The Most Fun I’ve Had. Hasselblad 907X 50C Review

The Hasselblad 907X is a positively fantastic, retro feeling JPEG camera that can shoot RAW, but shouldn’t.

How many of you would believe me if I told you that the Hasselblad 907X 50C is an excellent JPEG camera? Many would probably clamor for my head on a stake. Others wouldn’t believe me. And yet some would agree with me. Of course, a medium format camera is bound to deliver great JPEG photos, but I’m shocked at how good they can be. Granted, the Hasselblad 907X is an over $6,000 medium format camera. It boasts retro looks and feels. And best of all, it’s pretty petite. And if you’ve got the extra dough, you’ll be pretty pleased with it.

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The Sony a7c is the Best Sony Camera for Leica M Mount Lenses

The Sony a7c is the affordable camera you’ve been waiting for if you own Leica M Mount Lenses.

Pick it up, and the Sony a7c will trigger a feeling. It’s bound to feel like a Mamiya 6 or Mamiya 7 rangefinder camera. You’ll be pleasantly surprised if you’re a rangefinder-style camera lover the way I am. The nostalgia will hit experienced photographers hard. The Sony a7c is the company’s latest full-frame offering. What makes it so unique is a super small camera body. But there’s a big full-frame sensor at heart. Better yet, it pairs so well with Leica M mount lenses. M shooters are bound to be the ones who pick this camera up. Thankfully, it seems Sony improved the manual focus peaking function a bit. That means you’re going to get sharper images when you go about shooting.

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They Finally Did It! Full Frame Rangefinder Style! Sony a7c Review

The Sony a7c is the company’s first rangefinder-style camera with a full-frame sensor at heart.

I’m incredibly elated that Sony made a camera like the Sony a7c. The entire industry is lacking rangefinder-style cameras. Putting a full-frame sensor into one is the icing on the cake. Maybe it will mean other brands follow suit. Sony made a few sacrifices to create the Sony a7c. This is a real innovation that was proven long ago with the RX1 series. But this camera is different; you can swap the lenses out. The image stabilization isn’t up to par with the other Sony a7 camera bodies. And in some ways, I feel the autofocus isn’t either. You’re also missing a joystick. But otherwise, the Sony a7c has a whole lot going for it.

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Quit Your Hate! This Is Great! Canon EOS R5 Review

The Canon EOS R5 is the company’s first major professional mirrorless camera, and it’s wonderful!

There was a time when I was angry at Canon. But when the Canon EOS R launched, that anger subsided. It was a nice entry into the serious mirrorless camera world. But the Canon EOS R5 is arguably the camera they should have launched at the start. This camera can easily become the bread and butter of any professional photographer using it. It can also be a great tool for a multimedia shooter. Better yet, the hobbyist photographer who is passionate about the craft will enjoy what this camera can do. There has been a lot of wrongful bashing of the Canon EOS R5 on the web. And in this review, we’re going to talk to the practicality of it all. Note that before you go on, we’re not sensationalizing things just for clicks. If you’re a shooter that left Canon for another system, we’re probably going to tell you a few things you don’t want to hear. So, please keep your superiority complexes in check.

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It’s Not Groundbreaking, But It’s Fun: Olympus EM10 IV Review

The Olympus EM10 IV is similar to its predecessor, but much more fun to use.

The Olympus EM10 line has always offered a fun way to get started with photography. With gorgeous retro looks and good all-around performance, this line of cameras has always excelled. Now, three years after the EM10 III, we are graced with the presence of the Olympus EM10 IV. Olympus claims to have tinkered with a lot under the hood of this small, vintage-styled camera, but do the upgrades make it worthwhile to buy? Find out in our full review.

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Why Timelapse Photographers Will Love the Canon EOS R5

You’ll be glad to know that the Canon EOS R5 doesn’t overheat when shooting timelapse video.

