The New Phottix Juno Transceiver Flash Will Work With All Camera Brands

The brand new Phottix Juno can come with an Ares II transmitter for only $149.99

It’s been awhile since we’ve heard or seen anything from Phottix, but with Photo Plus Expo coming up next week we were bound to see something like the new Phottix Juno. The Phottix Juno is the company’s latest transceiver flash unit that gives photographers a pretty darn affordable option vs Godox and Yongnuo. This flash is fully manual and therefore works with Canon, Nikon, Sony, Fujifilm, Olympus, Panasonic, Pentax, etc. Though it isn’t revolutionary, it also has the highly coveted side tripod socket that lets you mount it to 1/4 20 mounts.

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The Definitive Step by Step Guide on How to Be a Photographer (A Real Photographer)

Every photographer needs to start somewhere. And one of the biggest things that people don’t understand is the answer to the question “What makes someone a photographer?” Technically, everyone is a photographer these days. But not everyone is a professional photographer. So with that in mind, consider that a professional photographer is one that makes at least 50% of their taxable income as a photographer and from selling images or selling their photographic services.

Now here’s how you do that.

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Tamron Ditching Sony A-Mount For Sony E and Fuji X Lenses?

This could a fantastic move for Tamron!

Now here is some interesting chatter that cropped up over the weekend! In what shouldn’t really be all that surprising of a move, it is being reported that Tamron will be ceasing their own lens development in regards to the Sony A Mount. Instead, the word is they will be shifting their focus to a couple of other lens mounts. Continue reading…

The New Canon Powershot G1X Mk III Boasts an APS-C Sensor and Weather Resistance

The new Canon Powershot G1x Mk III has weather sealing and the same sensor in the M5.

It’s been a very long time since Canon updated their flagship point and shoot camera, but today we’re getting a refresh in the form of the new Canon Powershot G1x Mk III. And believe me, it’s quite the step ahead. The new camera has a 24MP APS-C sensor at its heart as well as what Digital Photo Magazine’s David Schloss tells us is “Drip proof construction.” There is no IP rating on this, but Canon is still calling it weather resistant and they’ve provided images on DPReview. What may be keeping folks away though could be the $1,299 price tag.

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Sony’s FE 16-35mm F2.8 GM Is The Highest Rated Wide Zoom on DXO

The Sony FE 16-35mm F2.8 GM may be the one to get!

Say what you will about DxO and their testing methodology, but the fact is that it still provides an interesting metric to compare various lenses that you would not be able to test on your own. So it is notable when a new lens makes it to the pack in its designated category; as is the case today, with the Sony FE 16-35mm F2.8 GM. Continue reading…

Review: Nikon D850 (A Fantastic DSLR, But I’m Over DSLRs)

The Nikon D850 surely has to be one of our new favorite DSLRs.

If you look around at various reviews of the Nikon D850 on the web, they’ll most likely rate it as one of the best cameras ever made thus far. In truth, it really does perform very admirably and it absolutely does have a great sensor at the heart. Professional photographers considering making some sort of move since the Nikon D810 hadn’t been updated in awhile have an option that is going to last them a few more years before the industry changes yet again. That statement is more or less the basis of my review. The days of being able to know that your camera won’t be updated for four years are probably gone, but that doesn’t mean you won’t be able to take great photos with it long after it has been updated by some shiny new thing. The Nikon D850 is a fantastic image taking device and tool in the hands of the right photographer. It has a lot of great technology at the heart, but a part of me is wondering about its futureproofing.

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50mm vs 35mm Lenses: a Visual Guide for Portrait Photography

With wider angle lenses becoming better and better, photographers are bound to ask the question of 50mm vs 35mm lenses and how they relate to portraiture. For years now, it was never recommended that photographers use something like a 35mm or a 50mm lenses. In fact, the shortest focal length recommended was an 85mm–to some degree that’s still true. But in many situations, a 35mm and 50mm lens can be awesome. Photographers who perhaps come from a street background or prefer to work physically closer to their subjects may like the 50mm and 35mm lens options. So in this post, we’re going to explore why you’d choose one over the other.

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