The Canon EOS R5 is the company’s first major professional mirrorless camera, and it’s wonderful!
There was a time when I was angry at Canon. But when the Canon EOS R launched, that anger subsided. It was a nice entry into the serious mirrorless camera world. But the Canon EOS R5 is arguably the camera they should have launched at the start. This camera can easily become the bread and butter of any professional photographer using it. It can also be a great tool for a multimedia shooter. Better yet, the hobbyist photographer who is passionate about the craft will enjoy what this camera can do. There has been a lot of wrongful bashing of the Canon EOS R5 on the web. And in this review, we’re going to talk to the practicality of it all. Note that before you go on, we’re not sensationalizing things just for clicks. If you’re a shooter that left Canon for another system, we’re probably going to tell you a few things you don’t want to hear. So, please keep your superiority complexes in check.
Pros and Cons
- Well built
- Excellent battery life
- So intuitive for a Canon shooter
- Feels very good in the hand
- Image stabilization is pretty much second to none
- Wonderful menu systems
- Excellent details
- Weather sealed
- Canon’s Mobile App connection setup is as simple as ever
- Doesn’t overheat with short clips
- Wifi sending of full HD video is pretty fast
- High ISO RAW files hold a fair amount of data. There’s great dynamic range and colors, but the noise is a bit painful.
- The joystick is in an odd spot
- In some ways feels like an old 60D, but it’s totally not
- I personally feel the magnification button is in an odd spot
- Can’t transfer 8K video via Wifi
- 4K movie clips shorter than 30 seconds take a while to send, and then ultimately don’t end up on your phone
- High ISO Raw files above 12,800 tend to get a bit messy
- The price is a bit high at $3,899
Gear Used with the Canon EOS R5
We tested the Canon EOS R5 with the:
Canon EOS R5 Tech Specs
- High Image Quality featuring a New 45 Megapixel Full-frame CMOS Sensor
- DIGIC X Image Processor with an ISO range of 100-51200; Expandable to 102400
- Dual Pixel CMOS AF covering Approx. 100% Area with 1,053 AF Areas
- Subject tracking of People and Animals using Deep Learning Technology
- In-body Image Stabilizer can provide up to 8 stops of Shake Correction
- Dual Card Slots for CFexpress and UHS-II SD Memory Cards
- Built-in 0.5″ 5.76 Million Dots OLED EVF with 120fps refresh rate, Vari-angle LCD Touchscreen
- 2.4/5Ghz Built-in Wi-Fi, Bluetooth Technology
Full Specs taken from the LensRentals Listing
|Aspect Ratio||1:1, 3:2, 4:3, 16:9|
|Audio File Formats||AAC, Linear PCM|
|Audio Recording||Built-In Microphone (Stereo) External Microphone Input|
|Autofocus Points||Phase Detection: 1053|
|Autofocus Sensitivity||-6 to +20 EV|
|Battery||1x LP-E6NH Rechargeable Lithium-Ion|
|Connectivity||USB Type-C (USB 3.1), HDMI D (Micro), 3.5mm Headphone, 3.5mm Microphone|
|Continuous Shooting||Mechanical Shutter
Up to 12 fps at 45 MP for up to 180 Frames (RAW) / 350 Frames (JPEG)Electronic Shutter
Up to 20 fps at 45 MP for up to 83 Frames (Raw) / 170 Frames (JPEG)
|Dedicated Flash System||eTTL|
|Diopter Adjustment||-4 to +2|
|Exposure Compensation||-3 to +3 EV (1/3, 1/2 EV Steps)|
|Exposure Modes||Aperture Priority, Manual, Program, Shutter Priority|
|External Flash Connection||Hot Shoe|
|External Video-Recording Modes||4:2:2 10-Bit
DCI 4K (4096 × 2160) up to 59.94p UHD 4K (3840 × 2160) up to 59.94p
|Flash Compensation||-3 to +3 EV (1/3, 1/2 EV Steps)|
|Focus Modes||Continuous-Servo AF, Manual Focus, Single-Servo AF|
|Focus Type||Auto and Manual Focus|
|ISO Range||Auto, 100 to 51200 (Extended: 100 to 102400)|
|Image File Formats||JPEG, RAW|
|Image Stabilization||Sensor-Shift, 5-Axis|
|LCD Resolution||2,100,000 Dot|
