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Samsung’s New NX2000 Houses a Micro SD Card, WiFi, and a Touchscreen

Chris Gampat
No Comments
05/01/2013
2 Mins read

Samsung NX2000 images The Phoblographer (4 of 9)

Samsung’s mirrorless cameras haven’t always been the most popular in the states, but their latest NX2000 is apparently targeted at the person who is embracing a totally new workflow. It is being slotted in below the NX1100 and so even has some interesting departures from Samsung’s norms. First off, it records data to a Micro SD card–which is completely different than anything before. Additionally, the camera is nearly devoid of buttons and instead emphasizes use of the touchscreen. There is built in WiFi for instant sharing (to many different cloud services) and there is also an LCD touchscreen being used instead of the normal Samsung OLED screens–which I personally preferred.

Otherwise, this camera seems to match nearly any other Samsung mirrorless camera with a 20.3MP APS-C imaging sensor–and it will ship with Lightroom 4.

The NX2000 will have an MSRP of $649.99 and will be available in white, black and pink from authorized Samsung retailers Specs, extra photos and details are after the jump.

Tech Specs

– 20.3 MP APS-C sized sensor

– Super Sonic Drive Dust Reduction

– LCD Panel with Touchscreen of 1.152K dots

– Contrast AF

– ISO 100-3200 native

– 8 fps shooting

– Bundled with an external flash and 20-50mm lens

– RAW and JPEG shooting

– 1080p HD at 30p or 24p

– Micro SD storage

– New battery will allow for 340 shots

– WiFi router built in

Samsung NX2000 images The Phoblographer (9 of 9) Samsung NX2000 images The Phoblographer (8 of 9) Samsung NX2000 images The Phoblographer (7 of 9) Samsung NX2000 images The Phoblographer (6 of 9) Samsung NX2000 images The Phoblographer (5 of 9) Samsung NX2000 images The Phoblographer (3 of 9) Samsung NX2000 images The Phoblographer (2 of 9) Samsung NX2000 images The Phoblographer (1 of 9)

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Chris Gampat

Chris Gampat is the Editor in Chief, Founder, and Publisher of the Phoblographer. He provides oversight to all of the daily tasks, including editorial, administrative, and advertising work. Chris's editorial work includes not only editing and scheduling articles but also writing them himself. He's the author of various product guides, educational pieces, product reviews, and interviews with photographers. He's fascinated by how photographers create, considering the fact that he's legally blind./ HIGHLIGHTS: Chris used to work in Men's lifestyle and tech. He's a veteran technology writer, editor, and reviewer with more than 15 years experience. He's also a Photographer that has had his share of bylines and viral projects like "Secret Order of the Slice." PAST BYLINES: Gear Patrol, PC Mag, Geek.com, Digital Photo Pro, Resource Magazine, Yahoo! News, Yahoo! Finance, IGN, PDN, and others. EXPERIENCE: Chris Gampat began working in tech and art journalism both in 2008. He started at PCMag, Magnum Photos, and Geek.com. He founded the Phoblographer in 2009 after working at places like PDN and Photography Bay. He left his day job as the Social Media Content Developer at B&H Photo in the early 2010s. Since then, he's evolved as a publisher using AI ethically, coming up with ethical ways to bring in affiliate income, and preaching the word of diversity in the photo industry. His background and work has spread to non-profits like American Photographic Arts where he's done work to get photographers various benefits. His skills are in SEO, app development, content planning, ethics management, photography, Wordpress, and other things. EDUCATION: Chris graduated Magna Cum Laude from Adelphi University with a degree in Communications in Journalism in 2009. Since then, he's learned and adapted to various things in the fields of social media, SEO, app development, e-commerce development, HTML, etc. FAVORITE SUBJECT TO PHOTOGRAPH: Chris enjoys creating conceptual work that makes people stare at his photos. But he doesn't get to do much of this because of the high demand of photography content. / BEST PHOTOGRAPHY TIP: Don't do it in post-production when you can do it in-camera.
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