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Film and Analog

Film Emulsion Review: Ilford Delta 400 (35mm and 120)

Chris Gampat
No Comments
01/08/2018
3 Mins read
Friends on Film scans 9

Last Updated on 01/08/2018 by Mark Beckenbach

Ilford Delta 400 is perhaps my absolute favorite film emulsion.

While I really enjoy the look of Kodak Tri-X 400, almost nothing in black and white has made me drool like Ilford Delta 400. I’ve always felt Ilford Delta 400 delivers those inky, beautiful black levels I’m smitten with. It’s a beautiful film for street photography, portraits, candids, etc. It’s simply a gorgeous film that consistently delivers everything I want in a photo. What makes Ilford Delta 400 even better for me is that it pushes and pulls well and looks good no matter what ISO you’re shooting it at. I’ve shot it in both 120 and 35mm and found both types of results to look pretty fantastic. Ilford Delta 400 doesn’t have the characteristic grain Tri-X does, but a very classic look instead. It isn’t as gritty as Tri-X, and for that reason you shouldn’t necessarily use it as such.

Tech Specs

Taken from the Delta 400 website

ILFORD DELTA 400 PROFESSIONAL is a high speed, black & white film designed to produce images with extraordinary depth and detail.

Created using our latest Core-shell™ emulsion technology, DELTA 400 produces images with exceptional sharpness and the finest of grain to offer a leading combination of speed vs sharpness along with impressive tonal range.

This highly versatile film delivers outstanding results over a broad exposure range of ISO 200 – ISO 1600 while its ISO 400 rating allows the use of faster shutter speeds yet with the comparable quality of medium speed films.

DELTA 400 can be processed in a wide range of different developers using spiral tanks, deep tanks and automatic processors.

Ease of Use

Ilford Delta 400 shares some similarities with Kodak Tri-X when you consider the looks to them. In fact, our premium publication, La Noir Image, has a post dedicated to this. The two look very similar to one another but where the differences really tend to come out is in the midtones. When using standard developers, you’ll get more of the “Lightroom clarity look” from Tri-X and a much more natural look from Ilford Delta 400. When pushed to something like ISO 1600 or ISO 800, the film will appear much more contrasty but still very gorgeous. In fact, lots of photographers love the look of pushed Delta 400. I’ve found it to be best for candids personally, but not necessarily for street photography–at least that’s to say that it isn’t my favorite when it comes to consistency. Parties? Sure. Portraits? Sure.  Cityscapes? It’s alright; but I much prefer the look Acros gives for that.

Image Quality

Ilford Delta 400 has a finer grain than Tri-X 400. At the same time, it’s sharper than HP5 and Lady Grey 400; but it isn’t sharper than Street Pan 400. It’s a forgiving film, but perhaps the reason why Tri-X is well regarded as a favorite film of many is because it’s arguably even more forgiving. Tri-X has an almost cinematic look to it at times, but more modern-cinematic. When I look at Ilford Delta 400 I think along the lines of classic movie stills from the 1950s.

Conclusions

Many photographers are bound to steer themselves more towards the look of Kodak Tri-X. But some will want something different. For those photographers I need to absolutely recommend Ilford Delta 400. It has inkier blacks, but the contrast isn’t as harsh as with other films.

black and white delta film film photography ilford Ilford Delta 400 kodak tri-x
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Chris Gampat

Chris Gampat is the Editor in Chief, Founder, and Publisher of the Phoblographer. He provides oversight to all of the daily tasks, including editorial, administrative, and advertising work. Chris's editorial work includes not only editing and scheduling articles but also writing them himself. He's the author of various product guides, educational pieces, product reviews, and interviews with photographers. He's fascinated by how photographers create, considering the fact that he's legally blind./ HIGHLIGHTS: Chris used to work in Men's lifestyle and tech. He's a veteran technology writer, editor, and reviewer with more than 15 years experience. He's also a Photographer that has had his share of bylines and viral projects like "Secret Order of the Slice." PAST BYLINES: Gear Patrol, PC Mag, Geek.com, Digital Photo Pro, Resource Magazine, Yahoo! News, Yahoo! Finance, IGN, PDN, and others. EXPERIENCE: Chris Gampat began working in tech and art journalism both in 2008. He started at PCMag, Magnum Photos, and Geek.com. He founded the Phoblographer in 2009 after working at places like PDN and Photography Bay. He left his day job as the Social Media Content Developer at B&H Photo in the early 2010s. Since then, he's evolved as a publisher using AI ethically, coming up with ethical ways to bring in affiliate income, and preaching the word of diversity in the photo industry. His background and work has spread to non-profits like American Photographic Arts where he's done work to get photographers various benefits. His skills are in SEO, app development, content planning, ethics management, photography, Wordpress, and other things. EDUCATION: Chris graduated Magna Cum Laude from Adelphi University with a degree in Communications in Journalism in 2009. Since then, he's learned and adapted to various things in the fields of social media, SEO, app development, e-commerce development, HTML, etc. FAVORITE SUBJECT TO PHOTOGRAPH: Chris enjoys creating conceptual work that makes people stare at his photos. But he doesn't get to do much of this because of the high demand of photography content. / BEST PHOTOGRAPHY TIP: Don't do it in post-production when you can do it in-camera.
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