Subscribe here for an ad-free experience!

The Phoblographer may receive affiliate compensation for products purchased using links in this article. For more information, please visit our Disclaimers page.

Subscribe

Great News! Our New Banner-Ad Free Membership is Ready!

Chris Gampat
No Comments
Last updated on 07/31/2024
08/01/2024
2 Mins read
Chris Gampat The Phoblographer Mobile redesign 2.51-125s160 1
Spread the love
          

After several complications with our app, the Phoblographer has decided to move our banner-ad free membership program over to our website. That means that now, after many requests, you can experience the mobile and desktop website banner-ad free. And now, we’re going to tell you all about it.

If You Were a Previous Subscriber

If you were a previous subscriber to the Phoblographer via our app, please send am email to admins(at)thephoblographer(dot)com and we’ll give you a membership that will last until the end of 2024. After that, you can choose to renew in January of 2025.

What You Get

Currently, the banner-ad free membership gives you the desktop and mobile website with no banner ads. We’re going to work on revamping our membership benefits program as lots of things changed over time.

How to Sign Up

Here’s the info on how to become a member

  • On your device, head to our Purchase page. Please make a purchase of a year-long membership. $25/year gets you our website banner ad-free, and more perks are being worked to be delivered in the future.
  • Once you’ve made a purchase head to our Member Login Page. Enter your login information.
  • When you want to use your member benefits, email admins(at)thephoblographer(dot)com and we’ll get you ready.

We hate banner ads too. We know folks complain about them, but we also need to pay our staff a fair and living wage. Beyond that, we’re also one of the few outlets making and publishing original articles every single day.

Shares
Written by

Chris Gampat is the Editor in Chief, Founder, and Publisher of the Phoblographer. He provides oversight to all of the daily tasks, including editorial, administrative, and advertising work. Chris's editorial work includes not only editing and scheduling articles but also writing them himself. He's the author of various product guides, educational pieces, product reviews, and interviews with photographers. He's fascinated by how photographers create, considering the fact that he's legally blind./ HIGHLIGHTS: Chris used to work in Men's lifestyle and tech. He's a veteran technology writer, editor, and reviewer with more than 15 years experience. He's also a Photographer that has had his share of bylines and viral projects like "Secret Order of the Slice." PAST BYLINES: Gear Patrol, PC Mag, Geek.com, Digital Photo Pro, Resource Magazine, Yahoo! News, Yahoo! Finance, IGN, PDN, and others. EXPERIENCE: Chris Gampat began working in tech and art journalism both in 2008. He started at PCMag, Magnum Photos, and Geek.com. He founded the Phoblographer in 2009 after working at places like PDN and Photography Bay. He left his day job as the Social Media Content Developer at B&H Photo in the early 2010s. Since then, he's evolved as a publisher using AI ethically, coming up with ethical ways to bring in affiliate income, and preaching the word of diversity in the photo industry. His background and work has spread to non-profits like American Photographic Arts where he's done work to get photographers various benefits. His skills are in SEO, app development, content planning, ethics management, photography, Wordpress, and other things. EDUCATION: Chris graduated Magna Cum Laude from Adelphi University with a degree in Communications in Journalism in 2009. Since then, he's learned and adapted to various things in the fields of social media, SEO, app development, e-commerce development, HTML, etc. FAVORITE SUBJECT TO PHOTOGRAPH: Chris enjoys creating conceptual work that makes people stare at his photos. But he doesn't get to do much of this because of the high demand of photography content. / BEST PHOTOGRAPHY TIP: Don't do it in post-production when you can do it in-camera.
'
0