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Adobe Lightroom 5.6 Supports the Nikon D810

Chris Gampat
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07/31/2014
3 Mins read

Last Updated on 07/31/2014 by Chris Gampat

Chris Gampat The Phoblographer Nikon D810 first impressions product images (8 of 8)ISO 4001-50 sec at f - 3.2

Nikon D810 camera users are in for a bit of a treat today. Adobe updated their Lightroom software to version 5.6 today, and it includes support for the brand new camera’s RAW files. This version seems like a very minor update overall with very few bug fixes and only a couple of new lenses added in. With this being the news, we’re pretty positive that the company may be coming out with a new version of Adobe Lightroom sooner or later; but one can only speculate.

All the details on the new update are after the jump.

You can download it for Mac or Windows at the according links.

Release Notes (taken from their post)

New Camera Support in Lightroom 5.6

  • Nikon D810
  • Panasonic LUMIX AG-GH4
  • Panasonic LUMIX DMC-FZ1000

New Lens Profile Support in Lightroom 5.6

Mount Name
Canon Canon EF-S 10-18mm f/4.5-5.6 IS STM
Canon Canon EF 16-35mm f/4L IS USM
Canon Tamron 28-300mm f/3.5-6.3 Di VC PZD A010E
Canon Tamron 18-200 f/3.5-6.3 DiIII VC B011EM
Nikon Nikon 1 NIKKOR VR 70-300mm f/4.5 – 5.6
Nikon Tamon 28-300mm f/3.5-6.3 Di VC PZD A010N
Pentax Sigma 18-35mm f/1.8 DC HSM A013
Phase One A/S Schneider Kreuznach LS 40-80mm f/4.0-5.6
Sony Alpha Sigma 18-35mm f/1.8 DC HSM A013
Sony Alpha Sony 28mm f/2.8
Sony Alpha Sony 16mm f/2.8 Fisheye
Sony Alpha Sony 100mm f/2.8 MACRO
Sony Alpha Sony DT 16-105mm f/3.5-5.6
Sony Alpha Sony DT 18-200mm f/3.5-6.3
Sony Alpha Sony DT 18-250mm f/3.5-6.3
Sony Alpha Sony 70-200mm f/2.8G
Sony Alpha Sony 70-300mm f/4.5-5.6 G SSM
Sony Alpha Sony 70-400mm f/4-5.6 G SSM
Sony Alpha Sony 70-400mm f/4-5.6 G SSM II
Sony Alpha Sony 135mm f/2.8 [T4.5] STF
Sony Alpha Sony 300mm f/2.8 G SSM II
Sony E Zeiss Touit 2.8/50M

Please note – the profile for the newly added Canon EF 16-35mm f/4L IS USM lens is not automatically located when applying lens profile corrections.  This is a bug and we will fix it in a future release.  The workaround is to:

–        Manually select the profile and choose “Save New Lens Profile Defaults” in the Setup menu on the Profile tab. From then on, the lens should automatically select when the profile is enabled.

Bugs Corrected in Lightroom 5.6

  • Collections with a custom sort order would sometimes not properly sync with Lightroom mobile.
  • Updated the “Adobe Standard” color profile for the Nikon D810.  Please note that this only impacts customers who used Camera Raw 8.6 or DNG Converter 8.6 to convert NEF raw files from the D810 to DNG
  • Star ratings set in Lightroom mobile did not properly sync to Lightroom desktop.  Please note that this only occurred on images that were added to Lightroom mobile from the camera roll
  • Resolved the issues causing the persistent “Syncing … images” state that some of our customers have reported.”
  • Star ratings would sometimes not sync from Lightroom desktop to Lightroom mobile.  Please note that this only occurred when attempting to sync a Collection that contained more than 100 photos that already contained star ratings.
  • Added information to the “System Info” dialogue to help designate if the customer installed Lightroom from the Creative Cloud.
  • Unable to open sRaw files from the Nikon D810.  Please note that this only impacted customers that converted D810 sRaw files to DNG in either Camera Raw 8.6 RC or DNG Converter 8.6 RC.
  • Images with invalid GPS coordinates would not properly sync with Lightroom mobile
  • Lightroom occasionally crashed when changing image selection on Windows. Please note that this only occurred on the Windows platform.
  • JPEG files exported from Lightroom would not open or be available to edit within Canon Digital Photo Professional application software.
  • Lightroom would run in reduced functionality mode when it should not.
adobe d810 lightroom 5.6 nikon raw files sony support update
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Chris Gampat is the Editor in Chief, Founder, and Publisher of the Phoblographer. He provides oversight to all of the daily tasks, including editorial, administrative, and advertising work. Chris's editorial work includes not only editing and scheduling articles but also writing them himself. He's the author of various product guides, educational pieces, product reviews, and interviews with photographers. He's fascinated by how photographers create, considering the fact that he's legally blind./ HIGHLIGHTS: Chris used to work in Men's lifestyle and tech. He's a veteran technology writer, editor, and reviewer with more than 15 years experience. He's also a Photographer that has had his share of bylines and viral projects like "Secret Order of the Slice." PAST BYLINES: Gear Patrol, PC Mag, Geek.com, Digital Photo Pro, Resource Magazine, Yahoo! News, Yahoo! Finance, IGN, PDN, and others. EXPERIENCE: Chris Gampat began working in tech and art journalism both in 2008. He started at PCMag, Magnum Photos, and Geek.com. He founded the Phoblographer in 2009 after working at places like PDN and Photography Bay. He left his day job as the Social Media Content Developer at B&H Photo in the early 2010s. Since then, he's evolved as a publisher using AI ethically, coming up with ethical ways to bring in affiliate income, and preaching the word of diversity in the photo industry. His background and work has spread to non-profits like American Photographic Arts where he's done work to get photographers various benefits. His skills are in SEO, app development, content planning, ethics management, photography, Wordpress, and other things. EDUCATION: Chris graduated Magna Cum Laude from Adelphi University with a degree in Communications in Journalism in 2009. Since then, he's learned and adapted to various things in the fields of social media, SEO, app development, e-commerce development, HTML, etc. FAVORITE SUBJECT TO PHOTOGRAPH: Chris enjoys creating conceptual work that makes people stare at his photos. But he doesn't get to do much of this because of the high demand of photography content. / BEST PHOTOGRAPHY TIP: Don't do it in post-production when you can do it in-camera.