All images by Lindsay Adler. Used with permission.
Photographer Lindsay Adler has always had incredible and creative ideas that simply make our jaws drop. But recently, she decided to step her game up a bit more and combine video and stills by teaming up with Flixel and releasing the images just a bit before WPPI 2015.
Lindsay set out to create wedding inspired cinemagraphs by using the Panasonic GH4, lots of lighting and majestic sets–which for the most part are typical of Adler’s shoots that also tend to take place in a controlled studio setting. In the video below, she cites that the GH4 was shooting in 4K and therefore gave her enough resolution to create a crisper, better and sharper cinemagraph.
What’s really cool about Flixel is just how simple it makes the act of creating cinemagraphs. In fact, we’re considering putting more of them into our reviews.
Three of the images and the video are after the jump.
Photography and Flixel: Lindsay Adler
Wardrobe: LSC for 4 Season Style Management
Hair and Makeup: Johnny Gonzalez
Model: Aurianna Joy
Set Design: Ivie Joy Flowers
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The folks at Orangemonkie are back with Foldio2 “Bigger & Smarter” on Kickstarter. We originally wrote about them a year ago when they debuted the original Foldio. Essentially, it’s a collapsible photo studio with LED lights that will help you take better product photography with either your phone or your camera. The original Foldio came in at 10.2 in. x 10.2 in. x 10.2 in. This time around, the Foldio2 is 15 in. x 15 in. x 15 in., which can accommodate bigger items.
The Foldio2 comes with three backdrop options: white, black and grey. The LED strips are also longer than the original, which provides much more light. The Orangemonkie team is also developing a smartphone to provide quick and easy editing for any photographs you take in the Foldio2.
This is definitely a boon for anyone looking to take better product photos or experiment with macro photography. Hopefully, eBay listings will look a little better, too, if this has a high adoption rate.
They’ve already blown past their $50,000 threshold, but if you’d like to get one early, head on over to their Kickstarter.
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“Do whatever you need to,” was the response given to me by the other editors of the Phoblographer when asking about budget for the review of the Zeiss 55mm f1.4 Otus lens. When we were calling it for review, it was also decided that I’d handle it–afterall, this is probably the single most important lens that anyone has created this year (with Sigma’s 18-35mm f1.8 being a close contender.) Then you add in the fact that we only had this lens for 10 days (we usually test a lens for an entire month before publishing a review) and you’ve got one of the most challenging reviews that we’ve ever done.
When Zeiss created this lens, they decided that it shouldn’t have a single compromise on the image quality. It was also designed for high megapixel DSLRs. The image quality is reflected in the price tag–which is just under $4,000. Indeed, it isn’t a lens that we believe everyone will go out and buy.
And while our thoughts on the lens are overwhelmingly positive, we encountered a couple of situational problems that made the lens’s functionality somewhat tough at times.
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Judging from the name of the new Phottix Para-Pro umbrella, one would think that it is a parabolic. In fact, many companies say that their umbrellas are parabolic. In fact, a parabolic umbrella is one that allows you to shape the throw of the light–and many use it to just market the fact that the throw can look like that of a parabolic umbrella. The company now has a brand new reflective interior umbrella listed on their site, and they’re stating that it will provide snappy highlights. Indeed, most silver umbrellas do this.
They’re available in a 72″, 60″ or 40″ size. The latter is guaranteed to give you some incredibly beautiful light output. Prices will be available within a couple of days.
Confused about whether or not you need an umbrella? You might want to check out The Phoblographer’s Introductory Guide to Photographic Umbrellas.
If you ask anyone in the photo industry what Manfrotto is best known for, they’d probably tell you their tripods. That isn’t to say at all that they make awful bags though. Earlier in the year, we saw a couple of new bags from the company–and amongst the ones that we’ve been testing for a while is the Shoulder Bag 30. The 30 is a camera bag that is obviously meant to be a shoulder bag, but also meant to be placed somewhere in the middle. As the numbers get larger, so do the bags.
And even though we weren’t so sold on the 30 when we first got it in, we eventually warmed up to it. Now, we’re actually quite impressed with the way it works in real life.
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We all know the hassle with taking pictures of the latest fashion trends for our glossy magazines and designer outlet e-stores, right? No, not really. We don’t have a clue, because we’re not running a fashion e-commerce. But apparently, those that do are in dire need of a dedicated studio solution, according to a company from the Netherlands. They invented the StyleShoots, which is a dedicated, stand-alone, all-in-one photo studio for fashion e-commerces. And what the thing does is amazing. Not only does it take pictures with a built in Canon 5D Mk II, it also makes them ready for publishing by analyzing the structures and adding a true alpha-transparency background–something that can take quite a while if you have to do it by hand (second-assistant underscan rotoscopers will know what I’m talking about.) Finally, for extra convenience, the whole thing is operated by touch via an iPad.
So, if you’re running a fashion e-commerce and need to find a solution for the time-consuming editing process of your product shots, why not pay them a visit at their new NYC showroom? Details on the StyleShoots website.