The other night, we put the Canon EOS R5 on a balcony in near 90 degree NYC weather. Then we shot a timelapse with it to test if the camera would overheat. There have been lots of reports on YouTube and on websites about the Canon EOS R5 overheating when shooting video. When shooting my own, the camera started to get warm closer to the 30-minute mark. But it only stopped recording because of the natural recording time limit. I was shooting at 4K 24p–which is arguably the standard across the industry. 60p video is for slow-motion stuff, and 30p is for sports, soap operas, and live events. Much of the testing I’ve seen have been torture tests shooting 60p video for over 10 minutes. And I really wonder why folks are doing this? Why would you slow down 10 minutes of video? What’s the point? And more importantly, because the Canon EOS R5 is shooting a timelapse for five hours, will it overheat?

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Canon’s New Workhorse Camera: The Canon EOS R6 Review

The Canon EOS R6 attempts to reclaim the workhorse camera throne from Sony, and it has more than a fighting chance of winning.

The Canon EOS R6 has been living in the shadow of its bigger brother, the EOS R5, ever since the two cameras were announced earlier this year. Aimed at working professionals, the Canon EOS R6 seems to be slightly underweight compared to its main rivals. Still, this camera, which is powered by the same 20.1MP sensor and DIGIC X processor found in the 1DX III, has a lot of fight in it. Does the EOS R6 have enough about it to make the Sony a7 III, the Nikon Z6, and the Panasonic S1 throw in the towel? Find out in our full review.

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The Sony a7s III Has Epic Autofocus for Street Photography

Sony came to our new office in Queens, NY to show us the Sony a7s III and use it for street photography.

Much of the coverage already online around the Sony a7s III has been in use for video. Naturally, we’re a photography first website–and the photographers I’ve known who’ve used the predecessors to the Sony a7s III mostly did street photography, documentary work, and ambient light portraiture with neon colors. If you’ve never seen Daniel Schaefer’s Tumblr, know that a lot of it is with the Sony a7s original and vintage lenses. Indeed, there’s something magical about vintage glass and low-resolution full-frame sensors like the 12MP one in the Sony a7s III. But street photography requires either great zone focusing lenses or super-fast autofocus. And the Sony a7s III didn’t really disappoint us.

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It’s Different, But Still the Same: Olympus EM10 IV First Impressions

The EM10 IV features some new technology to the product line, but old technology to Olympus in a familiar body.

The Olympus EM10 IV is the first camera to be launched since the announcement of Olympus’s impending sale to the Japanese investment firm, JIP. The OM-D EM10 line has always been the entry point into Olympus’s OM-D cameras, and because of this, the EM10 series has always been an affordable and cheerful camera that newcomers, and those who value size and weight savings, flock to. The Olympus EM10 IV, though, packs some performance upgrades over previous versions of this camera that some might get excited about. We haven’t had long enough with the camera to offer a full review (yet), but we have learned enough to form our first impressions. Join us after the break to see what we have discovered.

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You’ll Want to Come Back to Canon: Canon EOS R5 First Impressions

The Canon EOS R5 is fantastic and checks off so many boxes.

What’s going around the internet about the Canon EOS R5 is all about video issues and overheating in 8K video mode. But if you’re a photographer and don’t really care about that or you want to shoot in a different mode, then I’m sure you’re going to love the Canon EOS R5. This camera has most of Canon’s best technology packed into one body. New to it is image stabilization, and it can deliver up to 8 stops of IS with specific lenses. There’s also the token weather sealing and a brand new sensor from Canon. We all thought we’d get a 50+ MP sensor, but we’re getting a 45MP full frame sensor. For most photographers’ needs, that’s enough. Let’s dive into this camera!

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The R6 Could Be a Sleeper Camera: Canon EOS R6 First Impressions

A quick look at the new Canon EOS R6, the company’s latest entry-level Full Frame Mirrorless camera

There has been a lot of hype around two new Canon cameras, and as expected, the EOS R5 has stolen the spotlight, but many want to know more about its baby brother, the Canon EOS R6. The Full Frame Canon EOS R6 with its 20.1MP sensor, new IBIS and autofocus systems, and 4K recording options is aiming to take on the Sony a7 III, the Nikon Z6, and the Panasonic S1. On paper, the Canon EOS R6 will give them all a run for their money. I recently received our review unit from Canon and have started testing the camera, but before we wrap up our full review, we wanted to share our first impressions. Grab a chair, your favorite beverage, get comfy, check out what we have to say and look at plenty of our first sample images after the break.

