This is a syndicated blog post from Street Silhouettes. All images and text from Horatio Tan. Used with permission.
There was a time when all photographers shot black and white film. For the most part, the decision to shoot in black and white had very little to do with choice or preference for black and white photographs. In most cases, it was because black and white film was more convenient to develop, when compared to color film. And in case you’ve forgotten what develop means, it’s not when you drop off your film at the local photo-mat. It means going to the darkroom and developing it yourself.
It was in developing film and printing images that separated real photographers from those who just took photographs. Whereas the latter group had no control in optimizing the look of the images (after it was developed and printed at a photo-mat), the former had complete control limited only by the scope of his ability in the darkroom.