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The Cosyspeed CAMSLINGER Streetomatic+ Can Hold Larger Mirrorless Cameras

Chris Gampat
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12/05/2016
2 Mins read
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Cosyspeed is a camera bag manufacturer that was initially known for creating some pretty suped up fanny packs for photographers. In some ways, they kind of are–but they’ve also evolved quite a bit with the company’s Streetomatic making a decent sling bag. Now, Cosyspeed is releasing their CAMSLINGER Streetomatic+. This is a camera bag that is a bit larger and designed to accommodate larger mirrorless cameras and even serious DSLRs without a grip and that have a lens attached.

What Cosyspeed has always valued is quick access to your camera, and for the most part they’ve done a pretty good job in their improvements over the years.

Here are some tidbits from the press release:

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The CAMSLINGER Streetomatic+ is made from premium materials, such as the robust and chic Duo-Tone-NYLON 600D. The flap is made from a high tech veggie leather, which is also used in car industry. It is durable, water resist and easy to clean.

New magnetic FIDLOCK closure

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Slide the buckle to he right side and open the flap. It closes simply by snapping in the magnet and is locked in place.

For what gear is a CAMSLINGER Streetomatic+?

Mirrorless Cameras

DSLRs

Superzooms

Lenses (when using a sling strap for your cam)

Travel Stuff

Specifications

155 mm (6.1″) high x 205 mm (8.1″) wide x 90 mm to 115 mm (3.5″ to 4.5″) depth due to flexible back
Phonebag: 155 mm (6.1“) high x 90 mm (3.5“) wide x 12 mm (0.5“) depth

Adjustable belt from 750 mm (30″) to 1,250 mm (50″) and expandable up to 1,650 mm (65″) with included Beltextension 40

Colors Brown/Grey

In the box:

CAMSLINGER Streetomatic+
Raincover
BELTEXTENSION 40
FINGERCAMSTRAP 10
4 compartment deviders
Cotton bag

The CAMSLINGER Streetomatic+ is priced 129.99 $US (excl. VAT) / 129,99 â‚Ĵ (Incl. VAT)

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camera bag cosyspeed Cosyspeed Camslinger Streetomatic mirrorless cameras
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Chris Gampat is the Editor in Chief, Founder, and Publisher of the Phoblographer. He provides oversight to all of the daily tasks, including editorial, administrative, and advertising work. Chris's editorial work includes not only editing and scheduling articles but also writing them himself. He's the author of various product guides, educational pieces, product reviews, and interviews with photographers. He's fascinated by how photographers create, considering the fact that he's legally blind./ HIGHLIGHTS: Chris used to work in Men's lifestyle and tech. He's a veteran technology writer, editor, and reviewer with more than 15 years experience. He's also a Photographer that has had his share of bylines and viral projects like "Secret Order of the Slice." PAST BYLINES: Gear Patrol, PC Mag, Geek.com, Digital Photo Pro, Resource Magazine, Yahoo! News, Yahoo! Finance, IGN, PDN, and others. EXPERIENCE: Chris Gampat began working in tech and art journalism both in 2008. He started at PCMag, Magnum Photos, and Geek.com. He founded the Phoblographer in 2009 after working at places like PDN and Photography Bay. He left his day job as the Social Media Content Developer at B&H Photo in the early 2010s. Since then, he's evolved as a publisher using AI ethically, coming up with ethical ways to bring in affiliate income, and preaching the word of diversity in the photo industry. His background and work has spread to non-profits like American Photographic Arts where he's done work to get photographers various benefits. His skills are in SEO, app development, content planning, ethics management, photography, Wordpress, and other things. EDUCATION: Chris graduated Magna Cum Laude from Adelphi University with a degree in Communications in Journalism in 2009. Since then, he's learned and adapted to various things in the fields of social media, SEO, app development, e-commerce development, HTML, etc. FAVORITE SUBJECT TO PHOTOGRAPH: Chris enjoys creating conceptual work that makes people stare at his photos. But he doesn't get to do much of this because of the high demand of photography content. / BEST PHOTOGRAPHY TIP: Don't do it in post-production when you can do it in-camera.
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