All images by Hugo Pasarello Luna. Used with permission.
A century after the end of World War I, Paris-based Argentinian photojournalist Hugo Passarello Luna was intrigued by a thought: how exactly does everyone remember the global conflict? To attempt to answer this question he embarked on a project called Nostalgie de la Boue (Nostalgia for Mud) which explores how the French reenactors safeguard its memory.
This year, Hugo followed different groups of reenactors from the actual historical battlegrounds, including Noyon and Meaux, with the goal of trying to understand what drives them to relive the battles, while others seek to escape the trauma of war.
“These men, and a few women, reenact the combats of the Great War, with an obsession to detail that they take pride on,” Hugo introduced the project to us. “What are these reenactors safeguarding? Which memories are kept, which are left to time, and which are reformulated? Why this quest for authenticity? Is it something vital for the conservation of the collective memory?”




“I would see them, the old and the young, running, hiding, running again, shouting, throwing themselves into the mud, shooting blanks at their fellow enemies. I would see the one who runs out of bullets, pretends to die or get wounded. And so he stays on the wet ground, getting his once pristine uniform all muddy, until the performance is finished.”
To make his photos as faithful as possible to the era, Hugo used a Vest Pocket Kodak, one of the most popular cameras used by soldiers during World War I. Made by Eastman Kodak from 1912 to 1935, the Vest Pocket Series were the first to use the smaller 127 film and could easily fold and fit inside a coat pocket, as its name suggests. With the outbreak of the war, many soldiers bought these early compacts to record their travels and experiences, earning the camera the nickname”The Soldier’s Kodak.”
“Could I find answers if I mirror their action and photograph them using a camera of those times?” Hugo wondered. “The Vest Pocket produced a great deal of the amateur archival images of the conflict that we have today.”





Nostalgie de la Boue is set to be exhibited on November 11th, exactly a century after World War I concluded, in a gallery in Paris. According to Hugo, they are working to show them at the Museum of the Great War in Meaux, France, the biggest museum in Europe dedicated to World War I.
Do check out Hugo Passarello Luna’s website to view all the photos in the project.