How to Make Strobe Light Look Natural


Chris Gampat The Phoblographer Olympus EM5 Link Cosplay shoot (11 of 23)ISO 200

When it comes to light, your images don’t need to look like there was flash added to them. In fact, some of the best photographers try to not fight natural light, but augment what it can do with flash by adding just the right amounts in specific spots. Doing this takes a lot of shooting and experimenting followed by careful analysis of what you actually are doing to make the changes in camera look like what you want them to.

And to do this, you don’t need anything extraordinary or amazingly fancy.

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Three Tips on Using a Flash in the Middle of the Day

Chris Gampat The Phoblographer Impact Quikbox and LiteTrek photos (10 of 17)ISO 200

Shooting with a flash in the middle of the day? Why would you do that? Believe it or not, you’ll want to use a flash during the day more than any other period. Well for starters, you can sometimes get better looking images than what a normal camera and lens can give you and you can also create images that might be otherwise tough to do. You’ll also find that shooting with a flash in the middle of the day can teach you a lot more about the way that light works.

If you want crisper, cleaner, sharper images and to boost the already great effects that natural light has, read on.

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5 Ways to Take the Best Advantage of Natural Light for Portraits

Pro Tip: Despite the fact that we all love bokeh, don't ever let it get in the way of good composition and an even better vision for the end result.

Pro Tip: Despite the fact that we all love bokeh, don’t ever let it get in the way of good composition and an even better vision for the end result.

Sometimes you don’t always feel like toting around strobes and in many situations you downright don’t need them. Even though they can make any image better there are lots of times where it’s just easier to work with natural light. If you’re a portraitist, knowing how to make the best of the light vs being a hipster with a camera wanting to stay true to an ideology and cling to it without any other real experience is something that you’ll want to have in your bag of tricks.

Here are a couple of ways to make better use of natural lighting.

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Food Photographer Andrew Scrivani Shares the Secrets to Better Food Photos

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All photos by Andrew Scrivani

The secret behind getting the perfect food photo has to do with loads more than just lighting–it also has to do with getting the moment just right. Andrew Scrivani is based right here in New York and is a freelance commercial and editorial photographer, food stylist & writer. His work has graced magazines and newspapers worldwide including The New York Times, Eating Well Magazine, La Cucina Italiana, The Wall Street Journal and Newsweek.

We found a couple of minutes in between enjoying some epic noms to chat with Andrew about his work.

BY THE WAY: Right now on creativeLIVE, Andrew is teaching a free online food photography course. All weekend long (12 -7PM EST), Andrew will be going through the basics of recipe selection, food prep, and prop styling. Plus, food blogger Shauna Ahern (of Gluten Free Girl blog and book fame) will join Andrew to chat about food blogging, recipe writing, and how you can use photography to make a beautiful blog that will grow your audience.

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Three Items For Taming Natural Light And Getting Better Photos

Chris Gampat The Phoblographer Retouches of Dave Shim (6 of 6)ISO 320

Natural light is beautiful and can help you create some equally stunning photos–if it’s used correctly. While you can surely find items in your natural surroundings to help you create better images, it isn’t always possible or practical. But if you want to work with natural lighting and make it work the best for you, then there are three items that I’ve been using for years that I’m in love with.

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Op ED: Three Reasons Why Lights Matter More To Me Than Camera Sensors

After running this website for two + years and testing camera after camera, I often get bored of just looking at pixels all day and every day. But since I started shooting, I’ve built up a collection of flashes and lights to use for various reasons. Modern day digital cameras and film scanning software are capable of so much that I’ve concluded that the only major selling points for any camera system now are the lenses and extra features that one can tack on.

But when you put lights into the picture, the whole scenario changes.

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Making the Most of Window Lighting for Your Photography

I do not know what it is like for other photographers but natural light from windows is very appealing. Photographically, it can be your best friend. This type of light can be used to minimize your mobile kit, especially when it comes to food photography. Natural light from a window can also give still life and product shots an interesting look. If you are photo walking and want to get some quick food and coffee shots, a window can be a great tool that will, mostly, be there for you when you need it.

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Knowing Natural Light: Photographing Weddings

Bride and Veil
Bride and Veil

Bride and Veil

Natural light photographers have become wildly popular in the past several years. Many photographers actually market themselves purely as natural light photographers. There’s a good reason for this: natural light can create some of the most beautiful images that you’ve ever seen. Using natural light whenever possible is a no-brainer to give your images that beautiful, natural, dreamy quality that is synonymous with Weddings. However, there is more to it than just not using lights. People who have mastered natural light photography did more than just not use lights while shooting. You must really learn and understand how light behaves, reacts, and interacts with your subjects.

Click on through to view some tips to start you off down the right path for shooting weddings using natural light.

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Ten Ways to Take Better Photos Without Spending More Money

No matter what your photography knowledge level or equipment are, you can take better photos today than you did yesterday without spending a dime. Every one of my suggestions can be applied whether you’ve had professional training or not, and it doesn’t matter whether you’re using a $100 point-and-shoot or an expensive DSLR. Geared primarily towards amateur hobbyists, perhaps those of you with more experience can get some ideas as well. Here are some suggestions that are independent of gear.

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Using the Hasselblad H4D In an Outside Studio

A couple of weeks back, I helped my friend a co-worker Jason Geller with a test and shooting with the Hasselblad H4D-40. When using it, I mostly stuck with the 80mm F/2.8 lens that the camera can be bundled with. Now, 40MP and Medium format is usually above what I’d shoot with (I’m at most a full frame guy and own a Canon 5D Mk II) but I decided to give it a try. I came back floored by the results—especially when I let my creative side (both the dark and the fun) come out to play.

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