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Chris Gampat The Phoblographer Sigma 24mm f1.4 first impressions (2 of 5)ISO 1001-25 sec at f - 1.4

Very recently, we had the chance to play with the Sigma 24mm f1.4 lens that was recently announced. As the latest addition to the Art series of lenses, this is Sigma’s third full frame prime lens that is part of their Global Vision initiative. The lens has a minimum focusing distance of 9.8 inches. Additionally, the 24mm incorporates both “F” Low Dispersion (FLD) glass and Special Low Dispersion (SLD) glass, has an optical formula 15 elements in 11 groups which the company claims to help to minimize chromatic aberration of magnification especially in the edge of the image field, and has aspherical elements placed near the rear of the lens. Finally, the lens has manual focus override even when the autofocus is activated.

We played with a pre-production copy, and what we saw got us more excited than any other lens that we’ve seen so far.

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julius motal the phoblographer street photographers getting over fear eric kim image 05 Suits-8

In this episode of ISO 400, we talk with Eric Kim. While he may need no introduction for some, he is an international street photographer and educator. He’s known for the Eric Kim Street Photography Blog, which has been a tremendous resource for anyone looking to get their start in street photography. Kim started the blog when he realized that there were hardly any resources for street photography.

The blog has been somewhat of a journey for him. As he learns things about the craft, he turns them into blog posts. He interviews and features the work of other photographers, and he teaches workshops all over the world.

Here, he tells us more about what got him into the craft, what it means to be a street photographers, thoughts on his own work, and much more.

For more of Eric’s work, head on over to his website, check out his Facebook page, and visit the blog. Some examples of his work are down below.

As always, our music is provided by Yuki Futami, a New York-based jazz musician.

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Kevin-Lee The Phoblographer Nikon 20mm f1.8G ED Product Images (1 of 12)

In this edition of Cheap Photo, lots of the previous discounts are still available; so you’d better act on them while you can. But Amazon seems to be clearing out lots of stock with deals on DSLRs, mirrorless cameras, point and shoots, camera bundlesaccessories, and even lenses.

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Editor’s Note: this blog post was originally published over at the ISO blog by 500px and by  Grant Friedman. It, and the images used for the post, are being syndicated here with permission.

Fashion Week is an international series of events where fashion designers can showcase their latest collections and connect with other members of the industry. Twice a year, the fashion world converges on New York, London, Paris, Milan, and other sites across the globe for a week’s worth of fashion shows and events.

While for many, the focus of Fashion Week tends to be on the celebrities that attend the shows, what they wore, and the parties that followed, Fashion Week is so much more than that. This year, in New York City alone, over 300 designers held shows, making an estimated economic impact of over $887 million.

While Fashion Week is clearly important to local restaurants, hotels, and other businesses, it is also an important event for all the photographers, stylists, hair and makeup artists, and members of the media that are needed to cover such a large event. While Fashion Week shares many similarities to other large media events, like the Academy Awards, for instance, there is one major difference, Fashion Week lasts much longer, and is held over a much wider area.

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Infographic by Kelby One

 

Photographers shooting weddings for a while typically know where they have to be positioned and sometimes get the opportunity to scout a location out beforehand. But before you even step into the venue, you should have somewhat of an idea. The folks over at KelbyOne created an infographic explaining where you should positioned. Each number corresponds to an area for the ceremony and has tips included.

For more though, you should check out our essential shot list for a wedding and our massive roundup of tips, interviews and tutorials for wedding photography.

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Photographer Arthur Morris recently did a video with Canon’s Digital Learning Center about finding the right locations for bird photography. One of the biggest tips: have the sun behind you and try to line yourself up in the right angle with the sun. This makes sense, as the subject will be front lit naturally and you won’t be dragging out a big flash. When shooting silhouettes though, you want to do the opposite.

Morris also states that birds take off into the wind and land with it because they don’t like having their feathers ruffled. That means that you shouldn’t have the wind hitting you in the face when shooting.

“As long as the wind and light are somewhere behind you, you’re in good shape.”

The video on scouting locations for bird photography is after the jump.

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