There are times that I make photographs with my Nikon Zf, chimp the screen, and say something along the lines of, “Goddamn, that’s fine.” And when combined with the right Picture Profiles, I found myself saying this over and over again with the 7Artisans 35mm f2.8 attached and using the TechArt TZM-02 to give it autofocus. Then lens surely is about sharpness in some ways. Though you shouldn’t let that bedazzle you and draw all your attention on what really matters about this lens: that you’ll want to carry it everywhere with you.
The 7Artisans 35mm f2.8 is an insanely compact lens firstly designed for Leica M-mount. But with all the new tech available to us today, I decided to not use it on my M6.
Table of Contents
The Big Picture: 7Artisans 35mm f2.8 Review Conclusions

It’s really hard to not like the 7Artisans 35mm f2.8 if you’ve done the work on yourself and your skill set to understand how to use this lens. With that said, I’m going to implore you to not believe most of the YouTubers who don’t understand how to use zone focusing. If you’re one of those people who knows how to use zone focusing, you’re going to love this lens.
Of course, you can do exactly what I did too, which is eliminate the need for manually focusing and instead adapt it to a TechArt device that gives you autofocus with Leica M-mount glass. And if you do that, know that you’re going to get good results most of the time. It’s probably going to miss a times, but most of the time you won’t have issues.
That has nothing to do with the lens though. The 7Artisans 35mm f2.8 is the one of the clearest set of rose-colored glasses I’ve ever put on my Nikon Zf. That’s my way of saying that everything I make images of with this lens is stunning. Sure, Nikon’s color profiles are doing a lot of heavy lifting. But even without them, I’m still really adoring what’s possible.
The 7Artisans 35mm f2.8 is a very compact, well built lens that lacks weather resistance — and that’s to be expected because it’s for Leica M-mount. And as far as I go, it doesn’t really stand out when it comes to image quality, but instead more for its small size that makes you want to bring it everywhere with you. Anything that gets us making more photos and bringing more joy to ourselves while doing it is something that wins high marks from me.
I’m awarding the 7Artisans 35mm f2.8 four out of five stars. Want one? Check it out on Amazon and Robert’s Camera.
- Very compact
- Beautiful image quality
- Metal build
- Super lightweight
- Something about the full aperture stops and how the aperture blades look seem really stunning on something this small
- No electronic contacts
- No weather resistance
- I understand that it’s for Leica M-mount, but I’d love this thing for other mounts. It would go great on a LUMIX S9.
- Focusing markers that I think anyone new to rangefinder lenses or will significant brain rot will need to learn how to adapt around
- At $428, it’s far more affordable than any Leica lens.
- Only f2.8
Experience

The 7Artisans 35mm f2.8 was given to us for keeps, and I’m pretty sure that they’re not going to ask for it back. I used it with the TechArt TZM-02 and the Nikon Zf which were both bought with my own money. Declarations like this are really important and they help separate real journalists from influencers and content creators.
Look at this lens. It’s gorgeous. And you’d especially think so if you like affordable, retro-looking lenses. If you don’t, you’re probably a Sony or Canon super fan who believes that your flavor of billion-dollar company can’t do any wrong. If you’re appreciative of what Fuji has been trying to bring back and what’s been a core part of Leica’s identity forever, then you’ll stare at this lens and adore it.
The lens boasts a diminutive body that the most looks-maxxed influencers would be in love with. There’s a full-stop aperture ring, a focusing tab, and a locking tab that locks the lens to infinity. Plus, there’s the option of lens hoods or lens caps. To figure out how to zone focus, you’ll have to look down at the lens. The design is similar, though not identical, to both the Leica 28mm f5.6 and the Brightin Star 28mm f2.8.
Functionally, turning the dials and rings all feel really wonderful and connect you to the experience of making images with intent. More than ever, lenses like this are needed because mirrorless cameras are doing all the work for us whether or not we realize it.

If I were to use this lens with zone focusing, I’m pretty sure that I’d have little to no problems at all. Typically, I’d set the lens to f5.6 and zone focus away to six feet. But with the TechArt adapter, I ended up just using the Nikon Zf’s face and scene detection with AF-C and AF-S. And rarely did the camera and lens miss their mark — in fact, I’d say that it did a great job around 87% of the time.
This combo proves itself, in this way, very good for street photography — which is what I think most photographers would want to use it for. But for random candid frames and other stuff, it’s also still a delight to use.
If you’re a photographer who rocks both Leica and Nikon cameras the way that I do, I think that you’re going to thoroughly enjoy this experience.
Image Quality
In terms of image quality, there isn’t anything here that really makes me look at the images and feel like I can say, “This is from 7Artisans.” Instead, I’d comment on how I’m sure that this is a Nikon color profile. That’s not to say that the bokeh isn’t nice and that the optics aren’t sharp. They indeed are. But so are the optics of nearly every other single lens made these days.
The following images were edited using presets from the Phoblographer.
The following images weren’t edited.
Tech Specs
The following technical specifications were taken from the official page listing.
| Focal Length | 35mm | Frame | Full‑frame |
| Aperture | F2.8 – F22 | Optical Structure | 7 elements in 5 groups |
| Aperture Blade | 7 blades | Lens Type | Prime lens |
| Mount Compatibility | L39 / LM (Leica M) | Focusing Range | 0.7M-∞ (slight variation depending on camera body) |
| Filter Size | ф34mm | Angle of view | 61.8° |
| Weight | ≈ 88g | Focusing | Manual focus |
| Lens Material | Metal |
Declaration of Journalistic Intent
The Phoblographer is one of the last standing dedicated photography publications that speaks to both art and tech in our articles. We put declarations up front in our reviews to adhere to journalistic standards that several publications abide by. These help you understand a lot more about what we do:
- At the time of publishing this review, 7Artisans is not running direct-sold advertising with the Phoblographer. This doesn’t affect our reviews anyway and it never has in our 15 years of publishing our articles. This article is in no way sponsored.
- Note that this isn’t necessarily our final review of the unit. It will be updated, and it’s more of an in-progress review than anything. In fact, almost all our reviews are like this.
- None of the reviews on the Phoblographer are sponsored. That’s against FTC laws and we adhere to them just the same way that newspapers, magazines, and corporate publications do.
- 7Artisans provided the unit and accessories to the Phoblographer for review. There was no money exchange between us or their 3rd party partners and the Phoblographer for this to happen. Manufacturers trust the Phoblographer’s reviews, as they are incredibly blunt. We get to keep the lens.
- 7Artisans knows that it cannot influence the site’s reviews. If we don’t like something or if we have issues with it, we’ll let our readers know.
- 7Artisans paid for shipping of the lens to and back. This is a standard practice in the world of journalism.
- The Phoblographer’s standards for reviewing products have become much stricter. After having the world’s largest database of real-world lens reviews, we choose not to review anything we don’t find innovative or unique, and in many cases, products that lack weather resistance. Unless something is very unique, we probably won’t touch it.
- In recent years, brands have withheld NDA information from us or stopped working with us because they feel they cannot control our coverage. These days, many brands will not give products to the press unless they get favorable coverage. In other situations, we’ve stopped working with several brands for ethical issues. Either way, we report as honestly and rawly as humanity allows.
- At the time of publishing, the Phoblographer is the only photography publication that is a member of Adobe’s Content Authenticity Initiative. We champion human-made art and are frank with our audience. We are also the only photography publication that labels when an image is edited or not.
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