Flickr has apologized for selling creative commons images as wall art, turning a profit from images specifically labeled not for commercial use. As a penance Flickr has pulled down all the CC pictures from its wall art selection any sales it’s made with the photos will be refunded.
Bernardo Hernandez, head of Flickr at Yahoo, posted a blog post entitled “An Update on Flickr Wall Art,” humbly noting “we’re sorry we let some of you down.”
“[…] [M]any felt that including Creative Commons-licensed work in this service wasn’t within the spirit of the Commons and our sharing community,” Bernardo wrote. “We hear and understand your concerns, and we always want to ensure that we’re acting within the spirit with which the community has contributed.”
Flickr’s Creative Commons section has long been a special part site, which allows photographers to freely post and share their images for anyone to use with the only caveat that these photos cannot be sold for money. Oddly enough Flickr broke its own rule in November by adding a large portion of the CC collection Wall Art printing service. Soon after the Flickr community began complaining that the image-hosting site was selling photographers’ work without giving part of the profit to the original artists.
Still Flickr was technically within its own rights picking only images with a “non-commercial” restriction. In the same statement Bernardo outlined the Wall Art service will continue, but it will not tap into creative commons-licensed images unless photographers reach out to the Flickr curation team themselves. Jump past the break to
Via DIY Photography
Earlier this year, Lomography announced the smallest 120 film camera with automatic metering ever made: the LCA 120. Traditionally, no photographer that uses 120 film on a regular basis has ever consistently wanted to shoot with a fully automatic mode. This is why many of these cameras have interchangeable backs, lenses, and various settings. There were also various medium format rangefinders, but those are another story.
The LCA 120 is a medium format (6×6) automatic metering camera with the only variable being ISO control. Focusing involves flipping a switch for zone control. Otherwise, this camera is also the most straightforward and simple medium format camera that I’ve ever touched.
This makes the LCA 120 arguably one of the best cameras that the Phoblographer has tested for street photography.
So what’s the problem?
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With the many advances in technology that have happened over the years, lenses have become better and better at reducing flare from sun and light overall. This has to do with how glass has become better and how the chemistry involved in the coatings has improved.
Many, many years ago back in the film days, photographers needed to use UV filters with their lenses. One of the biggest reasons for this had to do with glare from the sun and extraneous light that caused flaring that didn’t look so great. Indeed though, lens flare can sometimes look great but it is very situational.
Then the digital photography revolution happened, and the UV filters started to degrade the image quality that you’d see. The reason for this had to do with the glass involved.
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A new Sony A7000 seems ever more likely as another source has told Sony Alpha Rumors we will see a new high-end APS-C E-mount camera in 2015. There wasn’t any definite word on specs, but the camera will purportedly be step up from the current Sony A6000. Similarly an exact release date for this camera is still up in the air, however, the source claims the camera was practically finalized when they saw it.
A few months ago we heard the A7000 would be the end all, be all of Sony’s APS-C camera line equipped with a 1/8000 second shutter, weather sealing, and capable of 4K video. Essentially this will be a high-end compact mirrorless camera in every way the Sony A7 Mk II and Sony A7s are except with a smaller sensor. This could also mean that the new focusing improvements added to the a7 Mk II could come to this camera.
It was also rumored to come with a new 16-50mm f3.5-5.6 power-zoom lens. Supposedly this revised lens will be big step up in image quality from the current kit lens, which we’ve previously used much to our chagrin because of its softness and tendency to fringe at the mere sight of a high-contrast scene.
SLRLounge recently released a snippet from a premium tutorial video of theirs that details a bunch of really simple landscape photography tips. The video talks about a couple of things that many people, even more experienced shooters don’t do. They start out by encouraging you to set up your framing for the scene first and being very careful and meticulous about it. But the real meat of the video has to do with your exposures. They state that you should slow down the shutter speed and lower the ISO–which is fine if you want to create a dreamy scene with exaggerated motion. But if you don’t want to do that, then shoot at a faster shutter speed.
They also talk a bit about apertures, but we feel that they should have spent more time on them–they’re really important when it comes to shooting landscapes.
The video on landscape photography tips is after the jump.
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Interviewing a number of photographers this year has made me realize that one of the best ways to actually become a better photographer isn’t to necessarily shoot more like many photographers will tell you to, but to instead shoot less and think more critically and carefully about every single photo that you take. Indeed, a photographer who thinks carefully about each photo that they shoot (in terms of exposure, composition, elements, and overall look) will overall shoot less than someone simply just spraying and praying machine gun style, hoping that each image will yield something better than the last one.
A model that we often shoot for the site recently told me that I’m unlike many other photographers. I know exactly what I want, I shoot it, and I’m done. Others tend to just shoot and shoot and shoot. Folks that have joined me me during my photo walks also say the same thing.
The photographer that sprays and prays will overall come away with more work, but chances are highly against them that they will want to display every single image in their portfolio. To be specific, I’m talking about a photographer presenting their portfolio in an attempt to actually gain better photography work–not someone simply just uploading to their Flickr or 500px.
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