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Twenty seven year old Photographer Adam Ward and twenty four year old reporter Alison Parker were killed today during a live TV broadcast in Virginia after 6:45 AM. The duo were on location at a shopping center (though CNN says a waterpark) when a man fired around eight shots. Some of those bullets hit Alison and Adam. The duo worked at WDBJ and according to the station, what makes this story even sadder is the fact that Adam and Alison were romantically involved with others at the station. Adam was engaged to producer Melissa Ott, while Alison was dating the station’s evening anchor Chris Hurst.

According to NBC, three people were shot during the Virginia shooting incident.

Update: The suspect has shot and killed himself.

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Chris Gampat The Phoblographer Nikon D5500 product review lead image (1 of 1)ISO 2001-125 sec at f - 2.0

When Nikon talked to us about the D5500, we generally thought it was a step in the right direction. After spending a while with it, we tend to agree with that opinion. As far as business sense goes, the Nikon D5500 is a safe bet and doesn’t rock the boat too much. Instead, it gives incremental upgrades that folks will love like 5fps shooting, a deeper grip, Wifi connectivity, very fast focusing abilities, and most importantly the ability to use lots of Nikon’s lenses.

To be honest, the Nikon D5500 is a great camera. We mean that from the bottom of our heart–but at the same time we think that it’s time for Nikon to try to push things a bit further.

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All photos by Kyle Dean Reinford. Used with permission.

When it comes to concert photography, Kyle Dean Reinford is no doubt one of the best in the business. But he also tells us that he’s still not sure that it’s his true calling. Kyle has been shooting professionally for years and has experienced lots of the changes that have happened as of recent: such as digital rights management and over-saturation of the market.

But most of all, Kyle thinks that concert photography is one heck of a thrill.

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Efficiently Complete A Photography Assignment-04076-20140814

When trying to become more serious about your photography, you’ll often go after photography assignments and gigs. You clients will need specific images for presentations, articles, etc. If they cannot find the right stock photography or create the images themselves, they hire a photographer to create these images for them. I have recently started going on assignments for my company and there are some lessons that I have learned. The biggest is that photography is a cooperative craft at times. Sometimes you have to capture another person’s vision.

Here are five tips from my experience to help you get through things quickly.

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Refining My Streetphotography -04879-20140829

On the surface, street photography can look easy. You go for a walk and take photos. But I have learned enough to know there is a lot more to it. Picking up your camera and going for a walk is only the beginning. Street photography is an art form that has been practiced for some time. A person can only get better through practice. Over this past summer, I took it upon myself to try to refine my street photography. There are many lessons to be learned from photo walking almost every day.

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dealing with police Geservo-0447-20140115

Due to the nature of the work that I do, I was recently asked how I stay out of trouble with the police. The question caught me off guard. The person asking the question brought up the fact that I’m always in New York with a camera. In my photography life, I have occasionally run across my share of bigots. But photographers are mostly a great community of people–and the issue some photographers have is their race and the law. Not everyone is treated equally 100% of the time. As an adult I have rarely, if ever, been singled out and stopped. I am not going to say I have never been harassed but when I was young–I quickly learned how not to make myself a target for police. As a photographer, I worried about that subject even more. So here is my answer.

Editor’s Note: Chris Gampat has co-authored this piece.

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