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The Phottix Indra360 TTL Is The Latest Monolight with TTL

Chris Gampat
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02/27/2015
2 Mins read

Last Updated on 02/27/2015 by Chris Gampat

Phottix Indra 360 LR 2up

Phottix has been changing the strobism game a bit by offering more affordable and yet very good alternatives to many of the more expensive monolights and flashes. The Phottix Indra500 TTL started it off in the monolight game and now the Indra360 TTL is doing the same thing but with less power output–just in time for WPPI 2015. In fact, the Phottix Indra500 TTL is the winner of our Editor’s Choice award.

The light can do TTL transmission with both Canon and Nikon DSLRs with Sony coming in the future. It is also capable of high speed sync, second curtain sync, and can be triggered with any of Phottix’s radio transmitters considering that it has a radio receiver built right in.

Like the Indra500 TTL, it works with a battery pack. More specs are after the jump.

The Indra360 TTL Studio Light, Indra360 Battery Pack is scheduled to begin shipping in mid-April 2015. The Manufacturer’s Suggested Retail Price (MSRP) is $880 for a one light / battery kit. Additional configurations are $1,760 for two lights / 2 batteries plus a Phottix Odin controller; $2,570 for 3 lights / three batteries plus a Phottix Odin controller. The Indra500 TTL Studio Light, Battery Pack and AC Adapter are currently available from Phottix dealers world-wide.

Phottix Indra360 TTL Features:

• 360W Studio Light

• TTL, Manual and Stroboscopic Modes

• High Speed Sync – 1/8000s shutter speeds

• Second Curtain Sync

• Adjust +/- 3 EV

• Manual Power 1/128 to Full Power in 1/3 Stops

• Wireless Radio Power Control with Phottix Odin and Mitros+ systems

• Odin for Canon and Nikon Receivers Built in

• Phottix Strato II Receiver Built in

• LED Modeling Light

• Battery and AC Adapter Powered

• 300 full-power shots when using 4000 mAh Indra360 Battery Pack.

• Compatible with Phottix Indra AC Adapter

Indra360 TTL Indra500 TTL phottix Phottix Indra360 TTL Phottix Indra500 TTL wppi 2015
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Chris Gampat is the Editor in Chief, Founder, and Publisher of the Phoblographer. He provides oversight to all of the daily tasks, including editorial, administrative, and advertising work. Chris's editorial work includes not only editing and scheduling articles but also writing them himself. He's the author of various product guides, educational pieces, product reviews, and interviews with photographers. He's fascinated by how photographers create, considering the fact that he's legally blind./ HIGHLIGHTS: Chris used to work in Men's lifestyle and tech. He's a veteran technology writer, editor, and reviewer with more than 15 years experience. He's also a Photographer that has had his share of bylines and viral projects like "Secret Order of the Slice." PAST BYLINES: Gear Patrol, PC Mag, Geek.com, Digital Photo Pro, Resource Magazine, Yahoo! News, Yahoo! Finance, IGN, PDN, and others. EXPERIENCE: Chris Gampat began working in tech and art journalism both in 2008. He started at PCMag, Magnum Photos, and Geek.com. He founded the Phoblographer in 2009 after working at places like PDN and Photography Bay. He left his day job as the Social Media Content Developer at B&H Photo in the early 2010s. Since then, he's evolved as a publisher using AI ethically, coming up with ethical ways to bring in affiliate income, and preaching the word of diversity in the photo industry. His background and work has spread to non-profits like American Photographic Arts where he's done work to get photographers various benefits. His skills are in SEO, app development, content planning, ethics management, photography, Wordpress, and other things. EDUCATION: Chris graduated Magna Cum Laude from Adelphi University with a degree in Communications in Journalism in 2009. Since then, he's learned and adapted to various things in the fields of social media, SEO, app development, e-commerce development, HTML, etc. FAVORITE SUBJECT TO PHOTOGRAPH: Chris enjoys creating conceptual work that makes people stare at his photos. But he doesn't get to do much of this because of the high demand of photography content. / BEST PHOTOGRAPHY TIP: Don't do it in post-production when you can do it in-camera.