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When I got into this industry years ago, one thing really confused me almost as much as how much certain older photographers tend to treat the younger generation of us: photo vests. I’m completely positive that you’ve all seen them: a photographer of a certain distinguishment (or trying to show off without having said distinguishment) wearing their vests that look a lot like safari vests. You know, almost as if they’re going to go out on an African safari at all times without being anywhere near something like a safari. Walking down the streets doing street photography? You’ll see a photo vest. In the studio? Photo vest! Hiking? Yup, A Photo vest!
Hardly a day passes by when you don’t hear about a photographer moving on from traditional DSLR’s to newer, shinier Mirrorless cameras. While the move to the new technology always sounds like the right thing to do, is the grass always greener on the other side of the photography fence? After the break check in a wedding photographer and hear what he has to say about his experiences with life after DSLR’s.
Just a few short years ago it was pretty easy to say that APS-C and Micro Four Thirds cameras could never be used by professional photographers. Crop sensors cameras of yesteryear were known for poor high ISO performance, lacked a lot of features their much more expensive Full Frame brothers had, and often produced images that were lack luster, but times have changed in a major way. Current APS-C and Micro Four Thirds crop sensor cameras like the Fujifilm X-T3, the Nikon D500, the Olympus EM-1 Mk II, and the Panasonic G9 have been adopted by professional photographers around the globe, and for good reason.