If you’re a working photographer that uses studio lighting, then chances are that you’ve been considering a light like the Profoto B1X since first hearing about it. Profoto lights are already at the top of the game and all the studios use them, and what makes the Profoto B1X so special is the added versatility over the original Profoto B1 monolights. For example, the modelling light has 50% more power for video users. Then there’s the ability to do high speed sync at up to 1/8,000 and with a flash duration of 1/19,000. That’s pretty insane! And then you have to remember Profoto’s color consistency assurance, their Air Remote TTL system, and the solid build quality. I can go on and on about Profoto and how great their lights are and how little extra post-production work you’ll need to do because of how good they are, but the truth is that some folks still have no problems with extra long post-production that I sometimes find to be unnecessary.
Are you interested in shooting photojournalism or landscapes, maybe dabbling in street photography? If that is the case and you are doing any sort of research into the kind of lenses you should look into the chances are you may have seen 24mm pop up quite a bit in your research. So, as we continue our look at various focal lengths and what makes them special today we have a look at the 24mm lens.
Ready? Let’s jump into it. Continue reading…
Let’s get something absolutely out of the way here: your Instagram page isn’t necessarily your portfolio. A photographic portfolio is a body of work that helps let others know what kind of photographer you are. It’s a product you’re capable of delivering. For example, Toyota’s portfolio includes the Camry and their other cars. Peter Hurley’s portfolio includes headshots. Annie Leibovitz’s portfolio has portraits and editorial work. These are the products that we know they’re capable of producing. And in the same way, a photographer needs to tightly curate that portfolio, specialize (despite what some may tell you not to do, and they’re dead wrong), and put forward images and services that really make them standout from the rest.
But before you even go about doing this, you’ll need to figure out your photographic identity.
As we continue our look into party and event photography kits our next stop will be talking about lightweight prime lenses. Now, prime lenses are generally not as popular in a part/event atmosphere due to many photographers in this arena preferring the versatility of zoom lenses to be able to quickly react to the party environment. We will, of course, be looking at zoom lenses later, but for now, we wanted to hit on prime lenses.
One reason you may choose a prime lens over a zoom is that you will have access to faster apertures, allowing you to take advantage of shorter shutter speeds – reducing the chance of motion blur and other undesirable side effects of shooting movement in a low light situation. Another reason is that they are generally much smaller and light-weight, meaning less stress on your body over the course of a long event.
Regardless of the reasons, if you are looking into adding a prime lens or prime lenses into your party or event photography kit we recommend checking out the following options. Continue reading…
The obvious answer to the question of 35mm vs 28mm lens choice is whatever suits you; but the issue is that sometimes photographers require input from others. The two classic focal lengths have been used by many photographers over the years to create fantastic work. Each lens and focal length has their strengths and weaknesses, but after some time one is often more preferred over the other.
We’ve used a number of classic 28mm and 35mm lenses over time in our testing of lenses. So we went through our sample photos to help give you some guidance.
Now that it is the winter and Wedding photographers are in their off-season across much of the northern hemisphere, many are taking stock of their current kits. This is the time to look at what else is on the market, look into buying new gear, and trying out the latest technological achievements. Sony has been one of the most talked about brands of the last few years, and their current generation A7 series full frame mirrorless cameras offer what a lot of professionals are looking for. Here are our picks for kit options for wedding pros thinking about jumping into the full frame E mount (FE) system here in 2017.
The phone call was great; the groom and I had a lot in common and he sounded really excited to have me photograph the wedding. I made sure he understood I had never shot a wedding before and that, based on the budget, I would not be bringing a second shooter. The groom (also named Nathan) told me they weren’t looking for traditional wedding photos. He explained this would be a small wedding, no wedding party, and no expectation of a shot list.
Capturing candid images is easy, but only those of us with the acquired skill are able to really show off some of the most frank moments in time. At this point in technology, it’s very tough for mostly any lens to have a hard time capturing great photos. But some, because of inherent qualities do a better one. Whether it’s firmware updates, an aperture that let’s you separate the subject from the background, etc it’s all possible.
We scoured our reviews index to find lenses with good focusing abilities and an aperture that lets you make your subject stand out when capturing candids. Check them out after the jump.