Last Updated on 07/28/2025 by Chris Gampat
Today, the Canon 5D turns 20 years old. It’s crazy to think that in 2005 the camera was born. I was graduating high school and going into college when wedding photographers everywhere were picking up the first of an iconic camera that would make them commit to Canon DSLRs for years. The first camera in this series had a full-frame 35mm-film sized sensor that boasted modest megapixels and gave photographers a film-like look to their images. The 5D was the digital version of the EOS 5, born in 1992 (and also lacking from Canon’s announcement today.) The spirit of this series lives on in the Canon EOS R5 II today.
When I started the Phoblographer, I did it using the Canon 5D Mk II. For several years, the 5D series always introduced some sort of awesome technology that photographers loved.
- The Canon 5D gave us film-like high ISOs
- The 5D Mk II gave us 1080p HD video
- The 5D Mk III gave us in-camera multiple exposure modes and much more
- The 5Ds is still, to this current day of publishing Canon’s highest resolution camera
- The 5D Mk IV gave us very low light autofocus abilities
- The EOS R5 gave us in-body image stabilization and wireless RAW file transfer to Capture One
- The Canon EOS R5 II gave us more video features than stills-based features
By all means, it’s been the standard for working professional photographers for many years now. In fact, it’s also Flickr’s most popular camera right now.
In recent years, younger photographers have been reaching for older 5D series cameras because they want a different look that isn’t super highly manicured.
Canon surely has a lot to celebrate with this camera. Though at the same time, I yearn for even more. The company tends to go through phases of lots of innovation and then stagnation. With today’s world and AI working to replace photographers as much as it can, I truly wish that Canon could give the R5 series even more power. For example, I wish they would bring multiple exposure with RAW back, add even more in-camera editing tools, create their own platform with presets, etc. There are also several darkroom techniques that I wish that could be done in-camera these days with the powerful processors inside.
A big congratulations goes out to Canon for all that they’ve done. But at the same time, I hope that they give photographers even more. Specifically, I’m talking about photographers.
