Steve Gosling: Hypnotic Pinholes and Black and White Photography

All images by Steve Gosling. Used with permission.

Photographer Steve Gosling is a true black and white artistic photographer. To him, the gear is only secondary to his creative vision. This is evident in his choice of mediums. He’s used pinhole cameras, large format, and even works with Phase One cameras and lenses. His affinity for the artistic side of photography started when he was really young. He had no interest in math, science, etc. Instead, he was captivated by photography. Luckily, that passion never died out for him.

But if you’re a lover of landscapes, you’re surely going to enjoy his photos and his thought process.

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Four Manual Focus Prime Lenses For Landscapes Under $800

In today’s world many photographers struggle with manual focusing (or at the very least greatly prefer to use autofocus). That said, one niche by and large still embraces the legacy of manually focusing in much larger numbers than other photography niches – Landscape Photographers. The reason should be pretty obvious, the subjects they are shooting are not moving, generally there is time to set up a shot and spend time to nail focus just right manually without stressing about missing a moment.

To that end, manual focus lenses are pretty popular in the Landscape field, especially among the budget crowd thanks to their usual price savings over their OEM AF counterparts. But there really are options all over the place and it can be hard to know where to send those hard earned dollars. So today we are bringing you a roundup of some of our favorite manual focus lenses for landscape photography that ring in under $800.

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Joel Tjintjelaar: Shooting Black and White Photos With the Phase One 100MP IQ3 Achromatic Back

All images by Joel Tjintjelaar. Used with permission.

In many ways, Photographer Joel Tjintjelaar is “photographer’s photographer.” He shoots beautiful long exposure black and white images, street photography, landscapes, still lifes, etc. He’s creative while also blending in elements of capturing a scene though while still putting his own signature perspective on it. Joel coins himself as a fine art architecture photographer specializing in black and white long exposure photography, but he’s also an author and educator who teaches workshops on black and white and fine art photography, architectural photography and long exposure photography, around the world. He has developed his own signature method of post processing that has been adopted by many of his many followers around the world, to not only create beauty but also communicate emotions.

In fact, he attributes his method more to large format photography than anything else.

Editor’s Note: All images in this interview were shot with the new Phase One IQ3 Achromatic Medium Format camera back.

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Babette de Jong: A Talent for Fantastic Analog Film Landscape Photography

All images by Babette de Jong. Used with permission.

When Babette de Jong sent us an email to submit to the analog zine, I carefully went through her submission as I have with everyone who entered to be featured. Babette’s strength is in landscape photography. She loves film photography and strives to get it all as perfectly right in camera as she possibly can.

But more importantly, she’s just a good photographer. And her submission is after the jump.

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The Phoblographer’s Guide to Tamron Prime Lenses

In our years of reviewing lenses, we’ve reviewed a lot of prime lenses–including every prime lens offering from Tamron. The company has worked on revamping their lineup for the past few years the same way other lens manufacturers also have. But the biggest difference here is that Tamron offers great image quality, autofocus, weather sealing, and does all this at a really amazingly affordable price point.

So we’ve gone through our reviews index to sort together all of our Tamron lens reviews and help you figure out what’s best for you.

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Review: Fujifilm GFX 50S Mirrorless Medium Format Digital Camera

For years and years, a lot of us have been drooling over the idea of mirrorless medium format digital cameras, and the Fujifilm GFX 50S is one of the first offerings to make it onto the scene. Fujifilm opted to take the same route that Leica, Pentax and Hasselblad have done with a sensor built into a body vs the more traditional SLR styles of Phase One and some of Hasselblad’s lineup. The Fujifilm GFX 50s (price) you’d think would be targeted at the photographer who needs that kind of resolution, but instead it’s aimed at the photographer who typically uses a Canon 1Dx Mk II or Nikon D5 type of camera. Essentially, the highest end of the highest end. Weddings? Yup, this is for that. Sports? Well, that’s where Fujifilm starts to hit a wall.

However, the camera is an alternative option: opting instead for better resolution and a larger sensor in the same way that wedding photographers years ago reached for 645 medium format film cameras.

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How Daylight White Balance Can Make You a Better Photographer

For the past year or so, I’ve been doing a special experiment with the way I shoot photos: I’ve been working almost exclusively with daylight white balance. Crazy, right? Especially when these days the auto white balance setting seems to do such a great job. Plus, when you consider how easy post-production is these days, it almost makes no sense. But indeed it does. Shooting a bit more restrained lets you think in a different way.

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Photographer Alexander Denault Uses Film to Shoot the Northern Lights and Landscapes

All images by Alexander Denault. Used with permission.

Here is the link for my personal website:

Photographer Alexander Denault shoots film with his Rolleiflex and enjoys going out and meeting new folks. Along the way, he obviously shoots photos. Alex applied to be featured in our upcoming analog zine, and he surely gave us some of his best images to work with. Alex’s photos have a beautiful sense of symmetry and a significantly cleaner and organic look to them than digital has ever had.

 

In his images, you’re bound to find a sense of beauty.

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