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The True Successor to the Leica M9: Leica M10R Review

The Leica M10R is what I feel to be the true successor to the Leica M9, and I’m super happy about that.

If you were to tell me that the Leica M10R would have the same sensor as the Leica Q2 and the Leica SL2, I’d believe you. But it doesn’t. Instead of that hulking 47MP sensor, you’ve got what seems to be the 40MP sensor in the Monochrome but with a color filter. And that’s very exciting on paper! The Leica M10 series of cameras are frankly fantastic. I adore them. The Leica M10R is also an excellent camera, but there are a lot of things about it that make me scratch my head. Those concerns pertain to the image quality. And in some ways, I want to say that the Leica M10R is the truest successor to the Leica M9 there can be. But I don’t remember the Leica M9 rendering color like this. I absolutely remembered the lack of color depth at higher ISO settings. But it had its own color depth even at lower ISO settings.

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A Nice Camera with a Serious Identity Crisis: Nikon Z50 Review

The Nikon Z50 is a nice APS-C camera, but it’s for nobody in particular, and there’s a big elephant in its room.

Nikon decided to enter the already pretty crowded Mirrorless APS-C camera space with the Z50. Much was made of the Nikon Z50 when it was announced. Many touted it as a spiritual successor to the legendary D500: I can tell you it is not that. Nikon released this camera to target the vlogger crowd and those who want to blow up social media with pictures of coffee, sushi, and all manner of other stereotypical hipster things. Does the Z50 have what it takes to entice those crowds, and can it successfully enter a Mirrorless APS-C market dominated by Fujifilm and Sony? Let’s find out in our full review.

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They’ve Cranked the XT3 up to 11! Fujifilm XT4 Review

Upgrades, upgrades, upgrades! With the Fujifilm XT4, we’re getting everything we loved about its predecessor along with a whole lot more.

Following in the footsteps of a runaway hit will always be challenging. That’s precisely the shoes Fujifilm has to fill with the XT4. The XT3 was released nearly a year and a half ago with significant upgrades to the X-T camera series. Although the XT3 garnered near-universal praise, there was still room for improvement. That’s precisely what Fujifilm is betting on with the XT4. By incorporating features like a fully articulating touchscreen, in-body image stabilization, and a larger battery (features that were absent in the well-received X-T3), Fujifilm is hoping to repeat the same level of success with the XT4. Does the Fujifilm X-T4 deliver? Let’s find out.

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The Closest They’ve Come to a Perfect Camera: Fujifilm X100V Review

The Fujifilm X100V is a fantastic camera in so many ways, but it’s got a few minor setbacks.

Testing the Fujifilm X100V during the COVID 19 scare has been a pleasing challenge. Of the cameras that I’ve tested this year so far, this one has to be my favorite. The Fujifilm X100V has a whole lot going for it too. Besides the same 26.1MP APS-C sensor that’s in the X-T4 and the X Pro 3, this camera has a revamped 23mm f2 lens attached. This lens takes full advantage of the sensor. Plus it has revamps to the autofocus, decent battery life (though it could be better) and weather sealing. The sealing needs to be completed with a lens filter. But either way, it means that you have a product that’s super durable now. And how could you go wrong. The Fuji X100V is a fantastic package. And though it’s a camera that a photographer can surely dream about, it still has its setbacks. But the price is just right at $1,349.

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The Camera No One Asked For: Sigma FP Review

The Sigma FP is yet another reason why Sigma should stop making cameras.

The title for this piece came from a conversation with Reviews Editor Paul Ip. It started over a game of Diablo III and my telling him that I’m going to shoot the sunset one night. “Are people buying that camera to do stuff like that?” he asked. My response was as confused as his. We met with Sigma twice about this product, and each time it was evident that they have no direction or idea of how they’re marketing their own products. At least the Sigma FP seemed pretty interesting to me on paper when it was announced. But getting it in my hands for a prolonged time made me angrier and angrier. One could say that this camera is aimed at the video shooter. But when I asked videographers if they’d use it, they said no–instead leaning towards Sony, Panasonic, Alexa, and RED. And for photography, there’s so much about this camera that’s pretty backward. Its design hearkens back to the old Argus C3–do you remember or even know about those? It was a brick. And this camera is more or less a brick.

