Lomography LomoChrome Purple Now Comes in 110 Format

With Lomography’s latest news, it’s time to take your parents’ 110 cameras out for a spin with the dreamy LomoChrome Purple.

Looking for the perfect opportunity to bust out your 110 film camera? Now would be a great time as ever, as Lomography has recently launched their prized LomoChrome Purple film in 110 format. If you’ve already tried this famed film in 35mm and 120 formats, why not give it a go in this miniature format as well?

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Verena Kersting Captures an Extra Surreal Iceland Using LomoChrome Purple Film

All LomoChrome Purple images by Verena Kersting. Used with permission.

The LomoChrome Purple film is without a doubt one of the trippiest, most interesting things we can enjoy with today’s film photography resurgence. It has become a film traveler’s staple, especially for locations with lots of greenery for pleasantly surreal keepsakes of their trips. Case in point is this captivating set that Germany-based Verena Kersting took during her trip to Iceland in 2013.

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Lomography LomoChrome Purple Got Updated to Give it Finer Grain

Missed your chance at the LomoChrome Purple 100-400? The purple potion promises to be more potent this time around with a new and improved formula.

To some film photographers, the LomoChrome Purple XR 100 – 400 has been quite an elusive emulsion. But perhaps this time, those who haven’t gotten their hands on it have the best chance of snagging some rolls of the so-called purple potion. According to Lomography, the latest version of this film, now available for pre-order, was “carefully crafted” to produce trippier hues and finer grain than ever before.

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Film Review: Lomography LomoChrome Purple 100-400 (35mm, New Emulsion)

A while back, Lomography LomoChrome Purple was released in 120 and 35mm formats. But earlier this year, the company updated the formula to make it more stable. With it came the major improvement of making it easier to shoot with. The current LomoChrome Purple formula allows a photographer to get great results whether they’re shooting at ISO 400 or ISO 100. Lomography states that you can rate it at either setting, as opposed to the older formula which needed a lot of light to create the best images. This new emulsion is available only in 35mm, but it provides finer grain and still very nice colors.

So if you’re the type who only wants to shoot in 120, then the size may put you off. But make no mistake, the quality is absolutely there.

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Lomography Announces a Brand New Formula for LomoChrome Purple 400

It’s been a few years since Lomography announced LomoChrome Purple, and just today they’ve announced a new update to the film. The new Lomochrome Purple 400 film is designed to be a whole lot more stable. With that said, we start out with a recommended and set exposure at ISO 400 vs the previous version of the film which was said to need a lot of light. To that end, it wasn’t uncommon that photographers shot it at ISO 200 or even 100. The new Lomochrome Purple will continue to shift blues to greens, greens to purples and yellows to pinks. The new emulsion increases the film’s sensitivity to red hues.

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Lomography’s New Disposable Cameras Are Pretty Adorable

Lomography has some really cool and fun options now available for purchase: disposable cameras. The new Lomography disposable cameras have been tailored and designed more for ease of use than anything else. Additionally, they’re a lot like so many others too in that they strive to get everything in focus, use flash, and also use 35mm film. The disposable cameras are available in a three pack set.

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Film Emulsions with a Look You Can’t Get in Digital Photography

Lead photo by Doctor Popular. Used with a Creative Commons License.

There are loads and loads of film emulations that have been more or less copied with presets for Lightroom. Everyone has their own interpretation, and for the most part if you ask any film photographer, they’ll tell you that they don’t look like film. At the same time though, there are film emulsions out there that really don’t look like anything that can possibly be replicated in digital.

Here are some of our favorite film emulsions that digital hasn’t yet copied.

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Kate Hook’s Creative Portraiture with Lomography LomoChrome Purple

All images by Kate Hook. Used with permission.

Photographer Kate Hook was always into film photography–it stems from when she was really young. When she went to college, her friends never understood film and how to use it. But like a number of us millenials, Kate grew up in a world that started out with film, then went digital and is now going back to film. In college, she was the one who had to teach all her colleagues how to use it. Kate went digital for a while and then went back to film with the belief that you don’t need a whole lot of gear to create the best photos; just the right gear for you.

With that in mind, Kate has used the experimental Lomography LomoChrome Purple a few times to create some fantastic portraits. Along with shooting the film, she soups it in lemon juice. This is all part of Kate’s expressive creative process–which has roots partially in the loss of both of her parents.

