Let’s be real here, if we are honest the only truly essential gear for a landscape photographer with passion and commitment is simply a camera. These days great results can come from utilizing just about any camera. That said, there are definitely some highly recommended items that all – if not most – landscape photographers will agree make landscape photography that much easier and fun to enjoy. Continue reading…
When Fujifilm announced their medium format digital camera, a whole lot of people really wanted it to be something along the lines of the Fujifilm GW690 III camera–also known as the Texas Leica. This rangefinder camera shoots in the 6×9 format–which is one of the largest formats to use 120 film. For many years it was used by hobbyists, travel photographers, landscape photographers, and even a few portrait shooters. Due to its 90mm lens equivalent, you’re getting around a 38mm f1.2 equivalent when it comes to field of view converted to full frame.
When I purchasef this camera, I genuinely thought it would be the perfect medium format rangefinder for me, doing pretty much everything the Mamiya 7 II is capable of sans interchangeable lenses. But with more experience, I learned that I was wrong.
Last year, Adox (who own Agfa) announced they were coming back out with Adox Scala 160 ISO BW Reversal film–and now it’s available and in stock at Freestyle Photographic according to an email they sent out recently. You can snag a roll for $7.99. This marks the arrival and successful relaunch of yet another film. Adox Scala 160 is a panchromatic film that has been gone for nearly 10 years from the market and is touted as an emulsion that delivers really high sharpness.
The obvious answer to the question of 35mm vs 28mm lens choice is whatever suits you; but the issue is that sometimes photographers require input from others. The two classic focal lengths have been used by many photographers over the years to create fantastic work. Each lens and focal length has their strengths and weaknesses, but after some time one is often more preferred over the other.
We’ve used a number of classic 28mm and 35mm lenses over time in our testing of lenses. So we went through our sample photos to help give you some guidance.
When to Use a Graduated Neutral Density Filter or Variable Neutral Density Filter for Landscape Photography
Landscape photographers always have two major types of filters in their camera bags: and they’re both a type of ND filter (Neutral Density Filter.) Neutral Density filters basically cut out light in a scene and try to do so in a very specific way depending on what type you’re using. They’re essential parts of the process and have been since the film days–especially as lots of the magic of landscape photography comes out in the processing. But if you aren’t sure which filter does what, we’re here to help you out.
For a really long time, if you wanted very vivid colors in your film photos you needed to go to a slide film–but when Kodak introduced Kodak Ektar 100 things changed. Photographers were able to get punchy, vibrant, saturated colors with the ease of use that negative film provides. To this day, Kodak Ektar 100 is used to a variety of applications with one of the most common ones being landscapes. However it is also in use for portraiture as its low ISO value allows for incredibly sharp photos.
And for many lovers of digital cameras, this may also be one of your favorite Kodak film emulsions.
Photographers who use the Fujifilm X series system professionally (or are interested in doing so) will be amazed to know there are a number of fantastic lenses available to use for the system. Of course, despite the fact that the company’s system hasn’t been around for as long a period of time as some others, they’ve been able to do quite a bit in a short amount of time. The Fujifilm X series system has a lens for nearly every single type of photographer–and the system is just going to continue to grow.
We peered into our Reviews index to find some of the best gems.
All images by Zak van Biljon. Used with permission.
You wouldn’t necessarily believe it, but photographer Zak van Biljon got bit by the photo bug after using a disposable camera. From the work he produces, you’d think he dove right into medium and large format from the start; but that couldn’t be further from the truth.
He hails from South African, and calls Red Turf his homeland–at least you can tell this from his images shot with Kodak Aerochrome. In 2003 he graduated as best student at the National College of Photography.
In 2004 he left the country and emigrated to Europe. It was in Rome where he discovered another sunlight, and in London where he scored himself on top of booking lists for prestigious underground labels. He continued his career as a part-time commercial photographer in Zurich, Switzerland, exerting his mastery in his fine art projects.
His work ranges from digital to analog, with skills in contemporary advertising and modern art photography. His main focus is the directorial handling of light as shown in his recent art work, capturing the world in infrared. The world seen in red and pink colours provides a new and impressive insight to reality as we know it.