Review: Adobe Lightroom Classic CC (Apple iMac)

The New Adobe Lightroom Classic CC has surely improved, but it could still do much more

In light (pun intended) of the new changes that Adobe is announcing today at Adobe Max, we got the chance to play with the new Adobe Lightroom Classic CC to put it through its paces. For a while now, photographers have been complaining about Lightroom. While most haven’t moved away the way that I have to Capture One, they kept trudging through it. Lightroom has been suffering from performance issues for a long time due to changing technology, algorithms, cloud sync, etc. Then consider that cameras have file sizes that have been getting bigger and bigger. Of course, Adobe needs to keep up. Today’s announcement gives us the latest version of Lightroom: Adobe Lightroom Classic CC. This is more or less the Lightroom that you’ve known and loved for years. But there are some changes that are pretty subtle and that arguably most photographers may not use or really notice.

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Review: Nikon 28mm f1.4 E ED (Nikon F Mount)

When the Nikon 28mm f1.4 came in for review and was announced, I was a bit hesitant. Why? Well, while I was excited about the lens for sure, I’m still not a person that believes that DSLRs are necessarily the future despite the fact that I acknowledge how good they are. And to that end, I believe that if Nikon has a full frame mirrorless camera system and made this lens for it, it would be an even bigger winner than it really is. But the current Nikon 28mm f1.4 is a dream lens in so many ways. If you’re a street photographer, portrait photographer, or a photojournalist then you may really enjoy what this lens offers.

In fact, this is hands down my favorite Nikon prime lens with the exception of the company’s 105mm f1.4.

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Sample Image Gallery: Nikon 28mm f1.4 E Lens (Nikon F Mount)

We’ve been playing with the new Nikon 28mm f1.4 E lens for a little while now and are honestly completely blown away by the image quality. The Nikon 28mm f1.4 E lens is incredibly sharp wide open, but is also has great bokeh and an overall very nice look I genuinely feel will make a whole lot of sense for portrait photographers, documentary photographers, photojournalists and street photographers. Street photographers: yes. The look is really stunning.

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Lens Review: Fujifilm 63mm f2.8 R WR (Fujifilm G Format)

Of course, the closest thing to a normal prime lens had to be the first thing that Fujifilm announced for their Medium format G Format; and to that end we got the Fujifilm 63mm f2.8 R WR lens. It’s an interesting move for Fujifilm. You see, when the X series was announced, the company debuted at least one f1.4 lens. But this time around, we got slow lenses. Yes, I’m aware that this is medium format, but there are f1.8 lenses in the 645 format–which is larger than G format.

Nevertheless, the Fujifilm 63mm f2.8 is a fantastic lens that I wasn’t sure I’d like. But a number of factors had me coming back to it over and over again.

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Review: Olympus 25mm f1.2 PRO (Micro Four Thirds)

It was rumored for a very long time, and the Olympus 25mm f1.2 PRO was finally announced around Photokina this year. This was a very long awaited lens for the Micro Four Thirds system, and it desperately needed to be here a while ago. Better late than never, right? The Olympus 25mm f1.2 PRO is weather sealed, fast to focus, and was apparently over-engineered. One of the reps from Olympus told me more about the lens and how the standard it was being judged against was the Zeiss 50mm f1.4 Otus when it came to the design. So if you consider this, then the Olympus 25mm f1.2 PRO really must be a fantastic lens, right?

It surely is.

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Cheap Photo: Get The Most Out Of Your Storage Media

If you shoot a digital camera, you rely heavily on your storage media to store your images and transfer them safely from camera to computer. A slow card can make for a poor shooting experience as it can slow your camera down, and similarly it can slow down the transfer process taking files from the card to your computer. UHS-II is where you want to be if you are shooting SD media, and here are some good recommendations to upgrade your storage and readers to UHS-II.

  • V.TOP Professional SD 4.0 USH-II Reader – Deal
  • Lexar Professional 1000x microSDHC 32GB w/ Reader – Deal
  • Lexar Professional 2000x 64GB SDXC UHS-II Card w/ Reader – Deal
  • SanDisk 32GB ExtremePRO UHS II – Deal
  • Sony 32GB UHS-II SD CL10 U3 – Deal
  • Lexar Professional 1000x 16GB SDHC UHS-II/U3 – Deal

Top Brand Deal Quick Links: CanonNikonSonyFujifilmTamronSigma 

Today’s update continues after the jump…

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Review: Tokina 70-200mm F4 AT-X Pro FX VCMS (Nikon F)


Chris Gampat The Phoblographer beach shot with tokina 70-200mm f4 (1 of 1)ISO 1001-1250 sec at f - 4.0

Tokina has always been a maker of some excellent third party lenses, and the release of the Tokina 70-20mm f4 ATX Pro heralds this even more so. The recently announced lens isn’t billed as being weather sealed–but that doesn’t meant that it wasn’t able to take a beating. The lens also exhibits great image quality and some of the best bokeh that we’ve seen from a zoom lens.

But while it’s an overall great lens, know that it doesn’t specialize in any one particular aspect.

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First Impressions: Fujifilm XM1

Chris Gampat The Phoblographer Fujifilm XM1 First Impressions product photos (4 of 7)ISO 4001-125 sec at f - 4.0

Fujifilm’s XM1 is targeted at the user that wants Fujifilm’s image quality, but can’t reach the higher fruit that is the X-E1 and X Pro 1. This audience is the entry level mirrorless camera user–and certain things about the XM1 hammer this fact home. For example, it is kitted with the 16-50mm f3.5-5.6 lens which has no aperture ring in order to make it simpler for entry level users to operate it. Instead, the XM1 emphasizes the use of two dials to set up exposures.

The camera also deviates from its higher end siblings in that it forgoes the use of a viewfinder of any sort and instead relies on its tilting LCD screen.

Fujifilm has already proven itself in terms of image quality and having stylish good looks. But can they really court over a crowd that asks, “Canon or Nikon” before anything else?

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