|Maximum Resolution||8192 × 5464|
|Maximum Sync Speed||1/250 Second|
|Memory Card Slot||Slot 1: CFexpress Type B
Slot 2: SD/SDHC/SDXC (UHS-II)
|Metering Modes||Center-Weighted Average, Evaluative, Partial, Spot|
|Metering Range||-3 to 20 EV|
|Mfr. Model Number||4147C002|
|Monitor Type||Free-Angle Tilting Touchscreen LCD|
|Operating Temperature||32 to 104°F / 0 to 40°C|
|Pixels||Actual: 47.1 Megapixel
Effective: 45.0 Megapixel
|Recording Limit||Up to 29 Minutes, 59 Seconds|
|Self Timer||2/10-Second Delay|
|Sensor Dimensions||36 × 24mm|
|Sensor Size||Full Frame|
|Shutter Speed||Mechanical Shutter
1/8000 to 30 SecondsElectronic Front Curtain Shutter
1/8000 to 30 Seconds
|Video Recording Modes||Raw 12-Bit
DCI 8K (8192 × 4320) at 23.976p/24.00p/25p/29.97p [2600 Mb/s]H.265 4:2:2 10-Bit
DCI 8K (8192 × 4320) at 23.976p/24.00p/25p/29.97p [680 to 1300 Mb/s]UHD 8K (7680 × 4320) at 23.976p/25p/29.97p [680 to 1300 Mb/s]DCI 4K (4096 × 2160) at 23.976p/24.00p/25p/29.97p/59.94p/100p/119.88p [170 to 1880 Mb/s]UHD 4K (3840 × 2160) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p [170 to 1880 Mb/s]Full HD (1920 × 1080) at 23.976p/25p/29.97p/50p/59.94p [28 to 230 Mb/s]
H.264 4:2:0 8-Bit
|Viewfinder Eye Point||23mm|
|Viewfinder Magnification||Approx. 0.76x|
|Viewfinder Resolution||5,760,000 Dot|
|Viewfinder Type||Electronic (OLED)|
|White Balance||Auto, Cloudy, Color Temperature, Custom, Daylight, Flash, Fluorescent (White), Shade, Tungsten|
Canon EOS R5 Ergonomics
Taken from our first impressions
Canon is basically making the EOS R5 into their mirrorless 5D series. And when you look at it, you can totally see that DNA being passed down. Of course, it’s all miniaturized in a way. So, let’s take a closer look.
First off, the Canon EOS R5 retains the option to have the shutter come down over the sensor. When the camera is turned off, this helps protect the sensor. And that’s awesome for many photographers. You can turn this off if you wish. I think it could be taken even further by making the shutter come down when the camera doesn’t have a lens attached. This could be done via a sensor associated with the contact pins. So many people take the lenses off their cameras and don’t turn the cameras off first.
The Canon EOS R5 has two card slots: one is for holding SD cards, and the other is for CFExpress. If you’re using the latter, make sure you have a reader for it too. What this means is that you’re best off making sure that all images are written to both cards at the same time. Of course, this door is also weather sealed. So, if you’re in a bind, keep it shut!
Here’s a look at the back of the camera. Notice how the magic touch bar is gone? It’s been replaced with a joystick that I think should be where the magnification button is. But this was a big issue for lots of photographers and now it’s fixed. You lose all the buttons on the left side the way you would have them with a 5D, but that’s what you get with a smaller body.
The top of the camera has the standard Canon stuff. There’s an LCD here with the Canon EOS R5 that you don’t get with the R6 or the Rp. But the m-fn button and two exposure controls are up here.
Luckily for everyone, the new battery from Canon that delivers more juice fits into the Canon EOS R5 easily. So, too, do your old Canon batteries. This was a brilliant move.
On the other side of the Canon EOS R5 are all the ports that you’ll need. That’s it!
Canon EOS R5 Build Quality
We’ve taken the Canon EOS R5 out into the rain many times. It always withstood the torture. To make the most of this, you need a Canon L lens or a third party lens that’s weather sealed. Only Canon’s L lenses are weather resistant at the moment. Hopefully, that will change. This camera is beefy, durable, and able to handle anything a professional needs. You can trust in its reliability.
