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Canon Announces the New 70D With Super Fast AF For Video

Chris Gampat
No Comments
07/02/2013
2 Mins read

Last Updated on 07/02/2013 by Chris Gampat

Chris Gampat The Phoblographer Canon 70D product images for announcement (4 of 6)

Guess what: it’s available for pre-order from Amazon, B&H Photo, and Adorama. We’re waiting for a review unit.

The rumors have been around for a while, and today the cat is finally out of the bag. Canon is announcing their brand new refresh to the Canon 60D–and of course it is called the 70D. The new camera boasts a couple of major improvements such as a slightly larger sensor (but still a 1.6x crop) to accomodate to the 20.2 MP on it, phase detection at every single pixel which translates to awesome focusing in video mode, 7fps shooting, and Micro Adjustment. The latter was a big faux pas of many people that wanted to upgrade to the 60D but didn’t.

The phase detection autofocus comes from Canon’s new Dual Pixel AF technology, which is explained in a graph after the jump.

The EOS 70D Digital SLR camera is scheduled to be available in September 2013 for an estimated retail price of $1199.00 for the body alone and $1349.00 bundled with an EF-S 18-55mm f/3.5-5.6 IS STM lens or $1549.00 bundled with the EF-S 18-135mm f/3.5-5.6 IS STM lens. Also available will be a new Battery Grip BG-E14 that accepts up to two LP-E6 battery packs or a set of six AA batteries for an estimated retail price of $270.00.

Be sure to check out our first impressions of the new camera as well.

Dual Pixel AF

 

Chris Gampat The Phoblographer Canon 70D product images for announcement (2 of 6)

Chris Gampat The Phoblographer Canon 70D product images for announcement (3 of 6)

Chris Gampat The Phoblographer Canon 70D product images for announcement (5 of 6)

Chris Gampat The Phoblographer Canon 70D product images for announcement (6 of 6)

Chris Gampat The Phoblographer Canon 70D product images for announcement (1 of 6)

 

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Chris Gampat

Chris Gampat is the Editor in Chief, Founder, and Publisher of the Phoblographer. He provides oversight to all of the daily tasks, including editorial, administrative, and advertising work. Chris's editorial work includes not only editing and scheduling articles but also writing them himself. He's the author of various product guides, educational pieces, product reviews, and interviews with photographers. He's fascinated by how photographers create, considering the fact that he's legally blind./ HIGHLIGHTS: Chris used to work in Men's lifestyle and tech. He's a veteran technology writer, editor, and reviewer with more than 15 years experience. He's also a Photographer that has had his share of bylines and viral projects like "Secret Order of the Slice." PAST BYLINES: Gear Patrol, PC Mag, Geek.com, Digital Photo Pro, Resource Magazine, Yahoo! News, Yahoo! Finance, IGN, PDN, and others. EXPERIENCE: Chris Gampat began working in tech and art journalism both in 2008. He started at PCMag, Magnum Photos, and Geek.com. He founded the Phoblographer in 2009 after working at places like PDN and Photography Bay. He left his day job as the Social Media Content Developer at B&H Photo in the early 2010s. Since then, he's evolved as a publisher using AI ethically, coming up with ethical ways to bring in affiliate income, and preaching the word of diversity in the photo industry. His background and work has spread to non-profits like American Photographic Arts where he's done work to get photographers various benefits. His skills are in SEO, app development, content planning, ethics management, photography, Wordpress, and other things. EDUCATION: Chris graduated Magna Cum Laude from Adelphi University with a degree in Communications in Journalism in 2009. Since then, he's learned and adapted to various things in the fields of social media, SEO, app development, e-commerce development, HTML, etc. FAVORITE SUBJECT TO PHOTOGRAPH: Chris enjoys creating conceptual work that makes people stare at his photos. But he doesn't get to do much of this because of the high demand of photography content. / BEST PHOTOGRAPHY TIP: Don't do it in post-production when you can do it in-camera.
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