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New Petition is Trying to Revive Kodak Aerochrome

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Image by Dan Zvereff. Used in our previous interview with him.

For all the lovers of the analog world out there, you should know that a recent Change.org petition to revive one of the greatest films that the world has seen: Kodak Aerochrome. Shooting Film first caught wind of the story and states that UK based Jasmin G is calling on Kodak Alaris and the Lomography company to revive the film. Lomography tried to do a variant called Lomochrome Purple, but it totally isn’t the same thing. While Lomochrome puts an emphasis on purple colors, Aerochrome put it on a pinkish purplish red.

How do they do this? For starters, Aerochrome was an infrared film originally developed for surveillance reasons. Years ago, the US would fly planes over the Congo and other regions with dense vegetation to find guerilla troops. When developed, the film would render the greens into a color like what you see in the image above that leads this story. However, later on the commercial world started to use it for art projects. Dan Zvereff and Richard Mosse are two famous photographers that come to mind at first. We have a full introduction to the film at this link–which also explains how it works.

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Richard Mosse: The Impossible Image Is A Film Shot on Infrared 16mm Film

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Richard Mosse has been getting loads of press lately since starting and working on his project in the Congo. He decided to use Kodak Aerochrome–which is an infrared film that renders greens to look red/purple/pink. Green is a color all over that area of the world and so the creative decision to use this film was an excellent and very original one.

So far, we’ve only heard about his still images, but Rich has also created a motion picture film shot on 16mm infrared film–basically the same Kodak Aerochrome. Sadly, the film is mostly gone now and the closest thing is the revived Lomography LomoChrome Purple.

There is a preview of the video after the jump.

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LomoChrome Purple Is Available for Pre-Order Again

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A while back, Lomography announced LomoChrome Purple. The first batch went out fast, and the second batch is now available for pre-order. It is available in 35mm and 120 formats. To refresh your memory, it is a film that is heavily based off of the old Kodak Aerochrome, which renders all greens as purples and pinks. This infrared film was also used for military applications, and lots more.

Still confused? We wrote a big guide about all this when it was first announced and it should help clear up the confusion. I was one of the first to pre-order a couple rolls of 120 film, and we will be sure to have a review on it as soon as we can get them shot and developed–let alone get me to a green spot. Lord knows there isn’t much in NYC.

What is Kodak Aerochrome? A Beginner’s Guide to The Confusion of Lomochrome Purple

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Photo by Richard Mosse

Today’s exciting announcement from Lomography about Lomochrome Purple is bound to get some people excited and others totally confused. First off, know that it is based off of Kodak Aerochrome–an old infrared film developed for government surveillance. Since it is infrared, that means that there are no real purple fields in the Congo.  So we’re here to answer a couple of big questions that you may have about the new film. Check out more information after the jump.

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UPDATED: Lomography Introduces Lomochrome Purple: Inspired by Kodak Aerochrome

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I really don’t believe this happened, but Lomography managed to do something that was essentially lost for years. Kodak Aerochrome was an infrared film used by the government for surveillance. What it did was took greens and converted them to red and purple. That way, guerrilla fighters could easily be spotted and air raids could take down encampments with relative ease.

Today, Lomography is creating something relatively close: Lomochrome Purple. They’re guaranteeing delivery to be around July 2013. Things aren’t totally what they seem to be though: this is a color negative film–which means that it takes C-41 processing. Chrome films typically need E6 processing. They have more sample images on their website if you’re interested.

Correction: I was wrong. According to Kodak, it takes regular C-41 processing.

The film will be available in 120 and 35mm formats. And they’re not cheap: 120’s regular price is € 59.50 wc comes out to $80.59 for a pack of five; but they have a special price of € 56.53 which is $76.57. 35mm film costs  € 49.50/$67.05 but the special price is $63.70.

We’re hunting around for more information, so stay tuned.

Update: Lomo got back to us with more information about the film. Georg Thaler, who leads the film development team had this to say, “After years of researching, thousands of tests and tons of failures, we finally found a way to shift colors of regular color negative films. This is why this film needs to be processed C 41. It’s basically a Color negative, so E6 is not the right choice for this film.”