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What the Photographic Printing World Needs to Do to Appeal to a Younger Audience

Chris Gampat
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10/08/2018
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Chris Gampat The Phoblographer MOAB Moenkopi Washi Kozo 110 paper review 2

Last Updated on 10/09/2018 by Mark Beckenbach

The world of printing your photos is really confusing even as I’ve been doing it for years now.

Throughout all my meetings in the photo industry, what’s consistently spoken about is how little people print anymore. Indeed, it isn’t a necessary part of the photography process because you can’t double tap the images or scroll passed them. But printing is still the ultimate experience in photography. Folks of course want to get into it, but if you’re looking at it as an outsider, it’s pretty darned complicated. Your more common options are heading to a Walgreens and getting prints made there. But the bigger and better prints aren’t well known to folks.

Here’s what the photo industry needs to focus on to get better messages across about printing.

First off, the biggest players are Canon and Epson with Legion/MOAB and Red River being amongst the others. Paper is more or less defined by two different categories when it comes to printing: matte and glossy. Glossy is perhaps the most common and matte prints are what people don’t really know about. Printing a photo via standard letter paper is essentially a matte print, but it’s a relatively awful one. Glossy is more likened to the crappy prints that you get at a pharmacy.

Okay, so now we’ve got that.

Then there are all the sub-names for them. Let’s start going over all these:

  • Satin
  • Glossy
  • Metallic
  • High Gloss
  • Semi-Gloss
  • Luster
  • Professional
  • Matte Gloss
  • Fine Art
  • Exhibition
  • Fiber
  • Velvet
  • Cold Press
  • Legacy
  • Palo Alto

Now let me stop right there. Those are a number of terms and to different photographers they mean different things. Here are some questions that are bound to go through your mind because they surely went through mine when I first started out:

  • Does satin mean that it’s soft? Smooth as satin, right?
  • Why the hell would I want to get my image printed on something that looks like metal? Wouldn’t the grain ruin the photo?
  • Matte Gloss? Really? What does that mean?
  • What’s semi-gloss?
  • Is Luster different front Semi-Gloss?
  • Fine Art? Is that Glossy or Matte?
  • Velvet? Wait, how is that different from Satin?
  • Does Palo Alto mean that the paper is made in America?

In almost none of these names are the associations with Matte or Glossy–the two big paper types that every photographer or person who knows about paper will talk about. Not only that, but we liken the terms to computer screens. Photographers really prefer Matte displays, but they’ll probably actually use Glossy ones. Right here, I’ve only started to scratch the surface. The problem is an inherent marketing and naming one: the current standards appeal to photographers who have been printing for years and years, even though I highly doubt that they’d know exactly what you’re talking about. So if these photographers don’t know, then how do you expect newer photographers to know? In the past few years, more people than ever in the history of the world have picked up cameras.

Here are just a few ideas:

  • Satin Glossy
  • Metallic Glossy
  • Luster Glossy
  • Professional Matte (Still an awful name)
  • Matte Gloss (Seriously?)
  • Fine Art Matte
  • Exhibition Matte or Glossy
  • Fiber Matte
  • Velvet Matte
  • Cold Press Glossy
  • Legacy Matte
  • Palo Alto Matte

All of these papers then have some sort of attribution to them that makes them both unique and also tells us what they’re used for.

canon epson fine art glossy legion luster matte paper Photography red river
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Chris Gampat is the Editor in Chief, Founder, and Publisher of the Phoblographer. He provides oversight to all of the daily tasks, including editorial, administrative, and advertising work. Chris's editorial work includes not only editing and scheduling articles but also writing them himself. He's the author of various product guides, educational pieces, product reviews, and interviews with photographers. He's fascinated by how photographers create, considering the fact that he's legally blind./ HIGHLIGHTS: Chris used to work in Men's lifestyle and tech. He's a veteran technology writer, editor, and reviewer with more than 15 years experience. He's also a Photographer that has had his share of bylines and viral projects like "Secret Order of the Slice." PAST BYLINES: Gear Patrol, PC Mag, Geek.com, Digital Photo Pro, Resource Magazine, Yahoo! News, Yahoo! Finance, IGN, PDN, and others. EXPERIENCE: Chris Gampat began working in tech and art journalism both in 2008. He started at PCMag, Magnum Photos, and Geek.com. He founded the Phoblographer in 2009 after working at places like PDN and Photography Bay. He left his day job as the Social Media Content Developer at B&H Photo in the early 2010s. Since then, he's evolved as a publisher using AI ethically, coming up with ethical ways to bring in affiliate income, and preaching the word of diversity in the photo industry. His background and work has spread to non-profits like American Photographic Arts where he's done work to get photographers various benefits. His skills are in SEO, app development, content planning, ethics management, photography, Wordpress, and other things. EDUCATION: Chris graduated Magna Cum Laude from Adelphi University with a degree in Communications in Journalism in 2009. Since then, he's learned and adapted to various things in the fields of social media, SEO, app development, e-commerce development, HTML, etc. FAVORITE SUBJECT TO PHOTOGRAPH: Chris enjoys creating conceptual work that makes people stare at his photos. But he doesn't get to do much of this because of the high demand of photography content. / BEST PHOTOGRAPHY TIP: Don't do it in post-production when you can do it in-camera.