The best weather-sealed OM SYSTEM lenses for passionate photographers are very versatile. Indeed, the company packs a zoom range into a lens body many photographers have often thought impossible. But if you photograph wildlife, sports, landscapes, or like computational photography, they’re incredible. They provide plenty of opportunities to get the shot as well as produce great image quality. If what you’re looking for the most is a small and lightweight camera system, this is the way to go. Dive in with us!
Table of Contents
How We Chose the Best OM SYSTEM Zoom Lenses for Everyone
Here’s some insight into how to use this guide of the best OM SYSTEM zoom lenses for passionate photographers who love the system:
- This list of best OM SYSTEM zoom lenses for passionate photographers is brought to you by OM SYSTEM, and abides by our Editorial Policies. We won’t ever talk about a lens or product we haven’t touched. Luckily, we’ve reviewed all the PRO grade lenses.
- We shot all the product images and sample images in this roundup. Rest assured that we actually used them and you can trust the experts at The Phoblographer.
- These are Micro Four Thirds lenses. To get the full-frame equivalent, double the focal length.
- Pairing the best OM SYSTEM zoom lenses for passionate photographers with cameras that have computational photography like the OM SYSTEM OM-1 produces a ton of potential. There’s the Live ND feature, which helps you avoid stopping the lens down and therefore prevents diffraction. Then there’s Live Composite, which does what pretty much no other camera system can for astrophotography and more.
- Four Thirds is a trendy format right now. Watch a lot of Netflix shows, and you’ll see that they’re purposely letterboxing the sides to give it that look at times.
- These best OM SYSTEM zoom lenses for passionate photographers have different additions to the naming, like IS and PRO. PRO designates their highest end lenses. IS stands for image stabilization.
- We’ve ordered this list of best OM SYSTEM zoom lenses for passionate photographers from widest to most telephoto.
M.ZUIKO DIGITAL ED 12-100MM f4 IS PRO
Why This Lens?
- Fairly compact
- Feels nice in the hand
- Clutch for manual focus
- Sharp
- Nice colors
- Fast autofocus capabilities
- Image stabilization that works with the sensor
- With the OMD EM1 Mk II, it’s almost impossible to get a blurry shot from camera shake.
How is it?
In our review, we said:
“Now that we’re talking about autofocus just a bit, what I really like about the M.Zuiko 12-100mm f4 IS PRO is how closely it can focus when zoomed in. It guarantees a lot of great bokeh and you never have to stop down. Additionally, the lens is really speedy.”
M.ZUIKO DIGITAL ED 40-150MM F2.8 PRO
Why This Lens?
- Fairly compact
- Feels nice in the hand
- Switch for manual focus
- Image stabilization that works with the sensor
- It’s almost impossible to get a blurry shot from camera shake
- Sharp
- Nice colors
- Fast autofocus capabilities
BUT HOW IS IT?
In our review, we state:
“The M.Zuiko 40-150mm f2.8 PRO exhibits exceptional image quality that is sharp, contrasty, and detailed: enough to give any Micro Four Thirds user exactly what they want. In some events, like shooting portraits, it’s easy to say it can be too sharp. Of any Olympus lens we’ve tested, this one has given us the best results, understandably too for the price point!”
M.ZUIKO DIGITAL ED 150-400mm f4.5 TC1.25x IS PRO
WHAT TO LIKE
- Insanely lightweight for carrying over time
- Pretty fast
- Weather resistance
- Very sharp and beautiful image quality
- Incredibly convenient
- The built-in teleconverter is awesome.
- Internal zooming
- Beautiful colors and bokeh
WHAT WE THOUGHT
In our review, we said:
The M.Zuiko150-400mm f4.5 IS PRO lens offers some of the most versatility I’ve ever seen in the photography world. Lenses with built-in teleconverters can be something special. Wildlife and sports photographers will really like what this lens can do for them. I think wildlife and bird photographers are going to benefit the most here. The depth of field equivalence is around f9 on a full-frame camera when shooting wide open. And when the teleconverter is activated, it becomes f5.6, which translates to f11. Sure, these are all considerations to make when shooting with a lens like this.
The Phoblographer’s various product round-up features are done in-house. Our philosophy is simple: you wouldn’t get a Wagyu beef steak review from a lifelong vegetarian. And you wouldn’t get photography advice from someone who doesn’t touch the product. We only recommend gear we’ve fully reviewed in these roundups. If you’re wondering why your favorite product didn’t make the cut, there’s a chance it’s on another list. If we haven’t reviewed it, we won’t recommend it. This method keeps our lists packed with industry-leading knowledge. Some of our stories include affiliate links. If you buy something through one of these links, we may earn an affiliate commission.
This piece is presented in partnership with OM SYSTEM. We’ve independently and ethically reviewed all the products in this post already without sponsorship. And we worked with them to recommend a few key gems to you.
