Paul Zizka, who just released his first book, Summits and Starlight, would intensify his impressive shots simply by adding a human aspect to them, strategically putting in a silhouette of a person (most of the time, Zizka himself) in the foreground with a headlight on his head, either perched atop a rock or standing waist-deep in a lake, looking at the scene before him as if in awe.