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The Camera I Almost Threw in the Ocean: Sony RX100 VII Review

Sony’s own ideals and thoughts about serious cameras are starting to stifle the potential of cameras like the Sony RX100 VII, and it shows.

Yes, I’m not kidding about the title. There was a point during this review where the Sony RX100 VII felt so incredibly awkward in my hands that I really wanted to throw it in the ocean. I have modest hands at best, and there is just so much that makes me believe that this camera was designed for people with the smallest hands possible. But this camera lineup has always been about being pocketable and portable, though at great sacrifice. As a matter of fact, if I were being told to pick this camera up while coming from just shooting with a phone, I’d have the most bitter outlook on cameras overall. And there’s a lot wrong with the Sony RX100 VII that seriously made my sigh and wonder if Sony even thought about this camera before it came out.

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A Camera For JPEG Lovers Everywhere: Fujifilm X-T200 Review

The Fujifilm X-T200 is a fun camera that will appeal to newbies more than anyone else. But if you love shooting for the JPEG, you might want to take a look at it too.

Camera companies are doing all they can to stem the onslaught of smartphones and their cameras, and up until recently, they haven’t been doing a great job. Times are changing, though, and recent entry-level cameras from Sony (the a6100) and Olympus (the E-PL10) are starting to pull mobile photographers away from their phones. The original X-T100 from Fujifilm was a swing and a miss, but Fujifilm has been hard at work to make sure the X-T200 doesn’t fall short like its first entry-level camera did. We’ve been putting the Fujifilm X-T200 through its paces over a few weeks, and now it’s time to share our findings. Is the camera good enough to pry photographers from their phones? Find out in our full review.

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A Great Step up From a Smartphone: Olympus Pen E-PL10 Review

The Olympus Pen E-PL10 is a fun camera that gives a great ILC camera foundation to build upon.

As we all know, smartphones have taken a massive chunk of the entry-level camera market away from manufacturers, but the big boys still try to claw back customers who have maybe outgrown their smart devices when it comes to photography. One of those companies is, Olympus, and their latest roll of the dice into the entry-level camera market is the Olympus Pen E-PL10. This review turned out to be interesting as I was only allowed to leave my home for a limited amount of time to test the camera, so I had to get creative. Despite this, I was still able to put this small, compact camera through its paces. Is this camera good enough to make new photographers step away from their smartphone cameras? Let’s find out in our full review.

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The One Reason the Fujifilm X100V Ups the Game for Me

Fujifilm’s latest X100 camera opens the door to a new feature for affordable compact cameras.

Compact cameras have seen a lot of improvements in the past few years. Faster autofocus, better ISO resolution, filters, IBIS, megapickles: the list of advancements is deep. Fujifilm has been at the forefront of innovation with its x100 series of cameras. For almost a decade, these cameras have made photography fun for both budding photographers and more experienced shooters who wanted a pocketable camera for easy, quick use. While it offers some upgrades over its previous iteration, the X100V has also incorporated something almost no other compact point and shoot has yet: weather resistance. While full weather resistance comes when you add a filter to the front lens, this move raises the bar and will either catapult Fujifilm further into a league of its own or spur compact camera manufacturers to step their game up.

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Review: Sony A9 II (It Has Everything the Modern Pro Could Ever Need)

The Sony a9 II is every bit of a flagship camera, and honestly, it makes any type of photography easy.

Sony, as usual, made huge waves when they first introduced the a9 in 2017. They entered the sports market that had been dominated by both Canon and Nikon for decades, and they staked their claim as a serious player in this field. Fast forward a few years as we now have the Sony a9 II. Sony’s a9 II is a huge camera for them. Not only will it be the camera they want to push on professional sports photographers during the Olympics, which will be in their own back yard in 2020, but it’s also the camera that will need to go up alongside the new Canon 1DX III and the Nikon D6. Does the Sony a9 II have enough about it to take the gold medal? Let’s find out in our review.

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