Often our photography has a lot going for it. Sometimes it lacks a clear identity. Before we display our images, we get it critiqued. The first person who critiques your work should be you. As photographers we spend a lot of time and money wondering if our images are good. We spend time creating and editing the images. We spend money, making sure we store the images correctly. We are all susceptible to flattery and we accept when people tell us our images are nice. With our own image though, we must be brutal and unforgiving.
The question is, just how do you do this? Here some tips to help.
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DxOMark continues to rate the sensors in current camera models, and their latest victim was the Canon G1 X Mk II. The successor to the original G1 X again comes with a fixed lens and a sensor larger than the (Micro) Four Thirds format, but still smaller than the APS-C format. Sporting a resolution of 15 megapixels, one is bound to assume that it would outperform the Micro Four Thirds crowd at least by a small margin–but actually, the opposite seems to be the case.
With an overall score of 58 points, the PowerShot G1 X Mk II is ranked even lower than its predecessor, wich managed to score 60 points. Compared to current Micro Four Thirds models, however, the G1 X Mk II is way behind: the Olympus OM-D E-M10′s sensor has received 72 points in DxOMark’s test, and even the tiny Panasonic GM1 scores a solid 64 points. But here’s the most interesting part: even Canon’s own PowerShot S120 with its tiny 1/1.7″ sensor scores almost as high as the G1 X Mk II, though of course it doesn’t hold up when it comes to dynamic range and high ISO noise.
This isn’t the first time that we see Canon sensors receiving bad ratings by DxOMark, though. Just recently, their lab tested the EOS Rebel T5, and it, too, was rated way lower than its immediate competition. But despite the mediocre ratings, Canon DSLRs still enjoy a huge popularity especially on western markets, and even the EOS M mirrorless system is very popular over in Japan. When it comes to pure image quality, though, it seems that you’re better of with almost any other brand.
Google Glass caused a lot of buzz when it was originally announced, and continues to do so on a regular basis when reports of users being beaten up or doing silly things with it come in. The wearable device, which is basically an Android smartphone packed into a glasses-like piece of eyewear, not only lets you percieve (and record) the world in a totally new way, it also makes you look a bit like a cyborg. But that might just be about to change.
Even though Google Glass has just been made available to the public today, at a retail price of $1,500, it seems Google is already working on the next generation of augmented reality computing devices. Just like regular glasses were at some point replaced by contact lenses, Google Glass could soon be replaced by Google Contacts. Yup, that’s right. The company that so many of us have already sold our souls to has recently filed a patent for a teeny tiny camera that can be fitted into a contact lens.
Google has previously announced that it’s working on smart contact lenses that can, for example, measure blood glucose levels, so these contact lens cameras might be an addition to these health measuring contacts. They could also prove useful for the visually impaired, for example by tracking their surrounding and warning them of obstancles ahead. As to whether it’ll be possible to take actual photos and videos with these, we honestly have no idea.
But the patent makes us wonder whether it might also be possible to integrate a tiny projector into a contact lens that would display a live image directly onto your retina in much the same way that Google Glass provides your sight with an information overlay. This is just daydreaming, though, and as of yet there’s no guarantee that even the contact lens cameras will make it into an actual project. But the idea is definitely worth geeking out over.
Photographer and timelapse producer Geoff Tompkinson is one of the leading names in timelapse photography. He’s acquired an impressive list of big name clients – BBC, Bloomberg, and National Geographic to name-drop a few, a great deal of media coverage, and an amazing portfolio to boot, travelling the world to shoot his footages anywhere from Istanbul to Chicago.
But as extraordinary as his videos are, we are loving his latest work, “New York Noir” even more. In this short movie, Tompkinson employs a technique called hyperlapse, which is essentially a form of timelapse photography in which the camera’s position is changed between exposures, adding a sense of movement for the spectator. He’s also color treated several different elements in this otherwise black and white rendering, giving it a cooler, tougher look (think Sin City).
“New York Noir” is an exciting journey through the streets of New York City, a beautiful short that is as dark yet as stirring as the city it aims to encapsulate. A far cry from all the other timelapse videos out there, it is possibly Tompkinson’s best work yet. Watch its entirety after the jump.
For more of Tompkinson’s amazing timelapse and hyperlapse videos, check out his website or his Vimeo page. He also holds workshops for those who want to uncover and learn his techniques, check out his workshop listings here.
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The Canon EOS M2 might have skipped out for a North American release, but new reports say we could see a completely new EOS M3 at Photokina. According to SLR Lounge, Canon is gearing up to launch a new mirrorless camera in the coming months. Supposedly Canon is working on two different models with one body aimed at the consumer market and then another version for the prosumer market.
This isn’t the first time we heard rumors of a split EOS M line. Previously, Canon’s next mirrorless bodies were reported to come with two versions as well with a higher-end model that would have been able to take more accessories such as an EVF. However, these rumors were quickly followed by the incrementally updated EOS M2, which fixed the original’s flaws with a faster AF system and added on Wi-Fi connectivity.
For now we don’t have very many specs on this supposed Canon EOS M3 other than making an assumption that it might include the Canon 70D’s dual-pixel AF system. Just yesterday, SLR Lounge also spotted a patent for a new 22-46mm F/3.5-5.6 EF-M mount lens.