After Sony introduces 4K video recording in the A7s (with external recorder), Sony Alpha Rumors claims that the company is working on an 8K camera. Sony purportedly brought an 8K camera prototype to the BBC headquarters. A source at the event claimed the unit looked similar to the Sony A99 full frame DSLR with a vertical grip. Sony also supposedly said this 8K camera could come to market as soon as 2016.
Despite the both the Sony A6000 and Sony A7s featuring great video options along with Sony’s AVCHD format, the Japanese company still isn’t as popular in the video world as Panasonic or Canon.
Sony might be interested in starting a resolution war with Panasonic, as the electronics firm already has two cameras that record in 4K including the GH4 and LX100. There are also other mirrorless cameras that can be hacked to take quad-HD footage. However if Sony is in talks with the BBC, and potentially NHK, it could be one of the first big providers of 8K equipment for the television world.
“I want to be a pro.”
Don’t pretend like that thought hasn’t come across your mind at all. Many of us as photographers have always wanted to go pro. It’s in gear marketing, it’s part of the aspirations of many in the photo community, and it’s ingrained in so many tutorials that are all across the web. So what does being a pro mean? Being a professional photographer means that the large majority of your income is from photography. This means that you shoot for a living and if you’re not shooting then you probably can’t pay rent, put food on the table, etc. Is this you? Probably not.
But then let’s start to break that down a bit more: you could aspire to be a semi-professional photographer. This means that anywhere from around 40-50% of your income is from photography. The rest of the money may come from your full time job. Being the semi-professional photographer is a much more attainable ideal to strive for than relying entirely on photography for all of your income. No matter how good you are, you need to consider a couple of very big factors at play here.
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Depending on your approach, photography can be a communal experience or a loner’s art. When you’re in the early days of your practice, there’s a chance you might show your work to close friends, and they’ll most likely encourage you in your pursuit. If they’re not photographers, their encouragement will in many ways be superficial, and while the good remarks may feel good, they’re not substantively helpful. Thoughtful critique is key to any photographer’s development, regardless of genre. One of the best ways to get that critique, beyond workshops and portfolio reviews, is to develop and maintain relationships with other photographers. [click to continue…]
If you know anything about wet plate collodion photography, it’s probably that the photographer needs their subject to be very, very still for the entire duration of the photo. For most subjects, that isn’t too much of a problem, but Wet Plate photographer Giles Clement had a bit of a more animated subject in front of his lens. Ashley Schafher came into Giles’ studio to have her portrait taken of her and her dog. To ensure that the dog didn’t get too frightened, Mr. Clement decided to use strobes but make as quick and painless of a process as possible. If Giles didn’t use strobes, this means that he would have needed to do a long exposure. The reason for this is because a wet plate has such a low ISO value and such a large area to get into focus that they need an extremely narrow F stop and a very long exposure time.
Through the entire shoot, Giles talks us through the process. It begins with using a piece of black glass and pouring collodion on it–which is a solution of cotton, alcohol ether and acid. Then he adds silver nitrate to make it all light sensitive.
Giles did things like making sure that they were on the same plane of focus to make the job easier for him. In the end, he nails it. The video and the insight into his work are after the jump.
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Sometimes a product hits the market that makes us literally say “WTF!?” Today, that award goes to Lomography with their brand new Lomochrome Turquoise film. Based off of Lomochrome Purple (which was based off of Kodak Aerochrome) the company describes the film as taking warm colors and rendering them in shades of blue. But that’s not all. According to the company it is responsible for: “turning warm colors into varying shades of blues from aqua to cobalt, transforming greens into deep emerald shades, blue skies into a sunset and a crystal clear sea into a golden hue”
Essentially, it looks like a permanent cross process–which unless done correctly makes us want to cry and rub our eyes with fixer fluid.
The film is a brand new offering, and they’re expecting the first shipments of Lomography Lomochrome Turquoise to come in in April 2015. The film comes in packs of 5, 10, 15 and 20. They also have it available in 120 format and requires C-41 processing.But in our opinion, they’re a bit overpriced.
More images samples are after the jump.
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