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Bridging Tech and Creative Photography
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Bridging Tech and Creative Photography
Pro Camera Reviews

This Could Be the Most Disappointing Lens Speed Booster

Chris Gampat
No Comments
02/07/2021
3 Mins read
How-the-Hasselblad-XH-0.8-Converter-Gave-Us-a-Lot-of-Trouble-2

Recently, we looked closer at the Hasselblad’s XH 0.8 Converter.

Lens speed boosters give you more focal length range and extra light. They’ve been known to photographers for a while now. They’re also great tools for those who want more from their lenses. But unfortunately, they’re not all created equal. The Hasselblad XH 0.8 Converter is designed to give you a 645 format feel and look. And we discussed that in our recent episode of Pro Camera Reviews.

In This Episode:

What Are Speed Boosters? First Impressions of Hasselblad’s XH 0.8 Converter

What Are Speed Boosters? First Impressions of Hasselblad’s XH 0.8 Converter: Most photographers have heard about and know about teleconverters and what they do. However, far fewer photographers know about speed boosters and what they can do. In this episode of Pro Camera Reviews, we will take a quick look at what these converters are, what they do, and the pros and cons of them. We will also give a first impressions look at the new Hasselblad XH 0.8 converter (speed booster) that allows Hasselblad H lenses to be used on Hasselblad X mount bodies like the X1 D II and the 907X.

On the Next Episode

Tamron 17-70mm f2.8 Di VC Review: Tamron has created what’s arguably one of the most innovative lenses this year. APS-C cameras and lenses need to try much harder to keep our attention. But so much of it is the same out there. This lens, however, is not. We’ve been testing it on the Sony a6600 for a while. and overall, we’re very impressed. It’s more than good enough for professional work. But the best thing about it is the image quality. In fact, it made us very nostalgic. If you’re an old-school Sony lover, you’ll like this! We’re excited to talk to you about this lens.

Why Smartphones Have Rightfully Claimed Such A Large Chunk of The Camera Market: We’ve all seen the headlines that lament smartphones and their impact on the camera market. Just this week, Canon said that they expect camera sales to be only 8.2% of the sales from 2010 when 121.5 million cameras were shipped. There seems to be a lot of crying going on about this but not a lot of innovation that could bring the masses back to dedicated cameras and lenses. Just this week, a new company has announced some exciting new lens technology for smartphones. A single element lens that’s as good as muli element lenses when it comes to controlling CA, increasing sharpness, and contrast. Honestly, this level of innovation is why smartphones are in the position they’re in. Join us as we talk about this and why camera manufacturers should be scared.

About Pro Camera Reviews

Pro Camera Reviews happens every Sunday. Sign up to join us! Please Register here.

Pro Camera Reviews is a web show by the Reviews Team of The Phoblographer. Join them as they candidly discuss the products they’re actively reviewing and the gear they’ve just reviewed. Open Q and A from the audience towards the end of the show. Every Sunday at 7pm EST.

Please register here.

If you’re looking for a fun time while staying safe, we strongly recommend that you tune in for Pro Camera Reviews. It’s a weekly show where the staff tackles a couple of issues in the Photo World. They mostly pertain to cameras and lenses, but sometimes things get a bit more serious. This is partly because we still feel that we need to be educators and leaders in this space. Additionally, we also need to be responsible. Episodes are done on Zoom and are recorded. They’re Live Streamed to our Facebook Page, then shared on Flipboard TV and YouTube. We recommend that you subscribe to us on Youtube to keep up.

hasselblad Hasselblad XH 0.8 Converter lenses medium format pro camera reviews speed booster X1D
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Written by

Chris Gampat

Chris Gampat is the Editor in Chief, Founder, and Publisher of the Phoblographer. He provides oversight to all of the daily tasks, including editorial, administrative, and advertising work. Chris's editorial work includes not only editing and scheduling articles but also writing them himself. He's the author of various product guides, educational pieces, product reviews, and interviews with photographers. He's fascinated by how photographers create, considering the fact that he's legally blind./ HIGHLIGHTS: Chris used to work in Men's lifestyle and tech. He's a veteran technology writer, editor, and reviewer with more than 15 years experience. He's also a Photographer that has had his share of bylines and viral projects like "Secret Order of the Slice." PAST BYLINES: Gear Patrol, PC Mag, Geek.com, Digital Photo Pro, Resource Magazine, Yahoo! News, Yahoo! Finance, IGN, PDN, and others. EXPERIENCE: Chris Gampat began working in tech and art journalism both in 2008. He started at PCMag, Magnum Photos, and Geek.com. He founded the Phoblographer in 2009 after working at places like PDN and Photography Bay. He left his day job as the Social Media Content Developer at B&H Photo in the early 2010s. Since then, he's evolved as a publisher using AI ethically, coming up with ethical ways to bring in affiliate income, and preaching the word of diversity in the photo industry. His background and work has spread to non-profits like American Photographic Arts where he's done work to get photographers various benefits. His skills are in SEO, app development, content planning, ethics management, photography, Wordpress, and other things. EDUCATION: Chris graduated Magna Cum Laude from Adelphi University with a degree in Communications in Journalism in 2009. Since then, he's learned and adapted to various things in the fields of social media, SEO, app development, e-commerce development, HTML, etc. FAVORITE SUBJECT TO PHOTOGRAPH: Chris enjoys creating conceptual work that makes people stare at his photos. But he doesn't get to do much of this because of the high demand of photography content. / BEST PHOTOGRAPHY TIP: Don't do it in post-production when you can do it in-camera.
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