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Software

Quick Review: Camera Bag 2.0 (Beta) Editing Software

Chris Gampat
No Comments
12/29/2011
2 Mins read
Lauren and her hat

Camera Bag is an editing software program primarily centered around the use of presets with levels of adjustment: similar to the way that many mobile phone applications like Instagram work. While Adobe Lightroom 3 and Photoshop all have presets that allow users to get images with a cross-processed, plastic camera type of look (amongst others) not many people still know how to accomplish these look or understand color theory.

So does Camera Bag worth your time?

Intro

At the time of publishing this review, Camera Bag is still in its beta stages but offers quite a bit of versatility and excellent features that may make some users move over from Adobe Lightroom 3. Some of the main features are:

– Presets that give your photos specific looks. These presets can be layered one on top of another.

– Adjustment of each layer and filter can be set

– Fairly simple to use interface.

– Compatibility with RAW images.

– The ability to batch process your images.

Interface and Demo

Ease of Use and Quirks

The appeal to Camera Bag is the overall simplicity in its use and delivery of the interface. While I remember being intimidated by Lightroom 3 during my very first days with it, I didn’t feel so with Camera Bag. To be fair, Lightroom 3 is a much more capable software. Additionally, Lightroom 3 also organizes your images while Camera Bag doesn’t seem to do so. That means that when you re-open the program, you’ll need to re-import images that you were working on previously.

Also, you may still very well need Photoshop and Lightroom 3. For example, I can’t clone or heal certain areas of an image, such as blemishes on a face. That is a feature that the manufacturers may want to look into in order to make this program into a winner.

We will test Camera Bag more thoroughly, especially when it comes out of beta. But so far it seems very promising.

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Chris Gampat is the Editor in Chief, Founder, and Publisher of the Phoblographer. He provides oversight to all of the daily tasks, including editorial, administrative, and advertising work. Chris's editorial work includes not only editing and scheduling articles but also writing them himself. He's the author of various product guides, educational pieces, product reviews, and interviews with photographers. He's fascinated by how photographers create, considering the fact that he's legally blind./ HIGHLIGHTS: Chris used to work in Men's lifestyle and tech. He's a veteran technology writer, editor, and reviewer with more than 15 years experience. He's also a Photographer that has had his share of bylines and viral projects like "Secret Order of the Slice." PAST BYLINES: Gear Patrol, PC Mag, Geek.com, Digital Photo Pro, Resource Magazine, Yahoo! News, Yahoo! Finance, IGN, PDN, and others. EXPERIENCE: Chris Gampat began working in tech and art journalism both in 2008. He started at PCMag, Magnum Photos, and Geek.com. He founded the Phoblographer in 2009 after working at places like PDN and Photography Bay. He left his day job as the Social Media Content Developer at B&H Photo in the early 2010s. Since then, he's evolved as a publisher using AI ethically, coming up with ethical ways to bring in affiliate income, and preaching the word of diversity in the photo industry. His background and work has spread to non-profits like American Photographic Arts where he's done work to get photographers various benefits. His skills are in SEO, app development, content planning, ethics management, photography, Wordpress, and other things. EDUCATION: Chris graduated Magna Cum Laude from Adelphi University with a degree in Communications in Journalism in 2009. Since then, he's learned and adapted to various things in the fields of social media, SEO, app development, e-commerce development, HTML, etc. FAVORITE SUBJECT TO PHOTOGRAPH: Chris enjoys creating conceptual work that makes people stare at his photos. But he doesn't get to do much of this because of the high demand of photography content. / BEST PHOTOGRAPHY TIP: Don't do it in post-production when you can do it in-camera.
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