The Worst Camera We’ve Ever Tested. Yashica MF-2 Super DX Review

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I’m not even sure this should be called a review. I’ll admit to a few things. I’m breaking a review format that I’ve hammered into our team for over a decade. Also, I’m incredibly furious with my purchase of the Yashica MF-2 Super DX camera. It’s easy to get hyped up for something that you’ve wanted for a while. That hype sometimes leads to anger and fury. Before I purchased it, I read some reviews online. Unfortunately, there weren’t any that were objective. Long-time readers of this site know that I believe no one is making bad cameras these days. However, they also know that I sometimes rightfully bring out the sledgehammer. In this case, I feel like the sledgehammer isn’t enough.

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I’m Falling in Like Slowly with the New Z7. A Nikon Z7 II Review

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I have been a Nikonian photographer for more than a decade. Yet, after trying the company’s first full-frame mirrorless, I chose to stick with a DSLR. I simply didn’t have the confidence in the Z7 and Z6 autofocus system and lack of ability to record to two cards at once. That’s exactly what Nikon focused on in the second generation, however. The Nikon Z7 II keeps much of the first generation intact but steps up the autofocus, adds a second card slot, and moves to dual processors. Then, there’s also the price bump of a few hundred bucks.

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It’s Not Canon’s Greatest Achievement: Canon EOS M50 II Review

The Canon EOS M50 II doesn’t put the EF-M mount in good light.

Canon saw a great deal of success with the original EOS M50. The camera was snapped up by camera newbies and vloggers who wanted a light camera to tote around. It never wowed us with its image quality, but its versatility was delightful. The APS-C Canon EOS M50 II looks to build on that success, but will a few upgrades here and there make it a worthwhile buy in 2021? Can it compete in this market space? Find out in our full review.

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Tiny Camera Meets Big Potential: Fujifilm XE4 Review

The Fujifilm XE4 feels like a point-and-shoot, yet it has the image quality of a camera that costs twice as much.

The smaller a camera is, the more likely photographers will carry it with them everywhere. The Fujifilm XE4 is one of the smallest mirrorless bodies from Fujifilm yet. Paired with a newly announced 27mm kit lens, and the XE4 feels almost like packing a point-and-shoot. At $850 body-only (or $1,050 with the kit), the XE4 is one of the more affordable Fuji mirrorless cameras. Even with that price, the XE4 still packs in the same sensor and processor as the Fujifilm XT4. So, what did Fujifilm cut to get to that sub-$1000 price point?

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An Excellent Medium Format Swiss Army Knife: Fujifilm GFX100S Review

The Fujifilm GFX100S can do a little of everything at a price that will please.

Let me start by saying that $5,999 is a lot of money for a camera, so it may not please everyone. However, there are many cameras around this price point that can do one thing really well, and that’s it. The Fujifilm GFX100S is different. Fujifilm has been innovating in the ‘larger than Full-Frame’ space for a while now. The Fujifilm GFX100S is a continuation of the fine work they have done thus far. If you’re deciding between high megapixel cameras and have around $6,000 to spend, you owe it to yourself to read our full review. Go on. You know you want to.

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An Excellent Camera That’s Overkill for Most: Sony a1 Review

The Sony a1 shows that electronic shutters are the future.

Sony stunned the photography industry when they announced their new flagship camera, the Sony a1. Sony is back to innovating again when it comes to silicon, and this is incredibly exciting. On paper, this camera with its new stacked sensor should impress even the most hard-headed photographers out there. Still, we all know that specs on a piece of paper don’t always equate to great real-world performance. We’ve had our hands on the new Sony a1 for a week, and we’ve put it to the test in some tough conditions. Will the wow factor from the spec sheet carry over into the wild when we test it? Find out in our full review of the Sony a1.

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You Need to Hold This! Fujifilm GFX 100S First Impressions

Holding the Fujifilm GFX 100S gave me a lot of hope for the future of cameras.

Cameras these days are boring. Well, most of them are at least. Everyone is making a good camera. But few are exceptional. In the little time I’ve used it, the Fujifilm GFX 100S seems exceptional. In fact, it’s the first camera I’ve held in a long time to get me excited. Think of it as the big brother to the Fujifilm XH1. If you took that camera, made it medium format, a bit bigger, and changed a few things, this would be it. Fujifilm took their prized winning 100MP GF format sensor and stuffed it into here. Plus, they’re giving us the new Nostalgic Negative film simulation. What’s most impressive, though, is the autofocus. All of this for under the cost of the Sony a1. But of course, those are different cameras. But the Fujifilm GFX100s is showing me that medium format is truly their future.

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It’s Improved! But It’s Still Not Perfect: Nikon Z6 II Review

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Two years after bursting into the Full Frame mirrorless market, Nikon is polishing its first draft with a second generation. At first glance, the Nikon Z6 II is a look-alike of the original mid-range mirrorless. But, Nikon is making some important strides towards addressing the wish list that the first didn’t quite fulfill. The Nikon Z6 II adds dual card slots and improves the autofocus. It even adds dual processors for a faster burst mode and larger buffer.

