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Modern Low Light Autofocus is Really Bad. And Here’s Why.

Chris Gampat
No Comments
05/08/2023
3 Mins read
Chris Gampat Roque's 40th Birthday photos 35

“Oh man, you don’t even need to have the photographer; what’s the point of even hiring one?” This is what a marketing rep from a competing company told me when the Sony a1 was launched. He was impressed. But he, and perhaps many Japanese camera manufacturers, have even begun to understand one of the biggest problems with modern autofocus. It starts with low light autofocus in cameras and spreads further with an issue that’s plagued the industry for decades.

What I’m talking about here is low-light autofocus and having cameras focus on POCs with darker skin. You’ll probably sit here and tell me there’s not enough contrast in the scene.

And here’s where I’m going to tell you to stop. It’s 2023, and things desperately need to change.

Here’s the truth about the photo industry and cameras:

  • We’ve (the photo industry, that is) put claims of being able to achieve autofocus down to -7 EV in cameras
  • There is AI and machine learning to detect animals
  • And birds
  • And cars
  • And trains
  • And automobiles
  • And insects
  • And horses
  • There’s even AI that can cut down the light in a scene to act like an ND filter
  • Plus, there’s AI that can composite an image together in-camera.

Yet still, there’s no feature that lets cameras focus on people of color in low light moving pretty quickly. Why? And why is this such a problem even when the cameras can focus down to -7 EV? This technology shouldn’t take years to develop, it should be out now.

I think that this is a problem that stems back for decades. We previously reported on a video that VOX did a great job of explaining. But the truth is that it seems like these problems remain. When the companies are testing their cameras out, they’re doing it with lighter-skinned individuals from Japan or ex-pats instead of with people of color. And the world isn’t all very light-skinned. In fact, most folks in the world have darker skin these days.

When I say the photo industry failed with low light autofocus on people of color, I mean every brand. I’ve tested Canon, Nikon, Sigma, Sony, Leica, Panasonic, and Fujifilm. All of them do a really bad job at it. And telling us to use the infrared or LED assist light isn’t a solution. Often that can throw off a moment when you’re in low light. I’ve done it by accident, and I felt awful about it when documenting an event.

To further clarify this, I’m not just talking about low light autofocus on people of color. But the cameras also need to be able to track these people as they move around. Contrast and phase detection should be more than good enough to do all this now. But they’re sadly not. It’s a major feature that every camera manufacturer has overlooked, and they don’t necessarily seem to care about fixing it.

I’ve also previously spoken about how sonar could come back to help cameras do this. But with camera manufacturers leaning more into video, I don’t think that it will come.

So here’s my challenge to camera manufacturers: work on your cameras and make them more inclusive. Develop them to help people with low vision. And more importantly, develop them to autofocus on people of color in low light. It’s past time that Japanese camera manufacturers start to erase these mistakes.

AI autofocus Cameras contrast low light low light autofocus phase detection poc
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Chris Gampat

Chris Gampat is the Editor in Chief, Founder, and Publisher of the Phoblographer. He provides oversight to all of the daily tasks, including editorial, administrative, and advertising work. Chris's editorial work includes not only editing and scheduling articles but also writing them himself. He's the author of various product guides, educational pieces, product reviews, and interviews with photographers. He's fascinated by how photographers create, considering the fact that he's legally blind./ HIGHLIGHTS: Chris used to work in Men's lifestyle and tech. He's a veteran technology writer, editor, and reviewer with more than 15 years experience. He's also a Photographer that has had his share of bylines and viral projects like "Secret Order of the Slice." PAST BYLINES: Gear Patrol, PC Mag, Geek.com, Digital Photo Pro, Resource Magazine, Yahoo! News, Yahoo! Finance, IGN, PDN, and others. EXPERIENCE: Chris Gampat began working in tech and art journalism both in 2008. He started at PCMag, Magnum Photos, and Geek.com. He founded the Phoblographer in 2009 after working at places like PDN and Photography Bay. He left his day job as the Social Media Content Developer at B&H Photo in the early 2010s. Since then, he's evolved as a publisher using AI ethically, coming up with ethical ways to bring in affiliate income, and preaching the word of diversity in the photo industry. His background and work has spread to non-profits like American Photographic Arts where he's done work to get photographers various benefits. His skills are in SEO, app development, content planning, ethics management, photography, Wordpress, and other things. EDUCATION: Chris graduated Magna Cum Laude from Adelphi University with a degree in Communications in Journalism in 2009. Since then, he's learned and adapted to various things in the fields of social media, SEO, app development, e-commerce development, HTML, etc. FAVORITE SUBJECT TO PHOTOGRAPH: Chris enjoys creating conceptual work that makes people stare at his photos. But he doesn't get to do much of this because of the high demand of photography content. / BEST PHOTOGRAPHY TIP: Don't do it in post-production when you can do it in-camera.
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