One of the problems with digital photography for years has been high ISO output. While it’s become much better when you look at the photos on a screen, it’s still not perfect when it comes to printing. With film, you can tell that you’re looking at film grain when you enlarge and print a photo at something like 17×22 paper. But with digital, you’re bound to find digital looking noise; and it’s very apparent in the color noise, etc. But in the past few years, a few cameras have come around that produce fantastic results at higher ISOs. Here are some of our favorites.
It’s pretty darn clear that film photography is coming back into fashion despite what haters may say. This goes hand in hand with photographers of all types trying to find a way through all the Instagram algorithms. It’s a rough world out there, but there is surely something to be said about producing good quality content consistently along with hashtagging just right and creating an inspirational message for your devoted followers. So if you’re looking to figure out the latest and greatest way to cut through all the fluff on Instagram, just note that it has everything to do with creating quality content. For those of you who suck at content, here are some tips.
Portraiture and gaming the system on Instagram isn’t always so simple. In fact, it’s pretty difficult. But photographers have been trying to cut through all the noise as best as they can for as long as the platform has been around. Getting better photos for Instagram starts in-camera, then with the editing process, and then with creating better content overall on the platform. So here’s what you should know.
Shooting portraits in natural light can honestly sometimes be tougher than using a flash; but that’s considering you haven’t done any sort of scouting beforehand. However, natural light portraiture can be pretty simple if you can find a way to figure out the artistic vision parts, as the technical parts can be pretty simple too once you pay attention and carefully think about what you want.
Here are a bunch of tips on how to make the most of natural light for portraits.
Nude model photography is one of those things that gets knocked a lot in the photography field. ‘Anyone can take a good picture when you have a model who looks like THAT’ is a common retort to photographers posting sexy and nude images on social media. But as any photographer who has actually shot or attempted to shoot it knows, it’s a lot harder than ignorant commenters realize (similarly to the point and click photographer comments).
So if you have been struggling with your nude photography and are looking for a great way to learn the ropes, this deal today is just what you are looking for. PhotoWhoa is offering three live nude photography webinars with photographer Dan Hostettler. You can get all the info via the link below:
Also, don’t forget to check out all the other great deals noted below!
All images and text by Debmalya Sinha. Used with permission.
My name is Debmalya Sinha and I’m a personal documentary photographer. As Martin Parr once said, “Unless there’s some vulnerability there, I don’t think you’re going to get good photographs”; I started looking for my vulnerabilities inside my otherwise easy and mostly satisfying life and quickly found out one can find pain even in the intense orgasms inside the most loving embraces of life if one is looking for it. Emptiness and fear became central to my photographs and my life during this period. A downward spiral of self inflicted sufferings later, I slowly realised that crisis is not only about pain and suffering. Simultaneous joy of an ephemeral moment and the sadness as it floats away is a projection of vulnerability too and can be expressed together. This helped me start my current project “Mono No Aware” where I’ve explored emptiness and togetherness concurrently in a dreamlike fictional sequence. Here is a very short video of a subset of the pictures from the project.
All images and text from Dan Grove. Used with permission.
Hi! I’m Dan – I’m 19 and from Gloucester in the UK. I’ve just finished my Photography A2 course and I’ll be setting up my exhibition for it at school soon! I shoot with a Canon 60D and 18-135mm STM or occasionally my iPhone for quick snaps.
My photography is all about reimagining the mundane – the bit of England I live in is reaaalllly dull so taking decent photos can be quite a challenge at times. I love to notice the things that other people might miss and I’m always looking to get the shot that makes people look twice or wonder how/where I’ve taken it. I tend to switch across a few different styles in my work – I either shoot bold and clean architectural stuff or gritty, documentary-style street work when I’m out and about. I’ve also spent some time in the studio at school as part of my A Level course.