extra benefits like stopping motion. However, not all flashes are created equal in that capacity.

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You’re Doing it Wrong: How to Shoot Flash Photography During the Day

The key to using a flash on camera during the day is all about power output.

When you think about using a flash, you’re probably thinking about only using it at night where you need more light. But, believe it or not, the best time to use a flash is during the day. It essentially helps you get a better histogram reading by filling in details all across the board. It’s also much better than using constant lights.

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Want to Get Your Dog to Look at the Camera? Here’s How

Getting your dog to look at the camera is all about training them to do it, and here’s how.

If you’re someone who gets frustrated about how to get their dog to look at the camera for a photo, then fear not. The answer is pretty easy and you’re going to kick yourself for not thinking about it first. To understand this, you should think about your dog and what they like. It’s obvious that belly rubs aren’t going to be easily communicated to your pup in order to get them to look at the camera, but a toy could do the trick. Even better though–so could a treat.

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The Phoblographer’s Introduction to Shooting Photos in Hotels (And How to Not be a Jerk)

Take it from a photographer who travels more than I’d like to, shooting in hotels can be a logistical nightmare sometimes.

The first time I shot in a hotel, I made a big mistake. Looking back now, I honestly think that I still wasn’t in the right, but luckily I didn’t do anything that went on to scar my career. Additionally, I was quick, quiet, polite, and careful. I think that most folks who go about shooting in hotels tend to treat it like they’re on Spring Break all the time; but that shouldn’t be the aim. You’re there to work; even if you’re doing it for fun you should still conduct yourself professionally and be responsible. If you remember that you’re privileged to be able to shoot in nice hotels and not entitled to it, then you’ll already have one of the biggest ego checks in place. If you don’t have this, then please cease to continue reading this article. But if you want to get serious, read on.

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Comparison: Sigma’s Lenses for Studio Portraits (Here’s What We Found)

We already know that Sigma’s lenses are fantastic, but which one is best for portraiture?

Portrait photographers these days enjoy using a multitude of focal lengths, and Sigma’s lenses offer a whole lot for the portraiture photographer. The company has spent years revamping their lineup with their Art series lenses and these lenses often top the charts on many proper lab tests. But we know that photographers don’t use lenses to shoot charts or brick walls and so we took them into a studio with models and lights to figure out which ones we liked the most. Our opinions may surely vary from yours and any professional working photographer will always lean towards a telephoto focal length. While this test has a lot of implications for professional photographers, it will also apply to lots of us who shoot and don’t demand the most professional needs.

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How to Create Watercolor-Like Photographs of Dancers

A while back I started out with creating a new series of watercolor like photographs of dancers.

Being a legally blind photographer, part of my ambition has always been to tell stories the way that I see them and to let the world understand how I see the world. Something that I often describe it as is looking at the world and seeing it as a painting. I’ve learned more and more about how to make images look like paintings much to the dismay of pixel peepers. But personally speaking, I don’t care too much about those folks and never have. Instead, I’ve embraced creativity since the beginning. And to that end, I decided that I’d take a moment to share with folks how I’ve been doing a series that I’m currently creating.

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The Cinematic Look: Three Tips for Candid and Street Photography with an 85mm Lens

Street photography with an 85mm lens isn’t totally unheard of; it can give us a much different look than what’s out there.

Though the purists in street photography will tell you that you need to get up close and personal to someone on the streets, there isn’t anything inherently wrong with using an 85mm lens. Of course, any wrongdoing comes with the intentions of the photographer. In this case, your intentions should be to try to get a different look at the scene and capture it as it happens with less chance of being seen. If you feel like calling it such, you can think of it as being a fly on the wall. Something many street photographers aspire to be when they shoot.

So after years of testing various 85mm lenses, here are some of our tips.

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Every Photographer Should Learn How Photograph Darker Skin Tones

Darker skin tones can still use some extra attention from photographers and even industry professionals like make-up artists and stylists.

Portrait and fashion photography should be an all-encompassing craft, especially at this time and age when we’re supposedly more open-minded and accepting of other cultures and perspectives. This means that photographers today should be able to use their expertise to create photos of darker skinned models and individuals in a way that highlights their natural beauty. A video by Buzzfeed reinforces this idea with a photoshoot done with dark-skinned models, encouraging photographers and even industry professionals like make-up artists and stylists to do the same.

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Travel Photography Tip: Comparing 35mm vs 50mm Lenses

If you’re just getting started with travel photography and have been browsing around for some tips on the best lenses to use, this 35mm vs 50mm comparison should help.

Are you an aspiring travel photographer who can’t decide between 35mm and 50mm lenses as the better choice for the job? In case you’re still looking for tips and resources, Australian fashion and portrait photographer Julia Trotti comes to the rescue with a quick comparison video for both focal lengths during her recent trip to Gdansk in Poland. Since Trotti specializes in portraits, it’s only proper for her to begin the comparison with a bunch of portrait shots. She works mostly with prime lenses given her genre of choice, hence the focus on 35mm and 50mm prime lenses for this comparison. She also shot with the Full Frame Canon 5D Mk IV, so keep in mind that you’ll get different results if you shoot with a camera with crop frame sensor. Since this is about travel photography, she made sure to give examples for portraits we’d typically shoot during a trip: mostly half body or full body shots with careful attention to  include the landmarks behind or around the subject. Apart from portraits in both half body, full body, and close up, Trotti also provided some examples for other popular subjects in travel photography: food and landscapes.

