A couple of weeks ago, I posted my first impressions on the Lensbaby Composer Pro for Micro Four Thirds. I had been using it together with the Sweet 35 optic module, but since this is such a special lens, I felt I needed to spend more time with it before I could write my final review. Now that I did, I still feel that this is a tool which is hard to master, and am not sure whether I did. The look it creates is so unique that you cannot simply go ahead and shoot stuff like you would with a normal lens. You have to use the combo a lot to find out in which situations it works and in which it doesn’t. With this review, I hope to be able to give you an impression of what you can do with the Composer Pro and Sweet 35, and what you can’t.