An ergonomic gripe that I have with the Canon EOS R5 is the placement of the joystick. It’s in such an odd spot. Canon would have been better served to switch that and the magnification button. Additionally, the traditional back Canon dial is a bit small. I wish this were bigger. But you can navigate around that problem just fine.
Some folks may complain about the overheating issues. This is because of the placement of the processor and the RAM next to each other. I experienced the camera being warm at 30 minutes after recording at 24p and 4K video. Then I recorded for around 15 more minutes after that until I just stopped the camera myself. For the life of me, I can’t understand why someone would record a take that long. Let alone, I don’t understand why you’d record a take at 60p for that long. If you were shooting sports or Live TV, you’d be shooting at 30p. And then I’d understand it. But many YouTubers shoot video that looks like 60P. Though I don’t make videos that often anymore, I used to. In fact, I was a video guy in college. But stills paid the bills when I got out, so to speak. I never needed to record video for that long. And if I did, I’d hate my life. Back in the day of sitting in a lab with Mini DV tapes, you imported footage in real-time. Things are different now. But I still don’t think we should condone irresponsible shooting.
Back to the world of still imagery, I don’t think a photographer would have a problem with this camera. If you want to shoot a timelapse, you won’t experience overheating. We recorded one for five hours in video mode and in 94 degrees Fahrenheit heat at night. The Canon EOS R5 stood up to this just fine. In private conversations, Sony and Panasonic reps love to parade around the fact that Canon screwed up here. In some ways, they did. But if you’re a trained professional photographer or a DP on a set, you’re going to have a different experience.
“And with the rainstorm NYC experienced recently, the Canon EOS R5 survived with no problems at all…So if you’re going for one of these or considering it, know that you can take it into the rain and it will be just fine.”-A quote from our article The Canon EOS R5 at ISO 25,600 and ISO 51,200 Is Mind Blowing
Canon EOS R5 Ease of Use
Canon has arguably had the best menu system for many years. The EOS R5 is no exception here. It’s fully touch-capable and so too are the camera’s other menu interfaces. If you’re a fan of old-school Apple products, you’ll love this. With two taps on the screen, you can get to exactly what you want. That’s like the old iPods–do you remember those? It’s a solid design and the only other company that even comes close to this is Panasonic. If you’re new to the Canon system, you’ll need to navigate through a bit. But once you know where everything you want is located, you won’t see yourself going back to anything else.
What we’re most impressed by though is image stabilization. At 105mm, we handheld it for around 4 seconds and had very little camera shake. We did a pretty in-depth real-world test around image stabilization. Using good handheld techniques and controlling our breathing, the results are great. We encourage you to take a closer look at the full test by clicking this link.
Just as a point of reference, the image above was shot handheld at 1 second long. You can see the trails of the cars going by, but the rest of the scene is sharp as it can be.
Now there’s one thing that’s kind of weird. When recording video or Timelapse, it could only do so to the CFExpress card. So to get it off, I had to use Canon’s software because I didn’t have a reader. Canon for some odd reason, still doesn’t let your computer recognize the camera as a hard drive. This has been the case for years. But the workaround is when you copy all the data from the CFExpress card to the SD card. Then you can put the SD card into your iMac.
Canon EOS R5 Autofocus Performance
Since firmware update 1.4 came to the Canon EOS R, the Canon system has had positively fantastic autofocus. It’s almost as good as that of Sony’s. And the Canon EOS R5 is no exception here. It’s fast to focus and track subjects no matter what. Surely, it will sometimes lose focus on them. When this happened, we usually were shooting with a lens wide open at f1.4 or f1.2. It never happened when stopped down. And that’s awesome! Face and eye detection is top notch. I’d even dare to say that Canon is better at low light than Sony is. I’ve been saying this for over a year and I know that others agree with me on this. Not only is it faster, but it’s usually more accurate.
Below, you can find a tracking test with face detection.
