There’s a new kid in town – a brand new photo editor for those who love their PC.
There is a lot of editing software to choose from, but PhotoWorks is a photo editor for PC that stands out from the crowd. Professional capabilities combine with an incredibly easy-to-master interface to make this photo editing software the answer for the mass of photographers looking to switch to a less complicated system without compromising quality.
If you own a digital camera, an Android device, an MP3 player, or any other electronic device with extended memory, then you know how important the integrity of your SD card is.
Ideally, SD cards help us extend the memory of a device and transfer data seamlessly across multiple sources. While this is an important function, it also makes them vulnerable to data loss. Chances are that you might end up losing your important files from SD cards out of the blue. Don’t worry – you can still get them back using a reliable SD card data recovery tool. Although there are numerous data recovery tools in the market, only a handful of them actually work. If you are also new to data recovery, then you should know about Recoverit. It is one of the most trusted and accessible tools that is even used by leading experts. Recently, the application has released a new update that offers a wide range of advanced features. Let’s get to know more about the SD card data recovery feature of the tool.
Father’s Day is right around the corner, and there is no better gift than the gift of photography for Dad.
If you’re looking to get Dad the perfect gift for Father’s Day this year, look no further than this Father’s Day gift list. The gift of photography is one of the best you can give for Father’s Day. It doesn’t matter if Dad will be new to the art form or if he is a seasoned shooter. A new camera, lens, or some new accessories will make this Father’s Day even more special for him. We’ve gone through our extensive list of reviews and picked gear that will put a huge smile on Dad’s face this Father’s Day. The good news is that all of these items are available at fantastic prices! Check out the gear recommendations for Father’s Day below. Continue reading…
With the summer holidays almost upon us, we’re sure many of you have exciting vacation plans in store and will want to capture it all.
Photographers who plan on taking a vacation this summer will be happy to know there has never been a better time to look at the market. Not only are there tons of innovative and high-quality cameras out there, but there are also lots of great accessories. Best of all, these items won’t take up a lot of space or break your back while being hauled through an airport. So if you’re a photographer looking to vacation in Iceland, the Virgin Islands, Italy, or even somewhere more local, you’ll care about things like better color. When using something like your weather sealed Sony camera in Hawaii, the Datacolor SpyderX series of products could prove instrumental to getting better colors during your editing process. We’ve gone through our reviews index to figure out what items are best; here is some of our current favorite gear that you may want to consider taking with you for Travel Photography.
The idea of making an investment back into yourself and getting over GAS is a powerful one.
Let’s be honest, you probably have all the gear that you NEED as a photographer–wanting and needing are two different things. But what every photographer needs (and it’s true today more than ever) is an actual functioning website. Your Instagram isn’t enough–that’s a place for us to see the work that you do in a less curated fashion as you work tirelessly to beat an algorithm. But a website from a company that is ethical to photographers like Format is worth the investment into yourself. Your Instagram can get shut down, shadow banned, etc. But a platform that you control won’t have that problem. And trust us, it’s a set it and forget it type of thing with occasional updates and a far less toxic community than Instagram can be.
If you’re the type to often shoot at 35mm or wider, then a 50mm lens could be ideal for portraiture.
Photographers who often reach for 35mm or 28mm lenses can make a great case for using the 50mm lens for portrait photography. At times, an 85mm lens can feel too long, but modern 50mm lenses like a Canon RF 50mm f1.2 L USM can render a look like much of what’s on the market today. As one of its biggest advantages, it lets you frame your scene in tighter locations and also keeps you within a closer physical working distance to the subject. Best of all, due to the f1.2 aperture, the lens lets you seriously isolate your portrait subject in a way that only most 85mm lenses can.
This Mothers Day photography gift guide has loads of sales that are still on! And some made even better!
We hope that you all had a wonderful Mother’s Day. And for those of you interested in still snagging some gear on sale, we’ve gone through our Reviews Index and selected a few items at varying price points for the photographer/mom in your life. Best of all–everything we’ve found is being offered at fantastic prices right now.
