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Bridging Tech and Creative Photography
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Software

Capture One for iPhone Review: Does Adobe Do it Better?

Chris Gampat
No Comments
06/14/2023
5 Mins read
Chris Gampat The Phoblographer Capture One for iPhone product photos 1.41-125s320

I remember back in 2019, when the Phoblographer turned 10 years old, our Reviews Team met with Capture One at the Photo Plus Trade Show. People had been asking the company to make an app for iPhone and iPad for a while — and the marketing manager asked me for feedback. I inadvertently extended our meeting by five minutes, explaining many of the changes and features I wished for back then. They took note — and finally, in 2023, Capture One for iPhone is here. As a journalist for an accredited media publication, I’m shocked. And as a long-time customer of Capture One, I feel as if the plum tree I planted and nourished so long ago is now bearing sour cherries. For Capture One’s sake, I hope that they do not treat it as an afterthought.

Editor’s Note: we originally tested the Capture One for iPhone Beta. And more updates should be made after June 14th 2023. This review will be continually updated.

Table of Contents

  • The Big Picture
    • Pros
    • Cons
  • Features
  • Ease of Use
  • Image Quality
  • Who Should Buy Capture One for iPhone?

The Big Picture

Capture One for iPhone does pretty much everything that the iPad version can do. With that said, it does not do one of the most important things that makes Capture One so incredibly useful: ICC Profiles with various curve options. If you’ve used profiles like ProStandard and really liked the results they gave you, know that this joyful part of the editing process isn’t there. Further, you’re not presented with optional curves. Instead, you’ll need to use Capture Ones styles.

Curves are incredibly important for Fujifilm users. And we couldn’t test it during the beta as syncing was quite slow. Further, there isn’t integration into the Fujifilm X app at the moment. But this might change in the future.

In this way, Capture One for iPhone doesn’t do much to differentiate itself from Lightroom or other editors out there. This, combined with better color editing, are the biggest reasons why I’d want to use it in the first place. As it is, Adobe does a better job with noise reduction. And that aside, Capture One for iPhone doesn’t do a whole lot to make it stand out on its own. Even the watermarking is very basic.

⭐⭐⭐

Rating: 3 out of 5.

At the moment, we’re giving Capture One for iPhone three out of five stars. Want one? It’s available bundled with the all-in-one option or with the iPad. You can also get it for around $6/month.

Phoblographer membership subscribers receive a 10% discount to Capture One when they join.

Pros

  • It’s finally here
  • Editing photos is pretty easy. It reminds us a bit of both Snapseed and Adobe’s options
  • Integrates with Capture One on the desktop and iPad.
  • Pretty affordable

Cons

  • It’s missing the bigger parts that make me want to use Capture One to begin with.

Features

According to the presentation, here’s whats so big with Capture One for iPhone:

CaptureTether camera wirelessly or via a USB cable & camera adapter to the iPhone, apply Next Capture Adjustments. Camera settings
ImportImport from camera roll, files, a plugged-in camera or an SD card Create albums
Sort and filter
CullStar rate
Color tag
Select Next When
Quick EditsApply styles Fujifilm simulations Import Styles
GeometryCrop Rotation Keystone
Editing toolsWhite balance (wb & tint), Exposure (exposure, contrast, brightness, saturation) , Color Editor, B&W, Vignetting Dynamic Range (highlights, shadows, whites, blacks), Clarity and structure
Dehaze (auto and manual)
Collaborate with CO LiveShare an album via Live
Get star ratings and color tagging on shared photos View and reply to comments
Workflow efficiencyBefore/After, Undo / Redo / Reset, Display basic metadata Copy and apply (selective adjustments)
Send to desktop and exportAdd album to the cloud, to be imported into CO Pro desktop
Export jpgs (predefined recipes), Export EIPs, Originals, TIFF, Watermark (text-only) Share to any relevant app, including cloud storage ones, or save to files, Airdrop
SettingsExposure Warning settings

Ease of Use

Credit it due to Capture One for iPhone for making it very simple to edit the photos you care about. But at the moment of testing, it’s best done with cameras that use DNG files. Part of this might be because of the limits. You can share one album/collection for free for a month. And you have to pay to share more. I’d only ever share one at a time as a journalist.

I worked with RAW files from the Leica SL2s — which I imported into Apple’s Photo app and then into an album for Capture One. The photos were easily edited. Capture One for iPhone uses a touch interface combining things like tapping a screen and then dialing in exact amounts of adjustment. I couldn’t find a way to tap the numbers it provides and modify that; and I’m sure that will come in a future update. This will be useful if I wanted to set a direct white balance kelvin number, for example. That’s a critical part of how I edit my photos.

