Darren Lewey: Medium Format Landscape Photography and Abstracts in Morocco

All images and text by Darren Lewey. Used with permission.

I’m a photographer based in Morocco running tours and workshops within a day’s drive which includes Andalusia, Spain. I guess I’m strongly tempted to first explore locations that are closer to me than far-flung ones. It’s part of my ethos that there are things around that are photographically interesting and getting to know places a little bit can help. When I’m not teaching then I’m dedicated to personal portfolio development which I’ve been doing for the past year. Before that I had little time to set aside for my own work with developing my business and historically working in UK education and film making. For many years I didn’t pick-up a stills camera. That changed last year when I bought a Pentax 645z. I’ve always been an advocate of medium format but with no processing options in Morocco my 67 was unused. I’d been limited to older crop sensor technology and it didn’t inspire. I use natural light and a range of prime lenses.

I enjoy nature, I’m not a city person. I like the ability to work in quietness. For the included portfolio, Andalusia, I set myself the task of producing images in three zones during the space of two weeks in May 2017. Each of the areas offered very different challenges but I wanted to capture the texture of the region.

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Lens Review: Fujifilm 120mm F4 R LM OIS WR Macro (Fujifilm G Format)

The Fujifilm 120mm F4 R LM OIS WR Macro is one of the first lens offerings from the G Format lineup, and it’s a pretty decent lens overall. In fact, there isn’t a single major problem with it besides maybe its large size. But when it comes to performance, it’s very sharp, focuses quickly, has image stabilization built in, and beautiful bokeh. What more could a photographer want?

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The Phoblographer’s Guide to Tamron Prime Lenses

In our years of reviewing lenses, we’ve reviewed a lot of prime lenses–including every prime lens offering from Tamron. The company has worked on revamping their lineup for the past few years the same way other lens manufacturers also have. But the biggest difference here is that Tamron offers great image quality, autofocus, weather sealing, and does all this at a really amazingly affordable price point.

So we’ve gone through our reviews index to sort together all of our Tamron lens reviews and help you figure out what’s best for you.

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Review: Tamron AF 180mm f3.5 Di SP A/M FEC LD (IF) 1:1 Macro (Canon EF)

Before the company started to really revamp their lenses, Tamron’s offerings were actually pretty darn good to start. So on a whim of curiousity, I decided to try the Tamron AF 180mm f3.5 Di SP A/M FEC LD (IF) 1:1 Macro–surely a long telephoto macro lens will have to be great, right? Truthfully, it really is; but it isn’t without its own faults partially due to how DSLR cameras work. Though for the enthusiast photographer, you’ll probably really appreciate what it’s capable of.

And at the same time, you’ll need to shoot it like a pro.

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The New Canon EF-S 35mm f2.8 Macro IS STM Has a Built in Ring Light

Today, Canon is announcing the new Canon EF-S 35mm f2.8 Macro IS STM lens for their DSLR lineup of cameras. The new lens draws influence, beleive it or not, from the EF-M 28mm f3.5 macro lens in that its design incorporates a macro LED ring light that is balanced to daylight. However, this lens is quite a bit larger as it is designed for DSLR cameras.

The full press release and tech specs are after the jump.

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