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Tamron Now Makes the Lens Every Nikon Owner Needs

Chris Gampat
No Comments
08/23/2023
3 Mins read
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Last Updated on 08/24/2023 by Chris Gampat

I think we can all agree that Nikon doesn’t make a lot of professional zoom lenses that are very unique. But now, they’re getting the Tamron 35-150mm f2-2.8 lens — and it’s only going to be $1,999 when it launches on September 21st, 2023. I’ve used this lens for Sony E mount for a very long time. In fact, it has helped give me one of my most interacted-with images on social media. And for the most part, I think this lens will replace the Nikon 24-120mm f4 for lots of photographers.

Table of Contents

  • Our Predictions
  • Why Get This Lens?
  • The Final Results?

Our Predictions

This is yet another lens that Tamron has ported to Nikon, with the first being the 70-300mm lens. When that lens came, the autofocus wasn’t as stellar as it is with Nikon’s own lenses. Perhaps this is why Nikon decided to rebadge a few of Tamron’s lenses — although those other lenses had decent autofocus motors, to begin with. And this is why the Tamron 35-150mm f2-2.8 lens is such a wildcard. By all means, this is the company’s best lens. It focuses pretty spectacularly, and we can’t imagine that it wouldn’t do so on Nikon’s cameras. If it lags behind, then there’s surely something wrong.

Why Get This Lens?

Here are some important bits from our review of the lens. Mind you, we’ve reviewed this lens on Sony cameras, and we’re going to update our review to include how it performs on Nikon.

When you first hold the Tamron 35-150mm f2-2.8 Di III VXD, you realize it’s the most solid lens they’ve made for mirrorless cameras so far. It focuses incredibly fast and offers innovations that other lenses don’t. This is a perfect lens for anyone who shoots portraits, events, landscapes, photojournalism, etc. If you’re a working photographer shooting with Sony, this is arguably the only lens you need.

Beyond this, the lens received an Editor’s Choice award from us. With time away from the review and buying the lens later on, my thoughts are still the same. I barely ever use zoom lenses. But when I do, I typically choose Tamron for several reasons. And the innovation that this lens has makes it an easy choice for me. It’s not something that I want to carry everywhere with me at all times. And it isn’t permanently mated to my Sony cameras. But it’s quite good.

If you attach it to the Nikon z7 or Z6 series of cameras, I don’t think it will be very balanced. But on the company’s heavier options like the Z8 or Z9, it surely will be. But it will also make the overall package much heavier. This lens is heavy — make no mistake. However, it gives you beautiful image quality and consistent reliability.

The Final Results?

We’ve asked Tamron for a review unit of this lens and have asked Nikon to provide us with a camera body to test it out on. I think that this lens will add some much-needed character that Nikon otherwise tends to lack. But it also adds variety.

This, overall, is a good thing. If Nikon can’t make a whole slew of innovative lenses themselves, why not let another brand do so?

Now if only Canon would let this lens come to RF mount, then we’d be in a whole lot better of a situation overall in the camera world.

lens nikon nikon autofocus tamron tamron 35-150mm
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Chris Gampat

Chris Gampat is the Editor in Chief, Founder, and Publisher of the Phoblographer. He provides oversight to all of the daily tasks, including editorial, administrative, and advertising work. Chris's editorial work includes not only editing and scheduling articles but also writing them himself. He's the author of various product guides, educational pieces, product reviews, and interviews with photographers. He's fascinated by how photographers create, considering the fact that he's legally blind./ HIGHLIGHTS: Chris used to work in Men's lifestyle and tech. He's a veteran technology writer, editor, and reviewer with more than 15 years experience. He's also a Photographer that has had his share of bylines and viral projects like "Secret Order of the Slice." PAST BYLINES: Gear Patrol, PC Mag, Geek.com, Digital Photo Pro, Resource Magazine, Yahoo! News, Yahoo! Finance, IGN, PDN, and others. EXPERIENCE: Chris Gampat began working in tech and art journalism both in 2008. He started at PCMag, Magnum Photos, and Geek.com. He founded the Phoblographer in 2009 after working at places like PDN and Photography Bay. He left his day job as the Social Media Content Developer at B&H Photo in the early 2010s. Since then, he's evolved as a publisher using AI ethically, coming up with ethical ways to bring in affiliate income, and preaching the word of diversity in the photo industry. His background and work has spread to non-profits like American Photographic Arts where he's done work to get photographers various benefits. His skills are in SEO, app development, content planning, ethics management, photography, Wordpress, and other things. EDUCATION: Chris graduated Magna Cum Laude from Adelphi University with a degree in Communications in Journalism in 2009. Since then, he's learned and adapted to various things in the fields of social media, SEO, app development, e-commerce development, HTML, etc. FAVORITE SUBJECT TO PHOTOGRAPH: Chris enjoys creating conceptual work that makes people stare at his photos. But he doesn't get to do much of this because of the high demand of photography content. / BEST PHOTOGRAPHY TIP: Don't do it in post-production when you can do it in-camera.
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