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A Wonderful Camera With An Unfortunate Flaw. Fujifilm XS10 Review

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Fujifilm has gone from strength to strength over the last few years. Photographers who appreciate stunning design have flocked to the platform for the gorgeous retro-inspired cameras and the great images that X-Trans sensors can help produce. However, newer photographers are put off by the vintage-style controls. Enter the Fujifilm XS10. Fujifilm adopted a new design philosophy for the XS10 so that those who aren’t comfortable using so many manual controls can have a camera they can call their own. On paper, the Fujifilm XS10 sounds impressive. It has the same 26 Megapixel sensor found in the bigger X-T4, and it even has IBIS. How does it perform out in the wild, though? Find out in our full review.

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The Most Rugged Camera for a Journalist. Leica SL2s Review

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There’s nothing wrong with the way the traditional Leica camera worked. If anything, the Leica M series makes the photographer more aware of what’s around them. But let’s be honest, autofocus is very useful. And the Leica SL2s is probably the camera that answers the needs of the modern journalist the best. At the heart of the Leica SL2s is what Leica claims to be a newly developed 24MP BSI sensor. This variant of the Leica SL2 maintains the IP54 weather sealing rating, but it also received a speed boost.

Editor’s Note: We’ve updated this post as of May 2021.

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Plain Milk in a Chocolate Milk Bottle. Nikon Z5 Review

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You’re probably wondering why all these camera reviews sound the same. Well, quite frankly, we’re wondering why all these cameras are the same! For as good as the Nikon Z5 is, it should’ve been released years ago. This is what the Nikon Z6 should have been. And the Nikon Z6 II should’ve gotten some insane boosts. In some ways, Nikon is still the company we’ve known for over a decade. They’re still pretty much the best at high ISO output in some ways. Additionally, their cameras can still take good pictures. There’s also the really fun Nikon color profiles that irritatingly can’t be applied to your RAW files. Make no mistake, the Nikon Z5 is a good camera. In fact, it’s my favorite that Nikon has made in a long time. But Nikon isn’t innovating. They’re struggling to keep up, and there’s nothing that’s compelling us to buy from them unless you’re probably a YouTuber. Ultimately, it’s mostly the same internals as everything else with a better exterior.

Editor’s Note: Update as of June 2021. These updates are in bold.

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The Leica Q2 Monochrom is One of their Best Cameras Yet

The Leica Q2 Monochrome has to be the most liberating camera currently on the market.

When I first used the Leica Q2, I was disappointed by the autofocus performance and a few other quirks. But that all improved over time–for the most part at least. And with the new Leica Q2 Monochrome, Leica has created the most liberating camera on the market. It takes the high ISO wars and slaps them in the face. It doesn’t bother too much with quibbles about the dynamic range. And it sure as heck doesn’t care about color depth. Instead, you’re getting pure sharpness, beauty, and freedom to shoot. At the heart of this camera is a Monochrome sensor. As I realized too late when testing the Leica M10 Monochrom, you don’t need to worry about high ISO noise. In this case, you’re embracing it. It can put out images that look like film developed with Rodinal. But beyond that, autofocus has also come a long way. Is it perfect? No, but this has to be the most refreshing camera that Leica has produced in 2020. And more importantly, it has to be my favorite camera of the year.

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Their Best Camera Yet! But a Ways to Go! Panasonic S5 Review

The Panasonic S5 is everything I wanted in a camera from Panasonic.

The truth about the photography market is that no one is making a bad camera. But bad decisions are surely made. And the Panasonic s5 is one of the best decisions the company ever made at the worst time. Released and announced during the pandemic, it’s a way to get people into their system pretty cheaply. However, I think if the Panasonic S5 were released ahead of the S1 and S1r, the system would have a ton more converts. The Panasonic S5 is seriously the first camera that’s made me consider the L mount with any seriousness. Not only is the camera the best thing currently in Panasonic’s lineup, but it’s probably the best L mount camera aside from the Leica SL2. With a 24MP full-frame sensor, great image quality, and good enough autofocus, I think photographers will really like it.

Editor’s Note: This review has been updated on November 29th 2020.

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Meet Fujifilm’s New Midrange Camera: Fujifilm XS10 First Impressions

The Fujifilm XS10 is a cross between Fujifilm’s flagship XT4 and their tough XH1. There are a few caveats, though.

All the speculation was correct. Yes, the Fujifilm XS10 is real, and we’ve had a short time with it. This cross between a Fujifilm X-H1 and the X-T4 is the company’s new mid-range model. While the X-S line is not a new one for Fujifilm, this is the first camera in the series that will turn some heads. Opting for a simpler design, Fujifilm hopes that the XS10 will attract an entirely new type of customer. Sporting the same sensor as the X-T4, a redesigned IBIS system that’s 30% smaller, and a fully articulating screen, the Fujifilm XS10 sounds delightful on paper. Is it really any good, though? Come and read about our first impressions after the break.