Canvas prints are some of the best options for photographers to realistically sell to any client.
I think that once any photographers experiences that magical moment when their images become manifest on a surface, they change immediately. But the best thing that any photographer can print on besides a really high end paper type is canvas. Canvas, in my opinion, should be the standard by what all other print types should be measured by due to the fact that so many photos are sold to clients for them to put them in their homes. Canvases provide versatility that isn’t really offered by all print jobs–at least when it comes to adapting to the environment around it.
Think of it as Instagram’s significantly more network creation focused competition: it’s Shapr.
I’m not sure that a single photographer could say with complete honesty that if they could find a way to make their dream gig easier to happen, then they would. For many of us, Instagram made that possible–but a new option is popping onto the scene to make it easier for collaborations and hirings to become a reality without an algorithm trying to beat you down in every way possible. It’s called Shapr, and to understand it a bit more we decided that we wouldn’t talk to photographers.
Instead, we figured that we’d link up with the people actively hiring photographers.
“Yes they are!” is what Ken, Printing Department Head over at Duggal, said about the Duggal HD-C prints!
Duggal renamed their chromogenic prints to their HD-C prints a number of years ago. Why? Maybe just to get with it in the digital world and for better marketing. But if you’re understanding of how fantastic prints from darkroom processes can be, then you’ll understand the affordable yet super high quality that they’re delivering to customers via ShopDuggal. These images are made using a very special machine that was previously in use for Spy work. Printing at 600DPI, Duggal’s HD-C Prints are made at a super high resolution that can only be experiencing when using a loupe put right up onto the photos.
The absolute best thing that any photographer can do to their images is bring it into the real world via a print.
As the Editor in Chief of the Phoblographer, we get a bunch of submissions from photographers for us to feature their work–and unfortunately I think that one of the problems for many photographers is the fact that we’re not all using the same screens. To that end, all of our images look different depending on a number of factors that are almost completely out of control. Some of those factors include the lighting around the screen that your photos are being viewed on, the screen that it’s being viewed on, etc. But with prints, there’s a pretty different story.
Every photographer should give the gift of their work to their dearest, and what better way to do that than with a printed piece of art?
The holidays are coming up soon, and if you’re in the spirit, consider the gift of your own artwork to clients, loved ones, friends, etc. What you create is special: you put effort into it, you spend hours in post-production or with subjects, and you refine your craft and creative vision until you feel like it’s just right. Your art should be on someone’s wall, on their coffee table, in their cubicle, etc. Want to get started? Let’s take a look at some of our favorite options for 2018.
FOLKS, WE FINALLY HAVE THE CANON EOS R SYSTEM!!
I’ve been using the Canon EOS R system for a number of months now here in NYC. For the photographer with lots of Canon glass or the photographer still trying to make the leap to mirrorless, the Canon EOS R system has proven to me that it is highly capable of meeting and exceeding the needs most travel photographers have. As a busy Editor in Chief, my job often takes me around the world, but I think any fellow native New Yorker can agree with me: you can always feel like a tourist in your own city. New York’s neighborhoods tend to go through changes about every six months in some way or another, and what better way to scrapbook your travels than with some of the best lenses available to a mirrorless camera system? The Canon EOS R system was designed first and foremost around the lenses (arguably the most important part of any camera system).
So if you plan on making it into our beautiful city during your travels, please do take this guide to heart and consider the words of a native who can say he’s explored every part of this city with the curiosity of a child.
Photography at night can bring mystery, viewer curiosity, and (when done right) rich color to your work.
