You can spend all the money in your bank account on the best gear available, and pour over lighting tutorials until the end of time, but if you fail to have a solid grasp on posing then you will never be able to use that gear and lighting prowess to make images worthy of the money and time spent on them. Continue reading…
If you haven’t known already, the stacked CMOS sensor in the new Sony a9 flagship camera isn’t exactly all brand new. Indeed, it’s the first time Sony has done it with a full frame sensor and released it to the public. But the technology has been used in phones and many other sensors in the past. The Sony a9 has a full frame 35mm sized 24MP stacked CMOS sensor at the heart of the camera and the way it operates is crucial to the overall functionality of the camera.
We talked to Sony’s Mark Weir about how the sensor works and he explained how it differs from conventional CMOS sensors.
All images by Rainer Wengel. Used with Creative Commons Permission.
Of course, one of the best things for landscape photographers to capture is the Aurora Borealis–but capturing it on film the way Rainer Wengel did is a whole nother different level of magic. While this seems really simple to a lot of photographers, take into consideration that Rainer didn’t do this on 35mm film. Instead, it’s on 6×9 and 6×17 medium format as well as in a 6×17 format using a large format camera. What this requires is a proper tripod, exposure settings, processing, etc.
Hello Michelle, can you tell us a little bit about yourself and how did you get involved into street photography?
I grew up in Toronto Canada but moved to NYC to go to College. I spent most of my youth studying and working in Film and Television production, including teaching in a graduate department. As I got older NY changed and I changed. After 15 years I made the difficult decision to jump ship and move to LA. That’s when I shifted from moving images to still. Best decision I’ve ever made. LA is my muse. When I’m not photographing stories for magazines I’m in the street shooting. I always have to be shooting. It’s my outlet and main form of communicating with the world. I’m also a member of the Full Frontal Collective.
Perhaps one of the more exciting lenses to come from Leica in years isn’t a fast 50, but instead the Leica 28mm f5.6. Now, why is such a slow lens so fascinating? Well for starters, it all has to do with street photography and documentary photography. The Leica 28mm f5.6 is very small and slim. That low profile body lends itself to not giving the camera that it is mated to a “look at me” demeanor. In addition to that, it renders a very classic look. Want some controlled lens flare? You’ve got it. What about a low contrast and not super saturated look? That’s all right here. Additionally, most street photographers are just going to stop the lens down any way. So when you consider the unique look and the fact that you’re not going for beautiful bokeh here, you start to understand why it’s so appealing.
All images by Amy O’Boyle. Used with permission.
Photographer Amy O’Boyle is perhaps one of the more unique photographers to have submitted for a feature in our upcoming Analog zine. Amy is a photographer who shoots weddings and portraits for a living and occasionally does fashion. She uses both medium format and 35mm format to create the photos that she does. But on top of that, she’s a fantastic photographer.
Below is her submission.
All images by Pete Rezac. Used with permission.
Continuing our series featuring and highlighting photographers who shoot analog and have fantastic work, photographer Pete Rezac is amongst the bunches who submitted to our analog photography zine and have incredible photos. After the jump, you’ll read more about Pete, his work, and his creative vision.
All images by Babette de Jong. Used with permission.
When Babette de Jong sent us an email to submit to the analog zine, I carefully went through her submission as I have with everyone who entered to be featured. Babette’s strength is in landscape photography. She loves film photography and strives to get it all as perfectly right in camera as she possibly can.
But more importantly, she’s just a good photographer. And her submission is after the jump.