Leave it to Ricoh/Pentax to create one of the flashies DSLRs around–and we’re not talking about something strobists would particularly love. The company recently announced the new KS-1 DSLR that stands to be their entry level model. Before we even get to the major tech specs though, we think that it’s totally worth it to note the LED lights along the side of the camera and also bring your attention to the fact that the back has even more LEDs. It’s a pretty cool design concept, but we’re not sure that everyone would want the attention brought to their digicam.
Moving to what really matters, the camera houses a 20MP APS-C CMOS sensor capable of producing images at up to ISO 51,200. The camera also has in-body camera shake reduction on the sensor, an AA filter simulator, 100% viewfinder, 5.4fps shooting capabilities, 1/6000th shutter speed shooting, and a 3 inch 921K dot LCD screen on the back.
By modern day standards, the screen is a bit antiquated. However, with different colors and coming in at a price of $749.99 body only, you can’t complain very much.
More images are after the jump.
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In a similar move to what Canon has done with Hybrid AF on their 70D sensors, Fujifilm has put in a patent for Hybrid AF pixels according to Fuji Rumors. Essentially, what it’s doing is embedding special pixels that offer both phase detection and light gathering abilities onto the sensor to work in conjunction with the contrast detection focusing while also not jeopardizing image quality. Of course, the light transmission won’t be at 100% according to the patent due to the pixels functioning to do two jobs.
On other systems, the sensors have pixels just for phase detection–at least that’s what Egami is hinting at. Of course, when this hits the market we only expect it to do a marginally better job in its first iteration. In future iterations, it will most likely become much better as algorithms improve.
Indeed, when this does finally come to the consumer market, it will be awesome for street photographers, wedding photographers and event shooters. And it’ll be very exciting to see what happens when this comes out.
It looks like the Fujifilm X100s is about to get an update of some sort very soon. Mirrorless Rumors got a hold of evidence allegedly leaked by photographer David Hobby. the EXIF data of some of the images (which were now taken down) state that they’re from a new camera called the X100T. This sort of makes sense, as it’s the next letter in the alphabet. However, the S in the nomenclature stood for speed–and we’re not sure what T could stand for.
Fuji Rumors is stating that the camera will boast a 24MP APS-C sensor with faster AF, a new fixed lens, a tilting screen, a new EVF, and a wider phase detection area. These are all upgrades that the X100s needed since the lens attached to the camera was more or less the same as the X100–and the larger megapixels need to work with a newer lens for more resolution.
It’s about time for an X100s update anyway since there have been no major firmware updates to the camera in a while. We’re just going to have to wait and see what comes this way.
According to a new Sony patent found by Sony Alpha Rumors, the company is trying to eliminate rolling shutter completely. The company first started to talk about this when they announced the RX10: and their method was to eliminate rolling shutter and issues by outputting the entire sensor readout pixel for pixel. However, it’s easier for them to do this with a 1-inch sensor.
For the uninformed, rolling shutter is a video issue that occurs due to what’s known as line skipping. By that, when the camera reads a scene, it takes out individual lines of information. This is different from Global Shutter: which in the entire frame is used.
Sony’s new tactic in the new sensor design pictured above is to read the entire plane four lines at a time. What they’re also claiming is that high ISO noise will be reduced and dynamic range will be increased.
While this will greatly help them in the video market, many of the pros still seem to reach for Arri and Canon camcorders–and Sony is going to have to find a way to get them back. Back around 2005-2009, Sony had most of the pro market. Since the Canon 5D Mk II was released, Canon took it and continued to build on it with the 1DC, C300, C500, and the 5D Mk III. Further hacks from Magic Lantern made some of the cameras even better. But Sony has been making attempts at fighting back through the A7s and a couple of other products.
It may be too early to see this technology at Photokina just yet, but we’re sure that we’ll be hearing about it some time down the line.
Two of this year’s best point and shoot cameras are the Canon G1X Mk II and the Sony RX100 Mk III. Both cameras share a decorated lineage and both are aimed at the enthusiast that wants a pocket camera with a large sensor.
But just which one is better?
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Yes! It’s one of those days again where our friends from DxOMark release another sensor test, and this time it’s the one of the new Sony A7S. Just yesterday, we reported on Michael Reichmann’s first impressions review of the A7S, and he was so bold as to claim that the camera exhibits medium format-like image quality. Well, according to DxOMark, things aren’t quite as shiny. Head past the break for more.
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