Canon EOS R5 Image Quality
Model Credit: Micah Dev
It was only when editing these RAW files that I started to remember how beautiful Canon’s colors can be. With my Canon EOS R, I don’t edit all that much. But the RAW files from the Canon EOS R5 remind me of the Canon 5D Mk II in some ways. If you make the white balance nice and warm, human skin looks radiant. Editing the color channels lets you create even more vivid colors. It’s why I fell in love with Canon many years ago. And with this, I feel like I’ve got a true successor to what I used to own.
As you’ll see below in this review, the JPEG output is sublime. And it renders a fine balance between details and high ISO noise like nothing I’ve seen before. While it sounds crazy to be talking about the JPEG output, it’s really not. I’m an editor that spends most of his time tied down to a desk writing. The last thing I want to do is look at a computer screen. Instead, I want the image to be perfect in-camera. And that’s what I can get from the Canon EOS R5.
In the images above, you can see what the Canon processor does to make ISO 51,200 photos look great. This sample is with noise reduction set to normal. It’s really nice, isn’t it? Beyond that though, the Canon EOS R5 usually produces JPEG files that I’m perfectly fine using. If you’re proactive enough to manually set your white balance before shooting and use a flash when needed, you’re going to get photos that you’ll love. For the hobbyists out there, this is great news. The 5D series was always known for being in the hands of lots of hobbyist photographers.
RAW File Versatility
The RAW files on the Canon EOS R5 are very versatile. Though the high ISO noise gets bad above ISO 12,800 one can argue that you’d rarely ever shoot that high. Editing the raw files showed us that you can get a lot of details from both the highlights and shadows. But you’re best off getting them from one or the other and not both. The best part: the color depth.
High ISO Output
Above ISO 12,800 you’re going to start to see a lot of color noise. But the good thing is that the noise looks a lot like it did from the Canon 5D Mk II. It can look like film grain for sure. At ISO 6400 is where we believe most photographers will dare to go. Practically speaking, most of us don’t need to go beyond this. If that’s the case, you’re going to get great results. We printed a 17×22 image using Canson Infinity Baryta Photographique II paper and the Canon Prograf 1000 printer. You can only see grain if you pixel peep very closely to the paper. But otherwise, ISO 6400 prints look lovely.
Digitally speaking, if a print at ISO 6400 looks this good, so too will a digital file. With Canon’s f1.2 lenses, you don’t have to worry all that much either about light gathering.
Here’s an ISO 6400 image above. This is the one that we printed, and it looks great. Below are images at least two stops of light above that. And as you can tell, they’re not as great.
We did a timelapse shoot for 5 hours with the Canon EOS R5. You can find a more in-depth test at this link. Below, you can find a video about this.
“…we set the camera to 4K 24p timelapse video and chose a single one-second-long exposure at f11 and ISO 3200 every five seconds. It did this for five hours. My alarm woke me up to head downstairs to check the camera. And it didn’t overheat at all. In fact, the camera seemed to work as expected.”A quote from Why Timelapse Photographers Will Love the Canon EOS R5
Extra Image Samples from the Canon EOS R5
Canon EOS R5 Review Conclusions
- Build Quality
- Canon colors are gorgeous
- Image quality
- Canon’s menus are great
- Timelapse feature is nice
- The features and abilities I have with this camera are great.
- I wish the Joystick and the back dial were a bit better designed.
- Pretty high price point.
Here’s the honest truth. the Canon EOS R5 is a fantastic camera in pretty much every regard. It does everything that photographers want it to do. If you want good colors, this camera boasts that ability. If you want good dynamic range, the Canon EOS R5 delivers if you just know how to meter a scene. If you’re looking for fantastic autofocus, we can’t find a major fault with the Canon EOS R5 within reason. The camera can take so much abuse and keep snapping images. Not only is the camera reliable, but it’s also very capable. I’d gladly make it my main camera. With 4K video, I never plan on recording clips that are a half hour long. But I get good stuff from the Canon EOS R5. So why would I complain?
Well, I wish that the joystick and back dial were designed a bit better. I say this, but over time I grew to just work with them. The price point, though, is pretty high. And I’m not sure who’s going to buy this camera and then spend a lot of money on Canon L glass too. If you do, know that you’re getting a very unique system. But you can also get very great results from Sony.
The Canon EOS R5 deserves the five out of five stars we’re giving it. And also our Editor’s Choice award. Want one? The average price is around $3,899 around the publishing of this article.