For CES 2017, Panasonic is reannouncing the Panasonic GH5 camera–the company’s flagship that has been mostly targeted at the videographer for many years now. With their newest addition to the lineup, the company is trying to make an even bigger splash. The GH5 is being pumped filled with all sorts of awesome features. Let’s take a look!
One of the latest companies to hit the scene is Irix. They’ve been around for a few years, but the Swedish company is gaining more and more recognition for some carefully thought out new features and attention to details. Their manual focus lenses are focused on the DSLR customer, but they state that offerings for mirrorless cameras are on their way.
Recently, we had the chance to play with the company’s new 11mm f4–and there is a whole lot here that everyone should be paying attention to.
If you’ve ever wanted a really solid wide angle zoom lens arguably the best option for many years was the Nikon 14-24mm f2.8 or the Canon 16-35mm f2.8 L. But the new Sigma 12-24mm f4 Art lens is looking to challenge the offerings from both of those companies by also incorporating a bit of weather sealing and making the price more affordable. It’s a huge lens even by today’s standards, and designed with 9 aperture blades.
At Photo Plus 2016, we got the chance to play with and handle the lens for a little while.
We had a chance to see and interact with the new Olympus 12-100mm F/4 here at PhotoPlus Expo 2016. This lens was announced back at Photokina and this was our first opportunity to give the lens a good look, so today we have some initial impressions for you.
We’re currently in Portland with Sony on a press trip and testing out the new Sony A7r Mk II and a load of lenses. If you remember, we gave our first first impressions a while back Perhaps it was because we were holding a pre-production model, but the camera feels significantly more substantial this time around. The dials and shutter wheels aren’t as nice as the previous iteration of these cameras, but the camera overall feels much more solid and rugged than I remember.
I took it around the Hotel’s vicinity to capture some images with the 16-35mm f4. We’ve posted sample photos below, but also be sure to check out our full first impressions.
Ps: Sony has paid for the trip, but we’re not letting that affect editorial judgement. A bunch of journalists are out here from many publications. Companies tend to do this from time to time, but we always maintain journalistic integrity.
Yes, it’s real. Yes, we’ve known about it for a while.
And yes, the Olympus OMD EM5 MK II is a pretty awesome camera so far. As of my typing this article up, I’ve been playing with it for less than eight hours–but it’s enough for us to state that the camera is very impressive.
So what’s new with this camera? Updated autofocus which re-asserts Olympus’s dominance amongst ILC cameras, focus peaking, a 40MP image mode that requires the stillest of still scenes. WiFi integration, new ergonomics, better weather sealing with the addition of gaskets placed under the hot shoe, many more function buttons, a new twisting vari-angle LCD screen, five stops of image stabilization according to CIPA testing, and most of all new video features such as 60p recording and the ability to shoot in All-I and IPB. There is no 4K recording, but Olympus tells us that they instead focused on trying to give as great of an experience as they can with 1080p.
And so far, they’re doing a terrific job.
The Fujifilm 16-55mm F2.8 R LM WR was just announced, and photographer David Kai Piper has been playing with it for a little while now. Here are his thoughts in addition to extra images that David allowed us to use not originally featured in his blog post.
Meet Sony’s 4th full frame mirrorless interchangeable lens camera: the Sony A7 Mk II. The camera is sort of being billed as the successor to the A7: which was (and still is) the perfect balance of high ISO output and resolution right in the middle. But Sony has come out with a few new changes to the camera with the biggest one being the addition of image stabilization to the sensor. Other changes added in are the inclusion of more autofocus points, ergonomic changes to the grip, and a couple of additions for video shooters.
Sony brought the New York press out on an excursion to play with the new camera in different environments. And while the A7 Mk II is capable of doing some really cool stuff, we’re not sure that everyone needs it–or at least that’s what we think so far.