Panasonic has quite a bit on the docket today, and not to go unnoticed is the new GX850, a compact Micro Four Thirds mirrorless camera the company is billing as “the ultimate high performance compact mirrorless camera for selfie-takers.” The new camera features a 16MP Live MOS sensor with a max ISO of 25,600 and a tiltable ‘selfie’ 3 inch touch screen LCD. Continue reading…
Canon’s Powershot series of point and shoots have typically always been king, and despite the fact that I’ve personally really warmed up to Ricoh, Fujifilm, and Sony, the new Canon G9X Mk II seems very tempting. With a 20.1MP 1 inch sensor at its heart and stunning good looks, this is a pretty classy point and shoot.
We got time to play with the camera before CES 2017.
Canon is looking to up its speedlight game today with the release of a new 600EX II RT flash. This is a successor to their previous flagship flash with radio transmission built in. But they’re also releasing a new 28mm f3.5 macro lens with a ring light built right in.
Interesting, huh? More details are after the jump.
Holdfast Gear has been forever known for manufacturing well made and beautiful camera straps, and today they’re announcing a beautiful new product. It’s called the Holdfast Gear Maven Strap, and it’s a thin camera strap designed for smaller cameras like mirrorless ILCs and larger point and shoots.
The Maven is designed to sling around your shoulder or over the chest/body. It’s thin, so it won’t leave massive sweat marks across your shirt and it’s made of American Bison leather along with brass hardware.
Building on a piece that Managing Editor Julius Motal wrote recently is the idea that the point and shoot market is slowly dying out. Yes, it indeed is–but it’s really at specific levels. Superzooms, underwater and premium point and shoots seem to still be doing very well due to the way that they provide advantages over a phone. A larger sensor? Yup, that means better image quality potential (notice how we say potential because of the fact that it’s still about the content of the image that matters). A zooming lens? That can help you get so many photos that may be otherwise tough to do.
And like we saw with the National Geographic contest mentioned in Julius’s piece, this has been the status for years. Cameras and modern editing software are more than good enough in the right hands of a creative with a vision. Considering that many photographers make a living off of using their iPhone and Instagram, it makes sense. But this isn’t necessarily because the technology has become better.
Today, Ricoh is announcing an update to what may possibly be the best point and shoot digital camera ever made. The Ricoh GR II is an update to the original Ricoh GR and adds WiFi Integration, NFC, and uses a 16.2MP APS-C sensor along with a 28mm f2.8 equivalent lens. We’re not sure if it the same sensor as the original, but we’re sure they wouldn’t do that. Otherwise, the camera seems to be very much the same as the original–which may start to show its age very soon compared to what Canon, Sony and Fujifilm are delivering these days.
The Ricoh GR II has autofocus performance enhancements and boasts AF confirmation as quick as 0.2 seconds. The camera can also wirelessly control the Pentax flashes available on the market.
All images by Chris Voss. Used with permission.
Photographer Chris Voss moved to Brooklyn from Oakland, CA in 2013 to pursue his dream of shooting in the streets and spaces of NYC. Of course, the city houses some of the best street photographers in the industry–and so the inspiration comes from them. But Chris’s love for photography started when he developed a roll of film that was shot during his birth. He uses exclusively point and shoot film cameras including the Yashica T3 or anything that is not broken at the time.
After getting the film developed, he shares the images to Instagram. His images bring out an NYC that you don’t see much; but is always there.
All images and text in this story by Beat Belmont. Original concept by the Phoblographer.
I got into photography because of a camera. In late 2012, I saw a Yashica Electro 35 ME on a Swiss auction-website and just wanted it. I didn’t know much about cameras, photography or film. But I thought it could be interesting to go a different way than everybody around me who came back from vacations with a thousand jpegs, only to let them rot on a hard drive.
I got the camera, ran a few rolls through it, had fun and then GAS kicked in. I had just begun to earn some money from newspaper-internships during my journalism-studies. Over the next year I bought about ten different cameras. I didn’t need them, but I still used all of them. For me, that’s one of the amazing aspects of shooting film nowadays – you can pick up all sorts of interesting cameras for a fraction of their original price and they click away just like new ones.