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The Beginner’s Guide on How to Do Your Own Firefly Lamp Portrait Photography

That firefly lamp portrait photography trend is pretty simple to do on the cheap!

The trend that has taken over Instagram and lots of cinema is firefly lamp portrait photography. Lots of folks don’t know how to do it themselves or simply just associate it with other photographers. But the truth is that it doesn’t need to be that way. You can put your own twist and spin on it using Christmas lights, which is very affordable and gives you a ton of options. The bottom line: it’s all about being in touch with your own feelings.

Trust us, this isn’t difficult; let’s take a look!

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Portrait Photography: Connect with Your Clients Easier with These 3 Tips

portrait photography

When it comes to portrait photography the way you communicate with your client is far more important than the gear you’re using.

We’ve all been there at some point in our careers: we have a great model, or an awesome client, but we just don’t know how to effectively communicate or connect with the person standing in front of the camera. A lack of communication skills can kill a shoot quickly, so being able to build connections with those you work with is far more important than the gear you use. The three tips that are shared in a new video after the break will help get you set up for success and will hopefully help you figure out what to do to connect with your clients. Continue reading…

How to Light Your Macro Photos and Get Sharper Images

Macro photography doesn’t need to be shot at ISO 32000; but you can do it with just a little bit of help from a flash.

When you think about macro images, we often imagine those really, really detailed close up photos. As long as there is good lighting, it’s simple to do with focus stacking or even just stopping the lens down with enough light in the scene. Many photographers on their spare time adore the meditative act of fixating on an object and photographing it to get every single detail of the subject. These objects are typically small toys, food, insects, plants, etc. It’s fun and requires the photographer to make a number of very repetitive but careful movements. But of course, every bit of lighting is always useful and we don’t always have good lighting naturally around. But don’t worry: using a flash in this situation is pretty much brainless.

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How to Shoot Natural Light Portraits in Flower Fields (And Posing People!)

The ultimate dream of mine as a photographer is to shoot in beautiful fields of vast picturesque flower fields.

Every spring and summer my clients know where to find me and my camera. Finding the perfect location for a portrait shoot is always one of the greatest challenges in photography. And once you think you have found the perfect location for your photoshoot, coming up with the creative idea for how to capture both the subject beautifully and the location cohesively can be equally as difficult to execute. The perfect combination of a beautiful location, stunning natural light and eager subject is all a photographer can dream of to create dramatic and ethereal images.

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How I Edit Photos in Capture One Pro and Affinity Photo

Take your architectural photos to the next level by using the two most powerful editing programs available – Capture One Pro (v12) and Affinity Photo.

In this tutorial I show you my simple architectural photography workflow while editing an image in Capture One Pro and then doing the finish work in Affinity Photo – no Photoshop needed! Knowing how to edit your raw photos is an important step to delivering great photos to your clients. Adobe Photoshop may be considered the industry standard and go-to software for many creatives, but I have always had a hate/love/hate relationship with Photoshop and Lightroom over the years.  It’s often buggy, sluggish (no matter how maxed out my computer is), and never gives me the absolute image quality I know my cameras are capable of – and that I demand.

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How to Shoot Portraits in Harsh Noon Sunlight (Make it Your Best Friend)

Whatever the reason, if noon is the only time you can shoot portraits, here are some tips to help you work with the harsh light.

Any photographer will tell you that noon is the worst time to shoot portraits because of the harsh light of the sun and the unflattering shadows it casts. A fact of life is that most people just don’t look good in lighting like this when out in the open. Even the backlighting method is very difficult to do at times under noon lighting. If you absolutely have no choice but to shoot in that light (like when you’re on assignment and on a tight schedule), these tips and tricks from boudoir photographer Michael Sasser should help you get some good photos. In fact, noon lighting can become a friend.

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How Close Should You Be to a Portrait Subject When Shooting With a 35mm Lens?

Modern day 35mm lenses are quite good; so good that they’re good enough for portraits.

Many photographers swear by their 35mm lenses and almost never want to shoot with anything else. The reason for this is because it so closely simulates what the human eye sees and so it’s easy for a photographer to go out there and shoot a scene just the way that they see it. That would be great, if 35mm lenses were absolutely perfect. While they’ve greatly improved, 35mm lenses are still not perfect and when used for portraiture still can’t replace or do what a proper telephoto focal length can. But with patience, you can figure out how to make the most of a 35mm lens for portraiture.

Here are some quick visual tips.

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Quick Tips for Beautiful Flower Photography in Early Spring

Flower photography season is afoot with the coming of spring, so here are some useful tips to get you prepared.

Spring season is the perfect time to get those macro lenses dusted off and ready to shoot — what else, but beautiful, dainty flowers! If you already have plans set and a picture-perfect location spot on, we’ve got just the video tutorial to help you with your flower photography. Professional wildlife photographer Paul Miguel has already started making rounds in his local woodland to photograph the dainty wood anemones, so it’s time we all get started with it as well. If you’re trying this out for the first time, with his tips below, you’ll surely pick up some tips and ideas for beautiful flower photography fitting for spring.

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