The Fujifilm X-E3’s Touchscreen Isn’t That Intuitive to Use (But This Will Help)

If you’re looking at the Fujifilm X-E3, then consider the following

We’ve called the Fujifilm X-E3 in for review, and we’ve been playing with it for a few days now. Many photographers are bound to love it due to the design aspects that were incorporated into it that took some thought. This is essentially a really stripped down Fujifilm X Pro 2 with more of an emphasis on gestures and using the touchscreen in addition to the few buttons and exposure controls that are available. Enthusiast photographers may really like this camera as will the folks who these days love shooting in ISO auto mode. But what I’m finding so far is that the touchscreen isn’t the simplest thing to use.

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The Canon 6D Mk II Sports a Vari-Angle LCD Screen With No 4K Video

Be sure to also check out our Canon 6D Mk II hands on first impressions.

Rumors about the Canon 6D Mk II have been circulating the web for a while now; and today the camera is getting officially announced. The new Canon 6D Mk II is in many ways an incremental upgrade from the original Canon 6D in that it’s not doing a whole lot to reinvent the wheel. Canon is using a brand new 26MP full frame sensor at the heart with the ability to go from ISO 100 to 40,000. It can shoot at up to 6.5 fps and when using the 45 autofocus points near the center of the frame you’ll be able to photograph birds and other animals with relative ease. One of the biggest changes to the Canon 6D Mk II is the new Vari-Angle LCD touchscreen. The touchscreen works when trying to take photos in Live View and when you’re trying to navigate the menus. Despite all the improvements to the screen though, there isn’t 4K video present in the camera despite there being 4K timelapse abilities.

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Image Gallery: Fujifilm X100F Samples

Today, I’m really happy to say we’ve got Fujifilm X100F samples in our first impressions post. I’ve been super busy as of late, but I’m pretty glad to finally have the Fujifilm X100F in for review. On paper at least, the camera has a whole lot going for it. And it’s also fair to say that after a really long time, many users are going to be very happy with the camera and the progression it’s taken. Indeed, photographers like Rinzi Ruiz are doing some fantastic work with it. Overall, it’s pretty difficult to take a really awful photo with the camera.

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Shooting with the Fujifilm GFX 50S: Extended Thoughts and Sample Images

The Fujifilm GFX 50S has been in for review for a few days now and I’m sort of wrapping my head around how to test it correctly. That’s kind of tough to explain for many reasons. You see, Fujifilm sent me the camera along with the 63mm f2.8 and the 120mm f4 lenses–both primes which are great for general work, portraiture, and the mainstay of most medium format photographers out there. Zooms are often tough to work with, but in some ways I feel like Fujifilm is genuinely trying to redefine the way people work with medium format cameras, lenses, and sensors.

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Sample Images: Tokina 20mm f2 FiRIN Lens (Food and Street Photography in Bangkok)

I’m wrapping up the tail end of a Sony Press media excursion, and while here I’ve been testing the new Tokina 20mm f2 FiRIN a whole lot. After getting some initial thoughts after Photokina, I was really excited to play with the lens. It has much going for it as a wide angle, manual aperture, manual focus, and fairly compact prime lens. But one of the things that’s really great about it is how low the distortion is. In fact, it’s so low that I was confident in using it for shooting video of people.

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