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The Exciting Return of Spy Tech! Canon Powershot Zoom Review

The Canon Powershot Zoom harkens to the return of the spy camera in 2020, and I’m so excited!

If you’ve read our Declassified series, you’ll know how much I geek out about spy-tech. The Canon Powershot Zoom probably wasn’t meant to be that kind of tech. In fact, Canon specifically referenced to that as a viewer in our meeting. It takes photos (rather bland ones at that), but it’s a camera that isn’t much larger than a stick of lip balm. You can stuff it in your pocket and shoot photos to your heart’s content. And when you’re ready, just connect it to your phone and beam the images over. All that aside, the fun behind the Canon Powershot Zoom is the innocent spy-type feel you can get with it. Boasting a 100-400mm zoom lens in front of a super small sensor, it’s incredibly fun!

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A Big Misstep for Micro Four Thirds: Panasonic G100 Review

The removal of a key Micro Four Thirds feature in the Panasonic G100 has left me scratching my head.

Until the release of the Panasonic G100 earlier this year, all had been quiet on the Panasonic M4/3 front. The Panasonic G100 has been aimed at modern hybrid content creators. Hybrid shooters want the best of both worlds when it comes to stills and video. There are many cameras on the market that cater to this segment, and they all fall into the same price bracket as the G100. Does the Panasonic G100 have what it takes to compete with offerings from Olympus, Fujifilm, Sony, and others when it comes to stills? Let’s find out in our full review.

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The Panasonic G100 Is an Oddity of a Camera and Missing a Big Thing

In Pro Camera Reviews, we recently discussed the new Panasonic G100.

In some ways, the new Panasonic G100 feels like the odd man out. There’s a whole lot going for it, but they missed the ball in some ways. This camera is designed mostly for the vlogger, and it features some innovative things for that audience. But for photographers, we’re scratching our heads a bit. For example, they got rid of the in-body image stabilization: a difficult thing to justify. We discuss more in our latest episode of Pro Camera Reviews.

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Excellent for Documentarians and Photojournalists: Sony a7s III Review

Photojournalists and documentarians who need to shoot stills and video are going to love the Sony a7s III.

Fans of the Sony a7s series of cameras have been waiting a long time for the a7s III. Thanks to these cameras’ ability to virtually see in the dark, they are favorites of videographers and photographers who shoot in extremely low light. However, detractors out there will tell you that, due to the 12MP sensor, the Sony a7s III is not good enough for stills photography. Upon its release, I suggested that the Sony a7s III could be great for modern photojournalists and documentarians. Those who specialize in these fields need to shoot both video and stills in any lighting conditions. I’ve been testing the camera for the past week in various situations. Find out what the Sony a7s III is like for stills photography in our full review.

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The Most Fun I’ve Had. Hasselblad 907X 50C Review

The Hasselblad 907X is a positively fantastic, retro feeling JPEG camera that can shoot RAW, but shouldn’t.

How many of you would believe me if I told you that the Hasselblad 907X 50C is an excellent JPEG camera? Many would probably clamor for my head on a stake. Others wouldn’t believe me. And yet some would agree with me. Of course, a medium format camera is bound to deliver great JPEG photos, but I’m shocked at how good they can be. Granted, the Hasselblad 907X is an over $6,000 medium format camera. It boasts retro looks and feels. And best of all, it’s pretty petite. And if you’ve got the extra dough, you’ll be pretty pleased with it.

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The Sony a7c is the Best Sony Camera for Leica M Mount Lenses

The Sony a7c is the affordable camera you’ve been waiting for if you own Leica M Mount Lenses.

Pick it up, and the Sony a7c will trigger a feeling. It’s bound to feel like a Mamiya 6 or Mamiya 7 rangefinder camera. You’ll be pleasantly surprised if you’re a rangefinder-style camera lover the way I am. The nostalgia will hit experienced photographers hard. The Sony a7c is the company’s latest full-frame offering. What makes it so unique is a super small camera body. But there’s a big full-frame sensor at heart. Better yet, it pairs so well with Leica M mount lenses. M shooters are bound to be the ones who pick this camera up. Thankfully, it seems Sony improved the manual focus peaking function a bit. That means you’re going to get sharper images when you go about shooting.

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They Finally Did It! Full Frame Rangefinder Style! Sony a7c Review

The Sony a7c is the company’s first rangefinder-style camera with a full-frame sensor at heart.

I’m incredibly elated that Sony made a camera like the Sony a7c. The entire industry is lacking rangefinder-style cameras. Putting a full-frame sensor into one is the icing on the cake. Maybe it will mean other brands follow suit. Sony made a few sacrifices to create the Sony a7c. This is a real innovation that was proven long ago with the RX1 series. But this camera is different; you can swap the lenses out. The image stabilization isn’t up to par with the other Sony a7 camera bodies. And in some ways, I feel the autofocus isn’t either. You’re also missing a joystick. But otherwise, the Sony a7c has a whole lot going for it.

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