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Sigma Updates 11 of Their Art Lens Primes for the L Mount

Chris Gampat
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02/26/2019
2 Mins read
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Sigma’s first L mount lenses are a conversion of their current lineup of DSLR Art Prime lenses.

Just in time for WPPI 2019, Sigma is announcing a conversion of a number of their lenses. In the same fashion that they did for the Sony E mount, Sigma is retooling and rehousing a number of their lenses for L mount. Sigma, along with Panasonic, joined Leica to create the L mount coalition in an effort to deliver more full frame mirrorless camera and lens variety to the current market. Just like they did with the Sony E mount, Sigma’s first offerings are a number of their very good prime lenses.

According to the press release issued today, here is the Product Lineup:

Sigma 14mm F1.8 DG HSM Art ($1,599.00) – World’s First and Only Full-Frame F1.8 Ultra-Wide-Angle
Sigma 20mm F1.4 DG HSM Art ($899.00) – Bright & Sharp Wide-Angle
Sigma 24mm F1.4 DG HSM Art ($849.00) – Front Filter Compatible, Fast-Aperture Wide-Angle
Sigma 28mm F1.4 DG HSM Art ($1,399.00) – Best in Class Performance
Sigma 35mm F1.4 DG HSM Art ($899.00) – Groundbreaking Flagship Wide-Angle
Sigma 40mm F1.4 DG HSM Art ($1,399.00) – Beyond Art Series Performance
Sigma 50mm F1.4 DG HSM Art ($949.00) – Redesigned for High Megapixel DSLRs
Sigma 70mm F2.8 DG Macro Art ($569.00) – First Macro to Join the Art Line
Sigma 85mm F1.4 DG HSM Art ($1,199.00) – Award-Winning Ultimate Portrait Lens
Sigma 105mm F1.4 DG HSM Art ($1,599.00) – The “Bokeh Master”
Sigma 135mm F1.5 DG HSM Art ($1,399.00) – Award-Winning Prime with Reach

We still don’t know the launch date of these lenses, but knowing the way that Sigma works we can probably expect them soon. In addition to the new lenses, the new Sigma Mount Converter MC-21 is launching to allow Canon EF mount lenses from Sigma along with the almost insignificant Sigma SA lineup of lenses. This new converter will allow photographers to use these lenses on the L mount cameras.

We’ve got a guide to Sigma’s primes if you’re interested.

art canon L mount leica lenses panasonic primes sigma sony
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Chris Gampat is the Editor in Chief, Founder, and Publisher of the Phoblographer. He provides oversight to all of the daily tasks, including editorial, administrative, and advertising work. Chris's editorial work includes not only editing and scheduling articles but also writing them himself. He's the author of various product guides, educational pieces, product reviews, and interviews with photographers. He's fascinated by how photographers create, considering the fact that he's legally blind./ HIGHLIGHTS: Chris used to work in Men's lifestyle and tech. He's a veteran technology writer, editor, and reviewer with more than 15 years experience. He's also a Photographer that has had his share of bylines and viral projects like "Secret Order of the Slice." PAST BYLINES: Gear Patrol, PC Mag, Geek.com, Digital Photo Pro, Resource Magazine, Yahoo! News, Yahoo! Finance, IGN, PDN, and others. EXPERIENCE: Chris Gampat began working in tech and art journalism both in 2008. He started at PCMag, Magnum Photos, and Geek.com. He founded the Phoblographer in 2009 after working at places like PDN and Photography Bay. He left his day job as the Social Media Content Developer at B&H Photo in the early 2010s. Since then, he's evolved as a publisher using AI ethically, coming up with ethical ways to bring in affiliate income, and preaching the word of diversity in the photo industry. His background and work has spread to non-profits like American Photographic Arts where he's done work to get photographers various benefits. His skills are in SEO, app development, content planning, ethics management, photography, Wordpress, and other things. EDUCATION: Chris graduated Magna Cum Laude from Adelphi University with a degree in Communications in Journalism in 2009. Since then, he's learned and adapted to various things in the fields of social media, SEO, app development, e-commerce development, HTML, etc. FAVORITE SUBJECT TO PHOTOGRAPH: Chris enjoys creating conceptual work that makes people stare at his photos. But he doesn't get to do much of this because of the high demand of photography content. / BEST PHOTOGRAPHY TIP: Don't do it in post-production when you can do it in-camera.
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