During the Capture One for iPhone Beta, I couldn’t see the full edits that I was making to the images. That’s to say that the effects weren’t apparent. Sometimes this can happen with the desktop version when you’re doing noise reduction the way that Lightroom used to do. But that has changed in Lightroom. Instead, it’s still present in Capture One and is also the case for Capture One for iPhone.

Image Quality

Overall, I felt the image quality from Capture One for iPhone to be akin to what I could get from Adobe and other platforms. My most used apps for photos on mobile are RNIFilms and VSCO. Those platforms are based on starting out with a preset first. Then from there, you go ahead and edit. But Capture One is making you get right into the editing feature first.

Some folks might edit this way on the desktop, but I always start with tuning the ICC profiles and the curves. Those are still missing for the most part from Capture One for iPhone. And I hope they come soon.

Who Should Buy Capture One for iPhone?

C

If you’re a Capture One for iPad user or you pay for the entire bundle, then it’s already included. If you don’t have an iPad, then I’d probably wait for Capture One for iPhone to take more of a step forward. I’m sure the company will improve on it in the time to come.

Phoblographer membership subscribers receive a 10% discount to Capture One when they join.

Capture One for iPhone Review: Does Adobe Do it Better?
Conclusions
Capture One for iPhone does pretty much everything that the iPad version can do. With that said, it does not do one of the most important things that makes Capture One so incredibly useful: ICC Profiles with various curve options. If you've used profiles like ProStandard and really liked the results they gave you, know that this joyful part of the editing process isn't there. Further, you're not presented with optional curves. Instead, you'll need to use Capture Ones styles. Curves are incredibly important for Fujifilm users. And we couldn't test it during the beta as syncing was quite slow. Further, there isn't integration into the Fujifilm X app at the moment. But this might change in the future. In this way, Capture One for iPhone doesn't do much to differentiate itself from Lightroom or other editors out there. This, combined with better color editing, are the biggest reasons why I'd want to use it in the first place. As it is, Adobe does a better job with noise reduction. And that aside, Capture One for iPhone doesn't do a whole lot to make it stand out on its own. Even the watermarking is very basic.
Pros
It's finally here
Editing photos is pretty easy
It reminds us a bit of both Snapseed and Adobe's options
Integrates with Capture One on the desktop and iPad
Pretty affordable
Cons
It's missing the bigger parts that make me want to use Capture One to begin with.
3
adobe capture one Capture one for iphone lightroom rni films
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Written by

Chris Gampat

Chris Gampat is the Editor in Chief, Founder, and Publisher of the Phoblographer. He provides oversight to all of the daily tasks, including editorial, administrative, and advertising work. Chris's editorial work includes not only editing and scheduling articles but also writing them himself. He's the author of various product guides, educational pieces, product reviews, and interviews with photographers. He's fascinated by how photographers create, considering the fact that he's legally blind./ HIGHLIGHTS: Chris used to work in Men's lifestyle and tech. He's a veteran technology writer, editor, and reviewer with more than 15 years experience. He's also a Photographer that has had his share of bylines and viral projects like "Secret Order of the Slice." PAST BYLINES: Gear Patrol, PC Mag, Geek.com, Digital Photo Pro, Resource Magazine, Yahoo! News, Yahoo! Finance, IGN, PDN, and others. EXPERIENCE: Chris Gampat began working in tech and art journalism both in 2008. He started at PCMag, Magnum Photos, and Geek.com. He founded the Phoblographer in 2009 after working at places like PDN and Photography Bay. He left his day job as the Social Media Content Developer at B&H Photo in the early 2010s. Since then, he's evolved as a publisher using AI ethically, coming up with ethical ways to bring in affiliate income, and preaching the word of diversity in the photo industry. His background and work has spread to non-profits like American Photographic Arts where he's done work to get photographers various benefits. His skills are in SEO, app development, content planning, ethics management, photography, Wordpress, and other things. EDUCATION: Chris graduated Magna Cum Laude from Adelphi University with a degree in Communications in Journalism in 2009. Since then, he's learned and adapted to various things in the fields of social media, SEO, app development, e-commerce development, HTML, etc. FAVORITE SUBJECT TO PHOTOGRAPH: Chris enjoys creating conceptual work that makes people stare at his photos. But he doesn't get to do much of this because of the high demand of photography content. / BEST PHOTOGRAPHY TIP: Don't do it in post-production when you can do it in-camera.
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