We all love bokeh, after all, what’s not to like?! Actually, there is quite a bit not to like in the form of digits on the price tag. The best bokeh is not a cheap thing to attain, but with that said, bokeh is hardly extremely expensive either. Many lenses that are extremely affordable can offer you bokeh that fights above it’s pay grade.
You want to save money, we want to save you money, but you also want the best bokeh for your money. If that is the case, than this is the list for you, 10 ultra affordable lenses that will give you more bokeh than they should for the price.
Panasonic 20mm f1.7 II
In our review of the Panasonic 20mm F1.7 we had the following to say:
“In order to get bokeh with this lens, we recommend either shooting wide open or getting really close to a subject. At f1.7, you’ll have a full frame equivalent of f3.7, so that may even make you not ever want to stop it down. The bokeh from this lens looks hazy vs being creamy; but we have to admit that it seems pleasing.
Just note that at f1.7 that your images won’t be as sharp as you may have come to expect.”
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Olympus 25mm f1.8
In our review of the Olympus 25mm F1.8 we had the following to say:
“If you’re up close and personal to your subject, the bokeh is delicious, smooth, and creamy. This bokeh though will best be served when up close and when wide open–which means that it isn’t so great for up close portraits due to the 25mm focal length and any distortion that might occur. Move back a bit though and you’ll be fine. This is perceived distortion mind you, and the bokeh is still really good in portraits.”
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Fujifilm 27mm f2.8
In our review of the Fujifilm 27mm F2.8 we had the following to say:
“We need to state just how difficult it can be to get bokeh with this lens. We really wish that the 27mm f2.8 focused closer–and we see no real reason why it can’t. Perhaps Fujifilm might fix this in a firmware update like they did with other lenses. This would be the best way to see bokeh in your subject matter.
From the bokeh that we were able to get, we believe that it leans more towards the hazy side than the creamy side. However, it isn’t really distracting in any way–which is also a major plus.”
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Sigma 30mm f1.4 DC DN Contemporary
In our review of the Sigma 30mm f1.4 we had the following to say:
“With nine aperture blades, this lens is bound to have great bokeh. Indeed it does. The enthusiast that this lens is targeted towards will really enjoy all of the beautifully sharp images that they create accented by genuinely creamy bokeh. Of course, the best bokeh is produced when focusing close up as this is still indeed a 30mm lens properly. Micro Four Thirds users will get a full frame depth of field equivalency of f2.8 when shooting wide open while APS-C users will get f2.1.
Of course, the light gathering abilities will still be that of f1.4.”
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Fujifilm 35mm f2 WR
In our review of the Fujifilm 35mm F2 we had the following to say:
“With nine aperture blades to this lens, you’re bound to expect beautiful and creamy bokeh. Indeed, that’s what you get. Amazingly enough though, I expected even better bokeh from this lens but it’s about on par with the f1.4 version.
Why did I expect better bokeh? When you place this in the realm of lenses overall in the mirrorless camera world, I wouldn’t say that the bokeh from this lens is one of the strongest out there; that award would be given to Sony and Zeiss with their offerings.”
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Canon 40mm f2.8
In our review of the Canon 40mm F2.8 we had the following to say:
“With most lenses, this should truly be main factor that you care about when deciding what to purchase. There are certainly many things to consider when purchasing optics, but in my honest opinion, image quality is what matters. Now, here we have a lens that costs between $150-200 that delivers some really quite impressive detail in the center. The edges are a bit soft wide open, but honestly are you going to even notice? There will be some decent bokeh smearing the corners at that point so who’s going to care about corner detail at that point? I’m not much for “scientific” lens tests personally, and I want to share how this lens performs in real world actual usage.”
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Canon 50mm f1.8 STM
In our review of the Canon 50mm F1.8 STM we had the following to say:
“Canon’s 50mm f1.8 STM is an overall great lens for what it is: a cheap lens that is aimed at a specific consumer. It’s not going to deliver the best image quality and it’s not going to give you the looks that many third party manufacturers give you now. But what it will surely do is give you a starting point to work with.
The Canon 50mm f1.8 STM is good at everything in general, but it isn’t great at everything. Perhaps we’re being too harsh on it for being only $120–but with that said, don’t expect incredibly jaw-dropping images compared to many other higher end offerings (if you’re more used to those).”
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Nikon 50mm f1.8 G
In our review of the Nikon 50mm F1.8G we had the following to say:
“The Bokeh in images are nice, like whipped bacon butter from beyond the moon. The subject pop and this lens provides great depth of field control.”
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Sony 50mm f1.8 FE
In our review of the Sony FE 50mm F1.8 we had the following to say:
“Considering that this is a standard Sony lens, you’re essentially slapping the lens on, focusing and shooting. It’s very straight forward as it has been with Sony’s products for a while. To that end, you may not even really be paying attention to the focusing ring unless your in DMF mode when shooting.”
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Sigma 19mm f2.8 DN
In our review of the Sigma 19mm F2.8 DN we had the following to say:
“When in use, the Autofocus of these lenses doesn’t feel like it’s holding you back, but it does seem a bit sluggish. Anyone that owns one of Olympus’ newer lenses or the Panasonic 25mm will most likely find the Sigma 19mm and 30mm to be slightly lethargic but it shouldn’t be a deal breaker for most. I was able to use the touch screen on my OM-D to select focus and fire the trigger just like I would with any of my other lenses albeit it took just a tick longer to complete the process. However, the OM-D did seem to hunt a bit more in low light and I did have a few false positive focus confirmations when using these lenses in less than ideal light.”
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So there you have it, all ten of these lenses are extremely affordable and all of them hit above their weight class in bokeh. You can certainly spend more and get some better bokeh, but if you are tight on funds, these are some excellent options.