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Digital to Analog: Daylight White Balance in Various Lighting Scenarios

Chris Gampat
No Comments
02/14/2017
1 Min read
Chris Gampat The Phoblographer Daylight flash augmenting window light indoors 50mm, f2.8, ISO 100, 1-50s,50,SONYILCE-7, FE 50mm F2.8 Macro

Last Updated on 02/15/2017 by Chris Gampat

As more and more photographers start going from digital to analog, we wanted to teach everyone about a big part of how you not only see light, but also color. Note that most film is balanced to daylight, so if you go about shooting with it in various situations, you’ll either like the results or you won’t.

So with that said, we’ve compiled a number of images from our archives showing you how colors in a scene render when using daylight white balance. This post encompasses mostly digital photos, and you should know when you go into a film lab to get your images developed, sometimes a technician will try to “fix the images”. But you should keep this in mind regardless to get your most desired results.

Daylight-flash-outside-at-night-mixed-lighting

Daylight-flash-shade-outside-at-night

Daylight-flash-wall-bounce-indoors

Daylight-indoors-no-flash-at-night-tungsten-lighting

Daylight-indoors-no-flash-by-a-window

Daylight-no-flash-at-night-NYC-streets

Daylight-no-flash-shade

Daylight-no-flash-window-light-indoors

Daylight-White-Balance-at-twilight

Daylight-White-Balance-at-night-indoors

Daylight-White-Balance-at-night-tungsten-lighting

Daylight-White-Balance-in-Golden-Hour-Light

daylight-white-balance-in-shade

Daylight-White-Balance-in-Shade-with-Flash

analog camera daylight daylight white balance digital examples film flash lighting shade white balance
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Chris Gampat

Chris Gampat is the Editor in Chief, Founder, and Publisher of the Phoblographer. He provides oversight to all of the daily tasks, including editorial, administrative, and advertising work. Chris's editorial work includes not only editing and scheduling articles but also writing them himself. He's the author of various product guides, educational pieces, product reviews, and interviews with photographers. He's fascinated by how photographers create, considering the fact that he's legally blind./ HIGHLIGHTS: Chris used to work in Men's lifestyle and tech. He's a veteran technology writer, editor, and reviewer with more than 15 years experience. He's also a Photographer that has had his share of bylines and viral projects like "Secret Order of the Slice." PAST BYLINES: Gear Patrol, PC Mag, Geek.com, Digital Photo Pro, Resource Magazine, Yahoo! News, Yahoo! Finance, IGN, PDN, and others. EXPERIENCE: Chris Gampat began working in tech and art journalism both in 2008. He started at PCMag, Magnum Photos, and Geek.com. He founded the Phoblographer in 2009 after working at places like PDN and Photography Bay. He left his day job as the Social Media Content Developer at B&H Photo in the early 2010s. Since then, he's evolved as a publisher using AI ethically, coming up with ethical ways to bring in affiliate income, and preaching the word of diversity in the photo industry. His background and work has spread to non-profits like American Photographic Arts where he's done work to get photographers various benefits. His skills are in SEO, app development, content planning, ethics management, photography, Wordpress, and other things. EDUCATION: Chris graduated Magna Cum Laude from Adelphi University with a degree in Communications in Journalism in 2009. Since then, he's learned and adapted to various things in the fields of social media, SEO, app development, e-commerce development, HTML, etc. FAVORITE SUBJECT TO PHOTOGRAPH: Chris enjoys creating conceptual work that makes people stare at his photos. But he doesn't get to do much of this because of the high demand of photography content. / BEST PHOTOGRAPHY TIP: Don't do it in post-production when you can do it in-camera.
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