Subscribe here for an ad-free experience!

The Phoblographer may receive affiliate compensation for products purchased using links in this article. For more information, please visit our Disclaimers page.

News

Nikon May be Facing a Class Action Lawsuit for D600 Camera Issues

Chris Gampat
No Comments
02/17/2014
02/17/2014
1 Min read
Spread the love
          

Last Updated on 02/17/2014 by Chris Gampat

main-Nikon-D600-1

It was bound to happen, but we never thought that it take this long for it to happen. Petapixel by the way of Nikon Rumors is stating that US law firm Lieff Cabraser Heimann & Bernstein is trying to gather complaints for a possible class action law suit against Nikon for issues had with the D600–the company’s entry level full frame DSLR. While some report that Nikon had replaced the shutter for them with better results, others state that it is still problematic for them. To recap, the D600 had a sensor problem where due to a faulty shutter dust and oil would gather and therefore also appear in photos.

Nikon’s major response to the issue was replacing the camera with the D610. And even went as far as replacing some D600 cameras with the new D610. Because of this, we’re not sure how far the lawsuit may go.

But if you’re a D600 owner, you may want to contact Nikon about fixing the issue first for you.

Get rid of the ads!

Did you enjoy reading this article as much as we enjoyed writing it? There's a way to support us and our reporting, getting ad-free navigation and more as a bonus. Subscribe to us for less than a coffee per month —just $3.99— or take advantage of our yearly subscription with a hefty discount for only $25.
  • An ad-free experience
  • A free mystery box for Lightroom or Capture One
  • All the books in our store
  • 20% discount on Capture One
  • 30% discount on Imalume Photo Theft Protection
  • 20% off Herbs and Kettle Tea Company.
d600 dust lawsuit nikon oil sensor shutter
Shares
Written by

Chris Gampat is the Editor in Chief, Founder, and Publisher of the Phoblographer. He provides oversight to all of the daily tasks, including editorial, administrative, and advertising work. Chris's editorial work includes not only editing and scheduling articles but also writing them himself. He's the author of various product guides, educational pieces, product reviews, and interviews with photographers. He's fascinated by how photographers create, considering the fact that he's legally blind./ HIGHLIGHTS: Chris used to work in Men's lifestyle and tech. He's a veteran technology writer, editor, and reviewer with more than 15 years experience. He's also a Photographer that has had his share of bylines and viral projects like "Secret Order of the Slice." PAST BYLINES: Gear Patrol, PC Mag, Geek.com, Digital Photo Pro, Resource Magazine, Yahoo! News, Yahoo! Finance, IGN, PDN, and others. EXPERIENCE: Chris Gampat began working in tech and art journalism both in 2008. He started at PCMag, Magnum Photos, and Geek.com. He founded the Phoblographer in 2009 after working at places like PDN and Photography Bay. He left his day job as the Social Media Content Developer at B&H Photo in the early 2010s. Since then, he's evolved as a publisher using AI ethically, coming up with ethical ways to bring in affiliate income, and preaching the word of diversity in the photo industry. His background and work has spread to non-profits like American Photographic Arts where he's done work to get photographers various benefits. His skills are in SEO, app development, content planning, ethics management, photography, Wordpress, and other things. EDUCATION: Chris graduated Magna Cum Laude from Adelphi University with a degree in Communications in Journalism in 2009. Since then, he's learned and adapted to various things in the fields of social media, SEO, app development, e-commerce development, HTML, etc. FAVORITE SUBJECT TO PHOTOGRAPH: Chris enjoys creating conceptual work that makes people stare at his photos. But he doesn't get to do much of this because of the high demand of photography content. / BEST PHOTOGRAPHY TIP: Don't do it in post-production when you can do it in-camera.
'
0