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Bridging Tech and Creative Photography
Bridging Tech and Creative Photography
Bridging Tech and Creative Photography
Pro Camera Reviews

Video: What We Want to See In the Sony a7s III

Chris Gampat
No Comments
07/18/2020
4 Mins read
What-we-want-in-the-sony-a7s-III

Last Updated on 07/18/2020 by Chris Gampat

Pro Camera Reviews happens every Sunday. Sign up to join us! Please Register here

Pro Camera Reviews is a new web show by the Reviews Team of the Phoblographer. Join Gear Editor Brett Day, Reviews Editor Paul Ip, and Editor in Chief Chris Gampat as they candidly discuss the products they’re actively reviewing and the gear they’ve just reviewed. Open Q and A from the audience towards the end of the show. Every Sunday at 7pm EST. Please Register here.

If you’re looking for a fun time while staying safe, we strongly recommend that you tune in for Pro Camera Reviews. It’s a weekly show where the staff tackles a couple of issues in the Photo World. They mostly pertain to cameras and lenses, but sometimes things get a bit more serious. This is partly because we still feel that we need to be educators and leaders in this space. Additionally, we also need to be responsible. Episodes are done on Zoom and are recorded. They’re then shared on YouTube. We recommend that you subscribe to us on Youtube to keep up.

In This Epsiode

What We Want in the Sony a7s III: Sony’s new cameras have been mere incremental updates, and they haven’t shown the levels of innovation we’re used to seeing, but we now know that Sony has been hard at work putting together an ‘all new’ a7s III. The new Sony a7s III has been redesigned from the ground up, and will apparently push technological boundaries with features yet unseen in Mirrorless cameras. Sony’s faithful are expecting big things from the a7s III, and to stay ahead of the pack, Sony needs to deliver. Join us as we talk about the new Sony a7s III, why it’s so important to Sony, and what we think this camera will need to succeed.

With Sony announcing that the Sony a7s III is coming before the end of the month, it makes sense for us to think about what it’s going to feature. Considering all the serious video candidates on the market, Sony is going to surely keep this lineup alive and kicking. It’s been years since the last Sony a7s camera came out and the product life cycle between the first and second were very short. It makes me wonder how short the Sony a7s III will be.

We’ve been told behind closed doors before that it was delayed a while ago because of overheating issues. But that could be all hearsay. With the Canon EOS R5 apparently suffering from overheating, it’s a major concern. Part of this is due to 8k video output. Panasonic and Canon do it, and Sony is going to have to do it too. Though for what it’s worth, I haven’t really seen or heard of a lot of 8k televisions or even many monitors; it’s still very cutting edge. So at the moment, videographers are probably going to use it for the quality, downsample, and then export. But there’s also the futureproofing around all this. Otherwise, at CES 2021 we could see new 8k televisions. I imagine it’s going to be a while until the web catches up to it. Netflix in 8k? Imagine that. Or what about YouTube in 8K with no latency issues? I doubt most of the world has internet that can render that. From my trips to Europe, I can tell you that most of Europe’s internet is pretty bad in comparison to America’s largest cities. In my own office, I have 1GB up and down with Verizon FIOS. But I wonder what will be coming in the future.

On the Next Episode:

How to Shoot Without Image Stabilization: Editor in Chief Chris Gampat will lead a discussion about shooting without image stabilization. He was taught to shoot at 1/13th with a Leica rangefinder and he’s still incredibly steady even without stabilization. In his journeys, he’s found a lot of problems with the way people shoot. But he’s also found ways that work no matter what a person’s body type is.

The Most Forward Thinking Cameras of the Past Decade: Since the introduction of the Canon EOS 5D II, digital cameras slowly shifted towards becoming less about stills and more about video performance. A quick look at today’s camera marketing materials reveals that camera melting video specifications take precedence over still specs. While there is nothing wrong with digital cameras that can deliver the best of both worlds, hybrid cameras do introduce quite a few problems, like more complicated menus, and increased heat output. In this segment of the show, we will discuss some of our favorite digital cameras from the last decade that focus more on photographers and stills than on video and videographers.

Our Dream Cameras: With all the speculation about upcoming camera releases, what unique/class-leading features can we combine from leading camera manufacturers to create our dream camera? I.E. Canon colors, Olympus Live COmp, Sony’s advanced AF, etc

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Chris Gampat

Chris Gampat is the Editor in Chief, Founder, and Publisher of the Phoblographer. He provides oversight to all of the daily tasks, including editorial, administrative, and advertising work. Chris's editorial work includes not only editing and scheduling articles but also writing them himself. He's the author of various product guides, educational pieces, product reviews, and interviews with photographers. He's fascinated by how photographers create, considering the fact that he's legally blind./ HIGHLIGHTS: Chris used to work in Men's lifestyle and tech. He's a veteran technology writer, editor, and reviewer with more than 15 years experience. He's also a Photographer that has had his share of bylines and viral projects like "Secret Order of the Slice." PAST BYLINES: Gear Patrol, PC Mag, Geek.com, Digital Photo Pro, Resource Magazine, Yahoo! News, Yahoo! Finance, IGN, PDN, and others. EXPERIENCE: Chris Gampat began working in tech and art journalism both in 2008. He started at PCMag, Magnum Photos, and Geek.com. He founded the Phoblographer in 2009 after working at places like PDN and Photography Bay. He left his day job as the Social Media Content Developer at B&H Photo in the early 2010s. Since then, he's evolved as a publisher using AI ethically, coming up with ethical ways to bring in affiliate income, and preaching the word of diversity in the photo industry. His background and work has spread to non-profits like American Photographic Arts where he's done work to get photographers various benefits. His skills are in SEO, app development, content planning, ethics management, photography, Wordpress, and other things. EDUCATION: Chris graduated Magna Cum Laude from Adelphi University with a degree in Communications in Journalism in 2009. Since then, he's learned and adapted to various things in the fields of social media, SEO, app development, e-commerce development, HTML, etc. FAVORITE SUBJECT TO PHOTOGRAPH: Chris enjoys creating conceptual work that makes people stare at his photos. But he doesn't get to do much of this because of the high demand of photography content. / BEST PHOTOGRAPHY TIP: Don't do it in post-production when you can do it in-camera.
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