It’s common knowledge that at night you should have a tripod and cable release at a minimum, but there’s one tool that’s considered a secret weapon among successful night photographers and that’s an intensifier filter. An intensifier filter (AKA red intensifier, light pollution killer and the technical name “didymium”) is a tool every photographer needs to have in their kit. Basically, the intensifier works by targeting the light emitted by common street lamps and dramatically reduces the muddy yellow glow as the light passes through the filter. What you end up with is a clean RAW file with rich color, and increased contrast and sharpness.
Photography is an art and craft revolving around controlling light.
The more we know about controlling light the better off we are as creators. But in addition to that, we need the proper tools to control light. Without the right tools, we limit our potential to create work based on our vision, which is a frustrating thing. It’s also important to have quality tools that are reliable and produce predictable results. One of the most straightforward ways to control light is with a neutral density filter but there are some very important things to look out for when finding the right filter.
Steven Magner gets his nightscape photos with a little help from the Hoya intensifier filter
Photographer Steven Magner’s interest in photography started at a young age when his grandmother bought him a Fujifilm MX-1200 for Christmas in 1999. He’s always been a landscape and wildlife photographer in Connecticut until he moved to Los Angeles to work as a graphic designer. It was there that he got into architectural photography and the effects of the photo bug’s bite grew infectious. Today, his wife refers to his camera as “his mistress.” Upon looking at his work, we were in awe of some of the stuff he made at night. His secret – a little filter from Hoya.
Lots of photographers know nothing about selling their prints. So we asked for some tips.
How do you convince someone to buy a print from you? For most photographers, it can be pretty tough to figure this one out. But with an industry as visual as ours, you’re often best trying to convince someone by showing them the image and not just talking to them about it. I mean, who wouldn’t want a really nice big print of one of your best images in their living room or their office? A part of it is psychology and finding a way to appeal to certain segments. But another part is about putting your best foot forward.
Medium format has always been a Creator’s tool; so too is the FUJIFILM GFX 50S.
While medium format can surely be used well for capturing a scene, it’s often best used in a more traditional fashion. The FUJFILM GFX is a larger than full frame option that lends itself and its qualities best to the idea of creating vs capturing. The idea of capturing a photo means there is very little or no outside interference by you at all. You’re essentially capturing life as it goes on and you have little to no influence on how events unfold–and that’s why you’re often called a “fly on the wall.” But creating means that you’re creating a universe or a scene when you shoot photos. Images like this are either carefully put together by adjusting element after element in the scene or with things like photo manipulation in post-production.
The FUJIFILM GFX 50S, with its larger than full frame sensor, provides photographers with a whole lot of editing power
We know what a medium format imaging sensor can do for depth of field, but photographers who are considering moving up to the FUJIFILM GFX system should know about the power of RAW files. Every photographer could always use more versatility from their digital negatives, and medium format sensors can provide that due to their larger pixels and overall larger imaging area. When you combine this with the GFX lens system, Fujifilm’s film simulations, and a solid editing program, you’re going to get images that stand out from the rest.
Photographers who love bokeh in their photos will love to understand its relationship with depth of field
If you listen to the ramblings of so many photographers out there, they’ll tell you about how and why full frame is the way to go; and they’ll rarely talk about depth of field. but we all know that somewhere deep down inside, they’re thinking about it. Indeed, when you go from an APS-C sensor to a full frame 35mm sensor, your depth of field at a given aperture or focal length changes. The general consensus is that bigger is always better. If you’re a street photographer, photojournalist, or a portrait photographer then you probably really care about some sort of shallow depth of field in your images. This doesn’t only have to do with how the sensor on the camera you’re using works, but also deals with your lenses.
All images of the zine creation process by James Moreton.
Back in May I responded to an interview with Chris at the Phoblographer about making zines, why photographers should make them, the drive behind creating zines and some of my experiences of the creative process. The premise of the article was centred on a zine I created last year (Figments), but I hinted at what was coming from the Collective I am a member of – that project is now complete; AllFormat Issue 2. For this issue we wanted to create more of a collaborative photo book, so we thought what better way to do that than to take the reader on a journey through our collective psyche.
